{"id":204271,"date":"2025-04-25T07:06:49","date_gmt":"2025-04-25T07:06:49","guid":{"rendered":"https:\/\/peraltafinancing.com\/american-history\/april-25-2025-earthquakestudying-movies\/"},"modified":"2025-04-25T07:06:49","modified_gmt":"2025-04-25T07:06:49","slug":"april-25-2025-earthquakestudying-movies","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=204271","title":{"rendered":"April 25, 2025: EarthquakeStudying: Movies"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"post-body-1194384447257815735\" itemprop=\"description articleBody\">\n<p>[<a href=\"https:\/\/www.lindahall.org\/about\/news\/scientist-of-the-day\/charles-richter\/\">125 years<br \/>\nago<\/a> this coming weekend, the <a href=\"https:\/\/ftp.granit.unh.edu\/d-FEMA\/d-NHOEM\/d-Exeter\/ExeterAppendix%20G.pdf\">first name<br \/>\nin earthquakes<\/a>, Charles Richter, was born. So in his honor I\u2019ll AmericanStudy a<br \/>\nhandful of seismic quakes, leading up to a special post on Richter himself!]<\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">On<br \/>\ntakeaways from three blockbuster films about catastrophic quakes.<\/span><\/p>\n<p class=\"MsoListParagraphCxSpFirst\" style=\"margin-top: 12.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 142.5pt; text-indent: -.25in;\"><!--[if !supportLists]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;\"><span style=\"mso-list: Ignore;\">1)<span style=\"font: 7.0pt &quot;Times New Roman&quot;;\">\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/span><\/span><\/span><!--[endif]--><i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/www.youtube.com\/watch?v=YgfBW2p71VU\">Earthquake<\/a><\/span><\/i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> (1974): I<br \/>\nwrote <a href=\"https:\/\/americanstudier.blogspot.com\/2024\/04\/april-23-2024-climate-culture-day-after.html\">in<br \/>\nthis post<\/a> about the long history of disaster films (one of the most<br \/>\nenduring genres of blockbusters, in fact), and there\u2019s never been a moment more<br \/>\nfull of such movies than the 1970s. Indeed, production on <i>Earthquake<\/i> was<br \/>\nrushed in order to try to beat a <a href=\"https:\/\/www.flickchart.com\/discussion\/6D3636D59C\/vs\/F70B93D5EC\">competing<br \/>\ndisaster film<\/a>, <i>The Towering Inferno<\/i>, into theaters, and <i>Earthquake<\/i><br \/>\ndid come out about a month before <i>Inferno<\/i> so mission accomplished there.<br \/>\nBut what really makes <i>Earthquake<\/i> stand out is its use of a<br \/>\ngroundbreaking (bad pun once again intended) theatrical technology, \u201c<a href=\"https:\/\/daily.redbullmusicacademy.com\/2019\/07\/earthquake-sensurround-cerwin-vega?linkId=71404520\">Sensurround<\/a>,\u201d<br \/>\nin order to help audiences truly feel the titular disaster. Given that the film<br \/>\nfeatures a scene (available at the first hyperlink above) set in a movie theatre<br \/>\nduring the earthquake, I can imagine that the blurring of art and reality would<br \/>\nhave gotten real complicated for at least Southern California audiences.<\/span><\/p>\n<p class=\"MsoListParagraphCxSpMiddle\" style=\"margin-top: 12.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 142.5pt; text-indent: -.25in;\"><!--[if !supportLists]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;\"><span style=\"mso-list: Ignore;\">2)<span style=\"font: 7.0pt &quot;Times New Roman&quot;;\">\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/span><\/span><\/span><!--[endif]--><i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/www.youtube.com\/watch?v=Yk03w6XDizs\">The Great Los Angeles<br \/>\nEarthquake<\/a><\/span><\/i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> (1990): In his <a href=\"https:\/\/www.washingtonpost.com\/archive\/lifestyle\/1990\/11\/10\/the-big-one\/3c12ef58-af01-449b-9bb8-2be5b8f3ad10\/\">review<br \/>\nof this film<\/a> (which he calls <i>The Big One<\/i>, an alternate title), <i>Washington<br \/>\nPost<\/i> critic Tom Shales explicitly connected it to the 1974 film, noting<br \/>\nthat, \u201cbad as it is, [it] does seem an improvement over the 1974 theatrical<br \/>\nrelease <i>Earthquake<\/i>, which also fantasized the destruction of L.A.\u201d But<br \/>\nwhat interests me most about the 1990 film is that it was made-for-TV, and yet<br \/>\nclearly intended to be just as much of a blockbuster as that prior theatrical release\u2014the<br \/>\n1990 film cost more than $9 million, was made over a three-year period,<br \/>\nincluded sequences filmed at the same Universal Studios lot where <i>Earthquake<\/i><br \/>\nhad been filmed, and so on. There\u2019s been a lot written in recent years, quite<br \/>\nrightly, about the shift from film to TV (including in how films themselves get<br \/>\ndistributed and viewed), but this blockbuster TV movie from 1990 reminds us<br \/>\nthat that process has been a multi-decade one to be sure.<\/span><\/p>\n<p class=\"MsoListParagraphCxSpLast\" style=\"margin-top: 12.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 142.5pt; text-indent: -.25in;\"><!--[if !supportLists]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;\"><span style=\"mso-list: Ignore;\">3)<span style=\"font: 7.0pt &quot;Times New Roman&quot;;\">\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/span><\/span><\/span><!--[endif]--><i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/www.youtube.com\/watch?v=23VflsU3kZE\">San Andreas<\/a><\/span><\/i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> (2015): Hollywood<br \/>\nwas far from done with big-screen blockbuster disaster movies, of course, as<br \/>\nreflected by this 2015 film about a catastrophic quake that hits the San<br \/>\nFrancisco Bay Area, starring blockbuster big guy Dwayne Johnson himself (among<br \/>\nmany others in an over-stuffed cast as is typical for the genre). I don\u2019t know<br \/>\nthat there\u2019s too much more to say about this particular film, but I\u2019d note that,<br \/>\nto my knowledge, there hasn\u2019t yet been a feature film made about the 1906 San<br \/>\nFrancisco earthquake and fire, a real-life disaster that was (as I wrote in<br \/>\nMonday\u2019s post) as full of compelling stories as any imaginary one could be. I<br \/>\nknow that period pieces can be trickier, and generally are a distinct genre<br \/>\nfrom disaster films\u2014but if we\u2019re gonna keep telling these stories, we might as<br \/>\nwell engage with the real ones.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Richter<br \/>\npost this weekend,<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Ben<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">PS. What<br \/>\ndo you think? Famous quakes or other natural disasters you\u2019d analyze?<\/span><\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>[125 years ago this coming weekend, the first name in earthquakes, Charles Richter, was born. So in his honor I\u2019ll AmericanStudy a handful of seismic quakes, leading up to a special post on Richter himself!] On takeaways from three blockbuster films about catastrophic quakes. 1)\u00a0\u00a0\u00a0\u00a0\u00a0 Earthquake (1974): I wrote in this post about the long [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12032],"tags":[4759,75808,4498],"dealstore":[],"offerexpiration":[],"class_list":["post-204271","post","type-post","status-publish","format-standard","hentry","category-american-history","tag-april","tag-earthquakestudying","tag-movies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>April 25, 2025: EarthquakeStudying: Movies - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=204271\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"April 25, 2025: EarthquakeStudying: Movies - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"[125 years ago this coming weekend, the first name in earthquakes, Charles Richter, was born. 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