{"id":184369,"date":"2025-04-14T14:40:12","date_gmt":"2025-04-14T14:40:12","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/6-iconic-david-hockney-artworks-in-his-major-paris-show\/"},"modified":"2025-04-14T14:40:12","modified_gmt":"2025-04-14T14:40:12","slug":"6-iconic-david-hockney-artworks-in-his-major-paris-show","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=184369","title":{"rendered":"6 Iconic David Hockney Artworks in His Major Paris Show"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Art<\/p>\n<p><a display=\"block\" text-decoration=\"none\" class=\"RouterLink__RouterAwareLink-sc-77e33c7f-0 bGjAxA\" href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-6-iconic-david-hockney-artworks-major-paris\"><\/p>\n<p>Katherine McGrath<\/p>\n<p><\/a><\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:5857 \/ 3441;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FaUcVLWSqMvXVglYl65_ffg%252F232267FLV.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FaUcVLWSqMvXVglYl65_ffg%252F232267FLV.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FaUcVLWSqMvXVglYl65_ffg%252F232267FLV.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>David Hockney, installation view of \u201cDavid Hockney 25\u201d at Fondation Louis Vuitton, 2025. \u00a9 David Hockney. Photo by Marc Domage. \u00a9 Fondation Louis Vuitton \/ Marc Domage. Courtesy of Fondation Louis Vuitton.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>Rounding the entrance to the <a href=\"https:\/\/www.artsy.net\/partner\/fondation-louis-vuitton\">Fondation Louis Vuitton<\/a> in Paris\u2019s 16th arrondissement, there is a string of neon pink text affixed to the building\u2019s sail-like structure. \u201cDo remember, they can\u2019t cancel the spring,\u201d it reads. The phrase, inscribed in the prolific British artist <a href=\"https:\/\/www.artsy.net\/artist\/david-hockney\">David Hockney<\/a>\u2019s signature scrawl, reads both as an injunction and a welcome balm in these uncertain times. It\u2019s also a fitting prelude to the foundation\u2019s spring presentation: a monumental, career-spanning survey of Hockney\u2019s ever-elastic work, entitled \u201cDavid Hockney 25.\u201d The exhibition, which runs through August 31, 2025, is co-curated by the foundation\u2019s director, Suzanne Pag\u00e9, and famed British curator Sir Norman Rosenthal. Significantly, the artist himself was also closely involved in the organization and hanging of the show. On view are more than 400 works in a variety of media, including oil and acrylic painting, pencil and charcoal drawing, digital art, and immersive video installations, all made between 1955 and 2025. <\/p>\n<p>Hockney has always avoided categorizing himself with specific styles or movements. Instead, he\u2019s concerned more with capturing the subtle nuances of what he sees. While his practice is sometimes grouped with <a href=\"https:\/\/www.artsy.net\/collection\/pop-art\">Pop art<\/a>, he grew exhausted with the label in the 1960s and \u201970s. Instead, he is propelled forward by his enthusiasm for his work, often made in \u201ccycles\u201d that respond to new circumstances or surroundings: He loves making things and always being in the studio. Even at 87 years old, and in spite of health issues stemming from his beloved cigarettes, the indefatigable artist has no intention of slowing down. Indeed, some works in the show were made so recently that they didn\u2019t make the print deadline for the exhibition catalogue.<\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:6700 \/ 3937;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F_mOPGE3arHWf5mfNEPzcOw%252F232174FLV.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F_mOPGE3arHWf5mfNEPzcOw%252F232174FLV.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F_mOPGE3arHWf5mfNEPzcOw%252F232174FLV.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>David Hockney, installation view of \u201cDavid Hockney 25\u201d at Fondation Louis Vuitton, 2025. \u00a9 David Hockney. Photo by Marc Domage. \u00a9 Fondation Louis Vuitton \/ Marc Domage. Courtesy of Fondation Louis Vuitton.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>\u201cDavid teaches us how to really see what\u2019s in front of us: the leaves, the flowers in springtime, and the everyday things in life. Often we look, but we don\u2019t really <em>see<\/em>,\u201d Pag\u00e9 told Artsy<em>.<\/em> \u201cBut I hope that people come away from this exhibition holding onto that miraculous feeling\u2026to recognize the beauty in the mundane, which they carried within themselves all along. That is David\u2019s gift that he\u2019s given back to all of us.\u201d<\/p>\n<p>In celebration of his latest exhibition, Artsy has selected some of his most iconic works that are on view in the Paris show. <\/p>\n<\/div>\n<p><h2><em>Portrait of My Father<\/em>, 1955<\/h2>\n<\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:957 \/ 1200;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FgXCZitsYUA42VnswoqgRGA%252FPortrait%2Bof%2BMy%2BFather%2Bcopy.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FgXCZitsYUA42VnswoqgRGA%252FPortrait%2Bof%2BMy%2BFather%2Bcopy.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FgXCZitsYUA42VnswoqgRGA%252FPortrait%2Bof%2BMy%2BFather%2Bcopy.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>David Hockney, <i>Portrait of My Father<\/i>, 1955. \u00a9 David Hockney. Photo by Richard Schmidt, The David Hockney Foundation. Courtesy of Fondation Louis Vuitton.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p><em>Portrait of My Father<\/em> (1955) is one of Hockney\u2019s earliest known works. Painted when he was 18 years old, it\u2019s an example of the artist\u2019s early promise in portraiture. <\/p>\n<p>Hockney showed an interest in art from his childhood in Bradford, England, and he decided at the age of 11 that he wanted to be an artist. He was always engaging with his surroundings, and his talents were encouraged by his parents, who arranged for private lessons. At 16, he enrolled in the Bradford School of Art, a modest institution that emphasized traditional methods of drawing from observation and figurative work, which is where he discovered his love of painting. During this period, Hockney would push a cart filled with painting materials all around Bradford, capturing the city in the shadows of World War II. Upon graduating, he realized that his training had emphasized only traditional styles of painting and drawing, and enrolled in the Royal College of Art in London in 1959 to be closer to a more modern style of making art.<\/p>\n<p>This work was exhibited as a part of the \u201cYorkshire Arts Exhibition\u201d at Leeds Art Gallery, and was the first work Hockney ever sold: an early milestone for an artist whose works now sell for tens of millions. His painting <em>Portrait Of An Artist (Pool With Two Figures) <\/em>(1972), sold at Christie\u2019s New York in 2018 for $90.3 million (including fees). At the time, it was the most expensive work to ever sell at auction by a living artist.<\/p>\n<\/div>\n<p><h2><em>A Bigger Splash<\/em>, 1967<\/h2>\n<\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:3631 \/ 3600;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fi_yZRRrEnuMaStZVLEePhg%252FA%2BBigger%2BSplash.jpeg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fi_yZRRrEnuMaStZVLEePhg%252FA%2BBigger%2BSplash.jpeg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fi_yZRRrEnuMaStZVLEePhg%252FA%2BBigger%2BSplash.jpeg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>David Hockney, <i>A Bigger Splash<\/i>, 1967. \u00a9 David Hockney. Courtesy of Fondation Louis Vuitton.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>\u201cWhen you think of California, of course there is <a href=\"https:\/\/www.artsy.net\/artist\/ed-ruscha\">Ed Ruscha<\/a> and a number of American artists, but most people, when they think of California visually, they think of David Hockney,\u201d Rosenthal told Artsy. <\/p>\n<p>Following his university years during the \u201cSwinging Sixties\u201d in London, Hockney was seduced by the hedonistic promise of California, with its sense of rebellion and tolerance for homosexuality, which was still illegal in England at the time. He first moved to L.A. in early 1964, prompted by his embrace of his sexuality as well as his youthful interest in Hollywood films. Hockney would go on to stay there for almost four decades. <\/p>\n<p>Hockney has an enduring fascination with Los Angeles\u2019s swimming pools, palm trees, houses, sunshine, and people, portraying L.A. as an endless paradise that lives on in the mind\u2019s eye. This flattened, luminous vision of Southern California is most notably immortalized in <em>A Bigger Splash <\/em>(1967). The piece represents a departure from Hockney\u2019s previous work, which was more abstract in its expression and employed darker palettes. Painted from an advertisement for swimming pools Hockney came across in a magazine, the painting shows a pool with the splash of someone who has just jumped in. <\/p>\n<p>As such, the painting seems to have no subject\u2014a rarity for his paintings at the time. This anonymity invites intrigue, as viewers imagine who may have just dived in, or feel the rush of springing from a diving board themselves into cool water beneath the heat of the California sun. But it is the ephemeral moment, those split seconds in the aftermath of a subject puncturing the water\u2019s surface, that most intrigued Hockney. Fascinated by the interplay between water and light, he has produced many <a href=\"https:\/\/www.artsy.net\/artist-series\/david-hockney-pools\">works featuring swimming pools<\/a>, rendering them each time in a different style, including in<em> Peter Getting Out of Nick\u2019s Pool <\/em>(1966); <em>Pool and Steps, Le Nid du Duc<\/em> (1971); and <em>Portrait of an Artist (Pool with Two Figures) <\/em>(1972).<\/p>\n<\/div>\n<p><h2><em>Mr. and Mrs. Clark and Percy<\/em>, 1971<\/h2>\n<\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:7446 \/ 5196;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Ftxxq0sFsau_hR7rFE_J5dw%252FMr%2Band%2BMrs%2BClark%2Band%2BPercy.jpeg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Ftxxq0sFsau_hR7rFE_J5dw%252FMr%2Band%2BMrs%2BClark%2Band%2BPercy.jpeg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Ftxxq0sFsau_hR7rFE_J5dw%252FMr%2Band%2BMrs%2BClark%2Band%2BPercy.jpeg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>David Hockney, <i>Mr. and Mrs. Clark and Percy<\/i>, 1971. \u00a9 David Hockney. Photo by Richard Schmidt Tate, U.K. Courtesy of Fondation Louis Vuitton.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>A key work from Hockney\u2019s series of double portraits, <em>Mr. and Mrs. Clark and Percy<\/em> (1971) captures the artist\u2019s friends, fashion designers <a href=\"https:\/\/www.artsy.net\/artist\/ossie-clark\">Ossie Clark<\/a> and <a href=\"https:\/\/www.artsy.net\/artist\/celia-birtwell\">Celia Birtwell<\/a>, shortly after their marriage. Said to have been a wedding present for the couple, the painting breaks from traditional marriage portraiture that typically sees the female seated: In this depiction, it is Birtwell who stands, while Clark lounges in the chair. The two subjects look directly at the viewer, inviting them into not only their bedroom where the painting is set, but also into their marriage. Percy, of course, is the cat, visible on Clark\u2019s lap. The portrait also signals the brewing tension between them: The couple split not long after. <\/p>\n<p>Birtwell has been a longtime muse for Hockney; she has appeared in nearly 30 of his portraits over the years, and each picture renders her in a different style. Capturing the same subject matter over and again is a hallmark of Hockney\u2019s, and shows his interest in marking the passage of time.<\/p>\n<p>Between 1968 and 1975, Hockney created seven landmark double paintings, including one of novelist Christopher Isherwood and artist <a href=\"https:\/\/www.artsy.net\/artist\/don-bachardy\">Don Bachardy<\/a>. At seven feet high, these paintings are nearly life-size. <em>Mr. and Mrs. Clark and Percy<\/em> (1971) was quickly heralded as one of Hockney\u2019s early masterpieces, and shortly after its completion it was added to the collection of the Tate. The work marks a pivotal moment for Hockney upon his return to London after his California years. The work \u201cis, in his own estimation, as close as he gets to naturalism,\u201d reads the exhibition catalogue.<\/p>\n<\/div>\n<p><h2><em>A Bigger Grand Canyon, <\/em>1998<\/h2>\n<\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:4200 \/ 1242;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEdupHJNF85Mk1zX5DplIXA%252FA%2BBigger%2BCanyon.jpeg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEdupHJNF85Mk1zX5DplIXA%252FA%2BBigger%2BCanyon.jpeg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEdupHJNF85Mk1zX5DplIXA%252FA%2BBigger%2BCanyon.jpeg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>David Hockney, <i>A Bigger Grand Canyon<\/i>, 1998. \u00a9 David Hockney. Courtesy of Fondation Louis Vuitton.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>In the summer of 1997, Hockney took a road trip through the American Southwest and returned to the Grand Canyon, a subject that fascinated him for decades. He first photographed the natural wonder in 1982 with his Pentax 110 camera when he was exploring photographic collages. He loved using the camera as a medium and a drawing tool, capturing a subject at different angles and distances, in homage to the <a href=\"https:\/\/www.artsy.net\/collection\/cubism\">Cubists<\/a>.<\/p>\n<p>But following his pilgrimage to the Grand Canyon during that summer in the late \u201990s, Hockney decided to paint it from memory upon his return to his studio in Los Angeles. This culminated in his masterpiece <em>A Bigger Grand Canyon <\/em>(1998)<em>,<\/em> which unfolds across 60 smaller canvases assembled together in a grid. \u201cI\u2019d just think about this space\u2026it is about the only place on Earth that really makes you look in every direction. You feel small. And the longer you look the more thrilling it becomes,\u201d he <a href=\"https:\/\/www.thedavidhockneyfoundation.org\/chronology\/1998\">said<\/a> in an exhibition catalogue for a show at <a href=\"https:\/\/www.artsy.net\/partner\/la-louver\">L.A. Louver<\/a> in 1998.<\/p>\n<p>The work is a celebration of the epic scale of American landscape and employs a more pigmented, bold palette than he used in his previous works. He developed this new style in the mid-to-late \u201990s as he spent time back in Yorkshire following the death of his dear friend, American sculptor <a href=\"https:\/\/www.artsy.net\/artist\/jonathan-silver\">Jonathan Silver<\/a>. <\/p>\n<\/div>\n<p><h2><em>Bigger Trees near Warter or\/ou Peinture sur le Motif pour le Nouvel Age Post-Photographique<\/em>, 2007<\/h2>\n<\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:5598 \/ 2100;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F5sdik8OMvREkVDH3nPoYHQ%252FBigger%2BTress%2BNear%2BWater.jpeg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F5sdik8OMvREkVDH3nPoYHQ%252FBigger%2BTress%2BNear%2BWater.jpeg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F5sdik8OMvREkVDH3nPoYHQ%252FBigger%2BTress%2BNear%2BWater.jpeg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>David Hockney, <i>Bigger Trees near Warter or\/ou Peinture sur le Motif pour le Nouvel Age Post-Photographique<\/i>, 2007. \u00a9 David Hockney. Photo by Prudence Cuming Associates, Tate, U.K. Courtesy of Fondation Louis Vuitton.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p><em>Bigger Trees near Warter or ou Peinture sur le Motif pour le Nouvel Age Post-Photographique <\/em>(2007) is Hockney\u2019s largest work to date, made upon his return to Yorkshire following the death of his mother. There\u2019s a certain melancholy to the piece, with the trees barren of their leaves following a long winter. Nonetheless, a patch of daffodils peeks through, emblematic of the fleeting beauty of life.<\/p>\n<p>The work is celebrated not only for its monumental scale\u2014measuring over 40 feet wide and comprising 50 canvases\u2014but also for its depth of detail that is typically attributed to historical, religious, mythological, or allegorical works like <a href=\"https:\/\/www.artsy.net\/artist\/pablo-picasso\">Pablo Picasso<\/a>\u2019s <em><a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-guernica-picassos-influential-painting\">Guernica<\/a><\/em> (1937), or <a href=\"https:\/\/www.artsy.net\/artist\/eugene-delacroix\">Eug\u00e8ne Delacroix<\/a>\u2019s <em><a href=\"https:\/\/www.artsy.net\/artwork\/eugene-delacroix-la-liberte-guidant-le-peuple-liberty-leading-the-people\">Liberty Leading the People<\/a><\/em> (1830). Hockney\u2019s masterpiece devotes that same meticulous care to the coming of spring. He constructed the painting from many different perspectives, beginning with drawings and paintings made <em>en plein air<\/em>, which he then scanned and assembled on the computer to capture the scale. <\/p>\n<p>\u201cI\u2019d go and sit there for three hours at a time just looking up at the branches, lying down practically so I looked up,\u201d Hockney once <a href=\"https:\/\/www.thedavidhockneyfoundation.org\/chronology\/2007\">explained<\/a> of the work, which was the fixture of the Royal Academy of London\u2019s 2007 \u201cSummer Exhibition,\u201d where it spanned the length of the gallery\u2019s walls. \u201cIt needed a hell of a lot of planning, but we did it rather quickly. The deadline wasn\u2019t the \u2018Summer Exhibition.\u2019 The deadline was the arrival of spring.\u201d<\/p>\n<\/div>\n<p><h2><em>27th March 2020, No. 1<\/em>, 2020<\/h2>\n<\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:3564 \/ 2490;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FQqUNP5EPhODxZCtX-j0FXg%252F27th%2BMarch.jpeg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FQqUNP5EPhODxZCtX-j0FXg%252F27th%2BMarch.jpeg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FQqUNP5EPhODxZCtX-j0FXg%252F27th%2BMarch.jpeg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>David Hockney,  <i>27th March 2020, No.1<\/i>, 2020.  \u00a9 David Hockney. Courtesy of Fondation Louis Vuitton.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr ArticleSectionText__ArticleHTMLLastChild-sc-dc4648d4-1 fFJXgY\">\n<p>The first wave of COVID-19 lockdowns, which Hockney spent in Normandy, was a period of prolific output for the artist.<em> 27th March 2020, No. 1<\/em> (2020) marked a new medium for the artist, which has become one of his trademarks: the iPad. He purchased his first iPad in 2010 and was instantly captivated by its ability to let him render scenes with an immediacy not found in traditional media. He could capture the shifting light, or make instant revisions, and would often send pictures off to family and friends via email upon their completion. Hockney has become a champion of the technology and often muses that should <a href=\"https:\/\/www.artsy.net\/artist\/vincent-van-gogh\">Van Gogh<\/a> have had access to an iPad, he most certainly would have used it.<\/p>\n<p>In those dark COVID times, this image provided joy and a moment of levity as it ricocheted around the internet. The work was later made into a print and mounted on aluminum. This process reinforces Hockney\u2019s understanding of the tablet as a serious tool for image making, just as valid as paintbrushes, pencils, or crayons.<\/p>\n<p>The subject of the work is one of Hockney\u2019s favorites: the arrival of spring. \u201cDavid is passionate about life, and one of the great things in life is the coming of spring,\u201d noted Rosenthal. \u201cHe is fascinated by the spring, yes, but also by the winter, by night, by storms, by the moon; by everything that is in front of his eyes. He has found his own way of representing the randomness of existence and the randomness of nature; he\u2019s very aware of death but above all he is also aware of life, and the preciousness of life and that nothing is ever the same.\u201d <\/p>\n<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Art Katherine McGrath David Hockney, installation view of \u201cDavid Hockney 25\u201d at Fondation Louis Vuitton, 2025. \u00a9 David Hockney. Photo by Marc Domage. \u00a9 Fondation Louis Vuitton \/ Marc Domage. Courtesy of Fondation Louis Vuitton. Rounding the entrance to the Fondation Louis Vuitton in Paris\u2019s 16th arrondissement, there is a string of neon pink text [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":184370,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[15279,3701,72640,72639,72642,6505,72641,11278,4604,2443],"dealstore":[],"offerexpiration":[],"class_list":["post-184369","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-artworks","tag-david","tag-david-hockney","tag-exhibition-reviews","tag-hockney","tag-iconic","tag-katherine-mcgrath","tag-major","tag-paris","tag-show"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>6 Iconic David Hockney Artworks in His Major Paris Show - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=184369\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"6 Iconic David Hockney Artworks in His Major Paris Show - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Art Katherine McGrath David Hockney, installation view of \u201cDavid Hockney 25\u201d at Fondation Louis Vuitton, 2025. \u00a9 David Hockney. Photo by Marc Domage. \u00a9 Fondation Louis Vuitton \/ Marc Domage. Courtesy of Fondation Louis Vuitton. 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