{"id":196064,"date":"2025-04-21T06:14:19","date_gmt":"2025-04-21T06:14:19","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/theophile-theo-van-rysselberghe-part-1-my-daily-art-display\/"},"modified":"2025-04-21T06:14:19","modified_gmt":"2025-04-21T06:14:19","slug":"theophile-theo-van-rysselberghe-part-1-my-daily-art-display","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=196064","title":{"rendered":"Th\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe Part 1. \u2013 my daily art display"},"content":{"rendered":"


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The artist I am looking at today is Th\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe a Belgian neo-impressionist painter, who was a major protagonist in the European art scene at the turn of the twentieth century.<\/p>\n

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Self-portrait in a Green Waistcoat (1924)<\/em><\/p>\n

Th\u00e9o was born in Ghent on November 23rd 1862, the youngest child of Jean-Baptiste and Melanie van Rysselberghe and had five bothers and a sister. He was brought up in a French-speaking middle-class home. His first art training occurred when he attended the Royal Academy of Fine Arts in Ghent studying under the Belgian painter, Theo Canneel. <\/p>\n

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Oriental Beauty by Jean-Fran\u00e7ois Portaels <\/em><\/p>\n

In 1879 he enrolled at the Acad\u00e9mie Royale des Beaux-Arts in Brussels under the directorship of Jean-Fran\u00e7ois Portaels, a Belgian painter of genre scenes, biblical stories, landscapes, portraits and orientalist subjects. Portaels is regarded as the founder of the Belgian Orientalist school and his North African paintings had started an orientalist fashion in Belgium. This aspect of Portaels\u2019 work had a great influence on the young Th\u00e9o van Rysselberghe, so much so that he made three extended painting trips to Morocco between 1882 and 1888.<\/p>\n

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\"\"<\/a><\/figure>\n<\/div>\n

Self-portrait with Pipe by Th\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe (1880)<\/em><\/p>\n

In 1880, when Theo was eighteen years of age he submitted and had accepted two portraits to the Salon of Ghent and that year completed a self-portrait entitled Self Portrait with Pipe.<\/em> In 1881, he exhibited for the first time at the Salon in Brussels.<\/p>\n

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Portrait of a Young Spanish Woman by<\/em> Th\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe <\/em><\/p>\n

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Spanish Woman by Th\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe (1880)<\/em><\/p>\n

In 1881 Theo made his first trip to Spain and Morocco, along with his friend Frantz Charlet, a Belgian painter, etcher, and lithographer and the Asturian painter Dar\u00edo de Regoyos. It was Theo\u2019s intention to follow in the footsteps of his mentor, Jean-Fran\u00e7ois Portaels.<\/p>\n

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Descent from the Cross by Pedro Campa\u00f1a (1547)<\/em><\/p>\n

Whilst in Madrid he visited the Museo del Prado and later the trio visited Seville where Th\u00e9o met Constantin Meunier, who had been commissioned by the Belgian government to copy Pedro Campa\u00f1a\u2019s Descent from the Cross<\/em> which was mounted on the back wal of the Sacristia Mayor of Seville Cathedral.<\/p>\n

\"\"<\/a><\/figure>\n

Dario de Regoyos\u00a0playing the guitar by Th\u00e9o Van Rysselberghe (1882)<\/em><\/p>\n

During Th\u00e9o\u2019s stay in Spain he made time to complete a portrait of his fellow traveller, Dar\u00edo de Regoyos, playing his guitar.<\/p>\n

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Arabian Street Cobbler by Th\u00e9o Van Rysselberghe<\/em><\/p>\n

\"\"<\/a><\/figure>\n

Moroccan Market by Th\u00e9o Van Rysselberghe (1883)<\/em><\/p>\n

Th\u00e9o arrived in Tangier at the end of October 1882 and suddenly he realised that he had entered a \u201cnew\u201d world, so different from the Europe he had come from. He stayed in the town for four months continually sketching and painting street scenes, the kasbah and the souk.<\/p>\n

\"\"<\/a><\/figure>\n

The Oyster Eater by James Ensor (1883)<\/em><\/p>\n

In April 1883 he exhibited these scenes of everyday Mediterranean life at the Salon L\u2019Essor, in Brussels. L\u2019Essor was an association of visual artists in Brussels, which was active from 1876 to 1891. Its original aim was to rebel against the conservative tendencies of the art institutions and art circles in Brussels. However in 1883 some of the artists of this group were dissatisfied with the ruling body of the group with regards its admission policy, lack of direction and their controversial decision to reject Belgian Expressionist painter James Ensor\u2019s The Oyster Eater<\/em> in the 1883 L\u2019Essor Salon. However, it has to be remembered that the previous year the Antwerp Salon jurists had rejected the same painting. It is thought that the rejection was because of the sexual overtones suggested by a single young woman eating oysters, which at the time was considered to be an aphrodisiac.<\/p>\n

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Portraits of or work by the 11 original founders of\u00a0Les XX. Upper register, left to right: Dar\u00edo de Regoyos y Vald\u00e9s, Guillaume van Strydonck, Th\u00e9o van Rysselberghe, Fernand Khnopff and a portrait of Willy Finch by Magnus Enckell. Bottom, left to right:\u00a0La donna morta\u00a0by Willy Schlobach, Rodolphe Wytsman,\u00a0Le viatique qui passa\u00a0(1884) by Charles Goethals, a medal made by Paul Du Bois, and a painting by Frantz Charlet. Right, larger image: James Ensor.<\/em><\/p>\n

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\"\"<\/a><\/figure>\n<\/div>\n

Portrait of Octave Maus by<\/em> Th\u00e9o Van Rysselberghe <\/em><\/p>\n

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\"\"<\/a><\/figure>\n<\/div>\n

Portrait of Octave Maus by<\/em> Th\u00e9o Van Rysselberghe <\/em>(1885)<\/p>\n

Van Rysselberghe and James Ensor were two of the eleven artists who left L\u2019Essor and became founding members of the breakaway group, Les XX. Les XX became a group of twenty Belgian painters, designers and sculptors, formed by the Brussels lawyer, publisher, and entrepreneur Octave Maus, who, with his wife, featured in a number of van Rysselberghe\u2019s portraits between 1883 and 1890, Each year twenty other international artists were also invited to participate in the Les XX exhibitions. Among the most notable members were\u00a0James Ensor,\u00a0Willy Finch,\u00a0Fernand Khnopff,\u00a0F\u00e9licien Rops, and later\u00a0Auguste Rodin\u00a0and\u00a0Paul Signac.<\/p>\n

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\"\"<\/a><\/figure>\n<\/div>\n

Emile Verhaeren by<\/em> Th\u00e9o Van Rysselberghe <\/em><\/p>\n

\"\"<\/a><\/figure>\n

Emile Verhaeren by<\/em> Th\u00e9o Van Rysselberghe <\/em>((1892)<\/p>\n

Rysselberghe completed many portraits and it was around 1882 that he struck up a close friendship with the poet and art critic Emile Verhaeren who featured in many of Th\u00e9o\u2019s portrait works. The lower work was viewed as a masterpiece of Neo-Impressionist drawing and aroused the passions of true connoisseurs. The sketch sold for 150,000 euros in 2006, it was offered at the same auction house, Christie\u2019s Paris, on 21 October 2023 with an astonishing estimate of 60-80,000 euros. After a fierce bidding war, it sold for \u20ac240,000. This works out at \u20ac302,000, with the buyer paying the substantial sales costs.<\/p>\n

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Portrait of Marguerite van Mons by<\/em> Th\u00e9o Van Rysselberghe (1886)<\/em><\/p>\n

Another of Rysselberge\u2019s portraits featured the daughters of his friend Emile van Mons, a lawyer and well-known art lover. The June 1886 Portrait of Marguerite van Mons<\/em> features ten-year-old Marguerite shortly after the death of her mother. She stands facing us wearing a simple black dress in front of a pastel blue door on which are a number of gilded ornaments. Her right hand holds the doorknob as if she had just entered or was about to leave the room. There is an air of mystery and melancholia about the depiction as the pale-faced girl stares absently out at us<\/p>\n

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Portrait of Camille van Mons by<\/em> Th\u00e9o Van Rysselberghe (1886)<\/em><\/p>\n

Months earlier van Rysselberghe had completed a portrait of Marguerite\u2019s elder sister, Camille.<\/p>\n

\u2026\u2026. to be continued<\/p>\n

.<\/p>\n

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Most of this information for this blog came from various Wikipedia sites.<\/p>\n

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Author:<\/span> jonathan5485<\/h2>\n

\n\t\t\tJust someone who is interested and loves art. I am neither an artist nor art historian but I am fascinated with the interpretaion and symbolism used in paintings and love to read about the life of the artists and their subjects.\t\t\t
\n\t\t\t\tView all posts by jonathan5485\t\t\t<\/a>\n\t\t<\/p>\n

\n\t<\/div>\n

\n<\/div>\n

\n\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"

The artist I am looking at today is Th\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe a Belgian neo-impressionist painter, who was a major protagonist in the European art scene at the turn of the twentieth century. Self-portrait in a Green Waistcoat (1924) Th\u00e9o was born in Ghent on November 23rd 1862, the youngest child of Jean-Baptiste and Melanie […]<\/p>\n","protected":false},"author":1,"featured_media":196065,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[1885,998,727,3341,75800,75799,75798,6704],"dealstore":[],"offerexpiration":[],"class_list":["post-196064","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art","tag-daily","tag-display","tag-part","tag-rysselberghe","tag-theo","tag-theophile","tag-van"],"yoast_head":"\nTh\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe Part 1. \u2013 my daily art display - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=196064\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Th\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe Part 1. \u2013 my daily art display - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"The artist I am looking at today is Th\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe a Belgian neo-impressionist painter, who was a major protagonist in the European art scene at the turn of the twentieth century. 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Self-portrait in a Green Waistcoat (1924) Th\u00e9o was born in Ghent on November 23rd 1862, the youngest child of Jean-Baptiste and Melanie […]","og_url":"https:\/\/fivemor.com\/?p=196064","og_site_name":"Som2ny Network","article_published_time":"2025-04-21T06:14:19+00:00","og_image":[{"width":615,"height":931,"url":"https:\/\/fivemor.com\/wp-content\/uploads\/2025\/04\/self-portrait-in-a-green-waistcoat-1924.jpg","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/fivemor.com\/?p=196064#article","isPartOf":{"@id":"https:\/\/fivemor.com\/?p=196064"},"author":{"name":"admin","@id":"https:\/\/fivemor.com\/#\/schema\/person\/b85e3c3dc0e1daea076524dc8810c371"},"headline":"Th\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe Part 1. \u2013 my daily art display","datePublished":"2025-04-21T06:14:19+00:00","mainEntityOfPage":{"@id":"https:\/\/fivemor.com\/?p=196064"},"wordCount":1139,"commentCount":0,"publisher":{"@id":"https:\/\/fivemor.com\/#organization"},"image":{"@id":"https:\/\/fivemor.com\/?p=196064#primaryimage"},"thumbnailUrl":"https:\/\/fivemor.com\/wp-content\/uploads\/2025\/04\/self-portrait-in-a-green-waistcoat-1924.jpg","keywords":["Art","Daily","Display","PART","Rysselberghe","Th\u00e9o","Th\u00e9ophile","Van"],"articleSection":["Art"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/fivemor.com\/?p=196064#respond"]}]},{"@type":"WebPage","@id":"https:\/\/fivemor.com\/?p=196064","url":"https:\/\/fivemor.com\/?p=196064","name":"Th\u00e9ophile \u201cTh\u00e9o\u201d van Rysselberghe Part 1. \u2013 my daily art display - 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