{"id":198834,"date":"2025-04-22T14:38:21","date_gmt":"2025-04-22T14:38:21","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/as-winter-wanes-color-blooms\/"},"modified":"2025-04-22T14:38:21","modified_gmt":"2025-04-22T14:38:21","slug":"as-winter-wanes-color-blooms","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=198834","title":{"rendered":"As Winter Wanes, Color Blooms"},"content":{"rendered":"


\n<\/p>\n

\n
<\/a><\/div>\n
Un-Fair<\/i>\u00a0at at Sikkema Jenkins<\/b><\/a>: Kay Rosen, Prismism,<\/i>\u00a02020, colored pencil on paper, app 22 x 30 inches<\/div>\n
\n

I spent a much needed several days\u00a0 looking at art in Chelsea, the Lower East
\nSide, Chinatown, and Bushwick. There was a lot of spirit-lifting
\ncolor on the walls. Within its chromatic embrace, one could see geometry,
\nreductive rigor, provisional playfulness, bold brushwork, sumptuous surface, sculptural construction, and allover patterning in paint, fiber, wood, and paper. Here\u2019s a look at some
\nof what I saw. Some of the group and solo shows remain ongoing, while others
\nhave closed. Most of the various exhibitions\u2019 images can be seen online. \u00a0\u00a0<\/span><\/p>\n<\/div>\n

<\/a>
Doug Ohlson: Paintings from the 1980s <\/i>at Washburn Gallery<\/b><\/a>, Chelsea
Exhibition up through April 3<\/div>\n

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Lost Child,<\/i>\u00a01986, acrylic on canvas, 60 x 60 inches<\/p>\n

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Cool Blue,<\/i>\u00a01981, oil and acrylic on canvas, 60 x 72 inches; Harlequin<\/i>, 1983, acrylic on canvas,\u00a0<\/p>\n

76 x 104 inches<\/p>\n

Below: Detail of Harlequin<\/i><\/p>\n<\/div>\n

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<\/p>\n

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Close Tone,<\/i>\u00a01984, oil and acrylic on canvas, 62 x 60 inches; Untitled,<\/i>\u00a01985, acrylic on canvas, 32 x 33 inches<\/p>\n

Below: side view of Untitled<\/i><\/p>\n

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. . . . . .<\/b><\/p>\n

<\/p>\n

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Group exhibition with Celia Johnson, Conny Goeltz Schmitt, and Fran Shalom\u00a0<\/p>\n

Exhibition up through March 27<\/p>\n

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At Kathryn Markel<\/b><\/a>: Conny Goelz Schmitt, Long Haul,<\/i>\u00a02020, vintage book parts, 16 x 16 x 4 inches<\/div>\n

<\/p>\n

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At Kathryn Markel<\/b><\/a>: Main gallery, three paintings by Fran Shalom<\/p>\n

Below: Shalom’s Amplify<\/i>\u00a0and Encounter,<\/i>\u00a0both 2020, oil on panel, 24 x 24 inches<\/p>\n<\/div>\n

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Moving clockwise around the gallery: Fran Shalom, Dastardly,\u00a0<\/i>2020, oil on canvas; Celia Johnson, Seanoir,<\/i>\u00a02020, acrylic on panel<\/span><\/p>\n

. . . . . .<\/b><\/p>\n

<\/p>\n

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Exhibition up through April 17<\/p>\n

Above: Spiral,<\/i>\u00a02021, machine pieced and hand-quilted reclaimed fabrics<\/p>\n

Below: reverse side<\/p>\n

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Cuadricula Quilt,<\/i>\u00a02019, machine pieced and hand-quilted cotton and polyester; right, Ups and Downs,<\/i>\u00a02021, acrylic on wood<\/p>\n

Below: Detail of Cuadricula<\/i><\/p>\n

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Connection,<\/i>\u00a02021, acrylic on wood, 22 x 5.5 x .5 inches<\/p>\n

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Step Fret #3, <\/i>2020, hand-dyed wool, woven by Licha Gonzalez Ruiz and Augustin Contreras Lopez, 58 x 37.5 inches<\/p>\n

. . . . . .<\/b><\/p>\n

<\/p>\n

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Distinctive\/Instinctive: Postwar Abstract Painting <\/i>at Michael Rosenfeld Art<\/b><\/a>
Group exhibition up through April 10<\/p>\n

Above: Charmion von Wiegand, Vajrayana,\u00a0<\/i>1969, oil on canvas<\/p>\n<\/div>\n

Below: Installation view of Untitled\u00a0<\/i>and Vajrayana<\/i><\/p>\n

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<\/p>\n

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Charmion von Weigand, Untitled, <\/i>1952, oil on canvas<\/p>\n

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Distinctive\/Instinctive: Postwar Abstract Painting\u00a0<\/i>at<\/span>\u00a0<\/span>Michael Rosenfeld Art<\/a>, Chelsea:<\/span>\u00a0<\/b>
William T. Williams, Walter’s Advice,<\/i>\u00a01970, acrylic on canvas<\/span><\/div>\n
<\/a><\/div>\n
Distinctive\/Instinctive: Postwar Abstract Painting\u00a0<\/i>at\u00a0<\/span>Michael Rosenfeld Art<\/a>, Chelsea:<\/span>\u00a0<\/b>
Sam Gilliam, Untitled,<\/i>\u00a01970, acrylic an dye pigments on canvas<\/span><\/div>\n

<\/p>\n

<\/a><\/div>\n
Distinctive\/Instinctive: Postwar Abstract Painting <\/i>at\u00a0Micahel Rosenfeld Art<\/a>, Chelsea:\u00a0<\/b>
Alma Thomas,\u00a0Red Rambling Rose Spring Song, 1976,\u00a0<\/i>acrylic on canvas, 58 x 35.25 inches<\/span><\/div>\n

. . . . . .<\/b><\/span><\/p>\n

\n
<\/a><\/div>\n

At The Word for World is Forest\u00a0<\/i>at Essex Flowers<\/b><\/a>, Chinatown, curated by Linnea Vedder<\/div>\n

Group exhibition up through March 28<\/p>\n

Above: Nancy Azara, Rhubarb Portrait, <\/i>2018, carved and painted wood and canvas<\/div>\n

Detail below<\/p>\n

\n
<\/a><\/div>\n

<\/div>\n

. . . . . .<\/b><\/p>\n

<\/a><\/p>\n

Thread<\/i>\u00a0at Foxy Production<\/a>, Chinatown: Ulrike Muller, Rug (con triangulos),<\/i>\u00a02015, wool, handwoven in the workshop of Jeronimo and Josefina Hernandez Ruiz, 86 x 64.75 inches
Group exhibition up through March 21<\/p>\n<\/div>\n

. . . . . .<\/b><\/p>\n

<\/p>\n

<\/a><\/div>\n

<\/p>\n

Selections from Un-Fair <\/i>at\u00a0Sikkema Jenkins<\/a>, <\/b>Chelsea, group exhibition now closed
Above: Cameron Martin,\u00a0Mr. Mr., <\/i>2020, acrylic on canvas, 75 x 60 inches<\/div>\n

<\/p>\n

<\/a><\/div>\n

<\/p>\n

Un-Fair<\/i>\u00a0at\u00a0Sikkema Jenkins<\/b><\/a>: Sheila Hicks, foreground, Procope 2,\u00a0<\/i>2020,\u00a0<\/i>various fibers, 16 x 16 x 8 inches; William Cordoba, Untitled,<\/i>\u00a02020; enamel, paper collage, gold leaf on paper, 130.25 x 90 inches<\/div>\n

Cordoba detail below<\/p>\n

<\/a><\/div>\n

<\/p>\n

<\/a><\/div>\n
Un-Fair<\/i>\u00a0at\u00a0Sikkema Jenkins<\/b><\/a>: Three by Cameron Martin, all permanent marker on paper, 11 x 9 inches. Above:\u00a0Reticulation,<\/i>\u00a02019<\/div>\n
<\/a>

<\/i><\/div>\n

Reticulation,<\/i>\u00a02017<\/p>\n

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<\/a>

<\/i><\/div>\n

Reticulation,<\/i>\u00a02016<\/p>\n

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<\/p>\n

Un-Fair<\/i>\u00a0at\u00a0Sikkema Jenkins<\/a>:\u00a0<\/i>Kay Rosen,\u00a0Spectrum,<\/i>\u00a02020,\u00a0<\/i>acrylic gouache on watercolor paper,\u00a024 x 20.75 inches<\/div>\n

. . . . . .<\/b><\/p>\n

<\/p>\n

<\/a><\/div>\n
Shift 2021,<\/i>\u00a0group show\u00a0at Thatcher Projects<\/b><\/a>: Installation view with William Badur and Nobu Fukui<\/div>\n

<\/p>\n

<\/a><\/p>\n

Shift 2021<\/i>\u00a0at\u00a0Thatcher Projects<\/b><\/a>: Nobu Fukui, Majestic,<\/i>\u00a0beads and mixed media on canvas over panel, 48 x 48 inches<\/p>\n<\/div>\n

Detail below<\/p>\n

<\/a><\/div>\n

<\/p>\n

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<\/p>\n

Shift 2021<\/i>\u00a0at\u00a0Thatcher Projects<\/b><\/a>: Omar Chacon, Ich Operatica,<\/i>\u00a02020, acrylic on canvas, 30 x 26 inches<\/div>\n

Detail below<\/p>\n

<\/a><\/div>\n

<\/p>\n

<\/a><\/div>\n
Shift 2021<\/i>\u00a0at\u00a0Thatcher Projects<\/b><\/a>:\u00a0Cheonae Kim,\u00a0<\/i>clockwise from top left: Luna’s Day, Luna’s Day,\u00a0Jupiter’s Day, Mars’s Day, <\/i>all 2020 or 2021, flashe on panel, 16 x 16 inches<\/div>\n

<\/p>\n

<\/a>

<\/i><\/div>\n

Above: #D12-25, 2012, all pencil and gouache on paper, 12 x 8.5 inches
Below: #D12-29, 2012<\/p>\n

<\/a><\/div>\n

Below: #D12-20, 2012<\/p>\n

<\/p>\n

<\/a><\/div>\n

. . . . . .<\/b><\/p>\n

\n
<\/a><\/div>\n

If you haven’t been to this venue,\u00a0<\/p>\n

you must visit. Located in a former synagogue that had been Milton Resnick’s studio, the three-story building has\u00a0<\/p>\n

been renovated to house the work\u00a0<\/p>\n

of the late artist and his partner, Pat Passlof, as well as to exhibit\u00a0<\/p>\n

the works of contemporary artists.\u00a0<\/p>\n

(Passlof had her own former synagogue\u00a0<\/p>\n

a few blocks over; the proceeds from its sale helped with the renovation and to maintain the Foundation.)<\/p>\n

This image is from the Foundation website.<\/p>\n<\/div>\n<\/div>\n

<\/a><\/div>\n

Pat Passlof, Memory of P.,<\/i>\u00a01977<\/p>\n

Detail below<\/p>\n

<\/a><\/div>\n

<\/p>\n

<\/a><\/div>\n
Installation view of The One and the Many: Rosaire Appel, Brett Baker, Ruth Ann Fredenthal, Marcia Hafif, Alan Kleiman, Howard Smith, <\/i>curated by Geoffrey Dorfman. <\/i>Image from the Foundation website. Exhibition is up through March 27<\/p>\n

Above, from left: Marcia Hafif, Brett Baker, Ruth Ann Fredenthal<\/p>\n<\/div>\n

Images of work by all the artists are viewable here<\/b><\/a><\/span><\/div>\n<\/div>\n
\n

Marcia Hafif,\u00a0<\/span>Mass Tone Painting: Hansa Yellow, March 12, 1974<\/i><\/p>\n

<\/a><\/div>\n

Brett Baker, Evening Reflection 1,<\/i>\u00a02016<\/p>\n

Detail below<\/p>\n

<\/a><\/div>\n

<\/p>\n

<\/a><\/div>\n

Howard Smith, Universe #30,<\/i>\u00a01991-2020<\/p>\n

A few individual works below<\/p>\n

<\/a><\/div>\n
<\/a><\/div>\n

<\/p>\n

<\/a><\/div>\n

. . . . . .<\/b><\/p>\n

<\/a><\/div>\n
At Marc Strauss<\/b><\/a>, Lower East Side: Otis Jones, Red Oxide with Blue Circle,<\/i>\u00a02020, acrylic on linen, 36 x 36 x 4 inches diameter and depth. Exhibition is up through April 18<\/span><\/div>\n

Side view below<\/span><\/p>\n

<\/a><\/div>\n

. . . . . .<\/b><\/p>\n

<\/a><\/div>\n

<\/p>\n

Exhibition up through April 4<\/p>\n

<\/span><\/p>\n

Detail below<\/p>\n

<\/a><\/div>\n

<\/p>\n

<\/a><\/div>\n

Another wall of\u00a0 works<\/p>\n

Detail below<\/p>\n

<\/a><\/div>\n

<\/p>\n

<\/a><\/div>\n

Also from the exhibition, but no info available (app 60 x 60 inches)<\/p>\n

Detail below<\/p>\n

<\/a><\/div>\n

. . . . . .<\/b><\/p>\n

<\/p>\n

<\/a>
Sharon Butler: Morning in America <\/i>at Theodore Art<\/b><\/a>, Bushwick. Exhibition has closed (and gallery is moving to Tribeca)<\/div>\n

Above, left wall viewed from the entry:\u00a0November 19<\/i>;\u00a0\u00a0Favorite-April 17, 2019<\/i>;\u00a0May 29, 2018;<\/i>\u00a0Mueller Report (January 11, 2017),<\/i>\u00a0all oil on canvas<\/p>\n

<\/p>\n

<\/a><\/p>\n

Favorite-April 17, 2019,<\/i>\u00a02019, oil on canvas, 52 x 42 inches<\/p>\n<\/div>\n

Detail below<\/p>\n

<\/p>\n

<\/a><\/div>\n

<\/p>\n

<\/a><\/div>\n

Right wall viewed from the entry, with a selection of works shown below<\/p>\n

<\/a><\/div>\n

March 8, 2020,<\/i>\u00a02021, oil on canvas, 12 x 12 inches<\/p>\n

<\/p>\n

<\/a><\/div>\n

May 9, 2019,<\/i>\u00a02020, oil on canvas, 12 x 12 inches<\/span><\/p>\n

<\/p>\n

<\/a><\/div>\n

February 13, 2019,<\/i>\u00a02020, oil on canvas, 14 x 18 inches<\/p>\n

<\/p>\n

<\/a><\/div>\n

September 26, 2019,<\/i>\u00a02020, oil on canvas, 24 x 18 inches<\/p>\n

_______________________________<\/p>\n


<\/span><\/div>\n

Readers: If you have enjoyed this roundup of exhibitions, please consider supporting my blog. You’ll see a DONATE button on the sidebar. Your donation, however modest (the price of a movie ticket, for instance) tells me you appreciate the work I’m doing. Many thanks.<\/span><\/p>\n\n","protected":false},"excerpt":{"rendered":"

Un-Fair\u00a0at at Sikkema Jenkins: Kay Rosen, Prismism,\u00a02020, colored pencil on paper, app 22 x 30 inches I spent a much needed several days\u00a0 looking at art in Chelsea, the Lower East Side, Chinatown, and Bushwick. There was a lot of spirit-lifting color on the walls. Within its chromatic embrace, one could see geometry, reductive rigor, […]<\/p>\n","protected":false},"author":1,"featured_media":198835,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[30754,2294,76709,222],"dealstore":[],"offerexpiration":[],"class_list":["post-198834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-blooms","tag-color","tag-wanes","tag-winter"],"yoast_head":"\nAs Winter Wanes, Color Blooms - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=198834\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"As Winter Wanes, Color Blooms - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Un-Fair\u00a0at at Sikkema Jenkins: Kay Rosen, Prismism,\u00a02020, colored pencil on paper, app 22 x 30 inches I spent a much needed several days\u00a0 looking at art in Chelsea, the Lower East Side, Chinatown, and Bushwick. 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There was a lot of spirit-lifting color on the walls. 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