{"id":182312,"date":"2025-04-12T23:27:14","date_gmt":"2025-04-12T23:27:14","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/tron-nin-pacific-disquiet\/"},"modified":"2025-04-12T23:27:14","modified_gmt":"2025-04-12T23:27:14","slug":"tron-nin-pacific-disquiet","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=182312","title":{"rendered":"Tron, NIN, Pacific \u2013 Disquiet"},"content":{"rendered":"


\n<\/p>\n

\n

At the end of each week, I usually collate a lightly edited collection of recent comments I\u2019ve made on social media, which I think of as my public scratch pad. I find knowing I\u2019ll revisit my posts to be a positive and mellowing influence on my social media activity. I mostly hang out on Mastodon (at\u00a0post.lurk.org\/@disquiet<\/a>), and I\u2019m also trying out\u00a0a few others<\/a>. And I generally take weekends off social media.<\/p>\n

\u25b0\u00a0Interesting that Tron: Ares<\/em>, the upcoming movie, has a score credited to Nine Inch Nails, not to Trent Reznor and Atticus Ross. Is this just a name-recognition \/ branding \/ attitude thing, or is there more to it?<\/p>\n

\"\"<\/figure>\n

A friend on Mastodon<\/a> helpfully directed me to an interview with Reznor, who explained<\/a>: \u201cIt is as Nine Inch Nails, and I think it\u2019s influenced the way we approach scoring. It\u2019s going to be a little grittier, and it\u2019s just different; it\u2019s still the same two people, but we\u2019re in a different mindset. We feel like we can play by different rules a bit, and the people working on the film were excited about that, so we thought we\u2019d try it.\u201d <\/p>\n

\u25b0\u00a0That thing where a couple days after you get off a plane you use your pen and realize a little too late that at some point it began to leak under pressure.<\/p>\n

\u25b0\u00a0Random low-level Gmail weirdness: why it is, when I search for \u201clabel:inbox label:unread\u201d and tag some email (say, one of 100 new music PR messages) to a \u201clabel,\u201d sometimes it goes there immediately, whereas most of the time I have to hit \u201capply\u201d?<\/p>\n

\u25b0\u00a07 weeks from the 700th consecutive weekly Disquiet Junto project<\/p>\n

\u25b0\u00a0My hallucinogen of choice is realizing that I\u2019ve been walking around with my reading glasses on<\/p>\n

\u25b0\u00a0End of day, end of week. <\/p>\n

\"\"<\/figure>\n

Whew, and what a week.<\/p>\n

\u25b0\u00a0I\u2019m enjoying Adrian Tchaikovsky\u2019s Children of Time<\/em> more than I did his Shards of Earth<\/em>, but as I may have learned the hard way, it\u2019s also not a book to read if you have even low-level arachnophobia (which is to say, if you\u2019re an even remotely rational human being).<\/p>\n

\u25b0\u00a0Over vacation I managed to read two novels and a graphic novel<\/a> (Smith, Didion, Tommaso), and while I read a bunch this week (Tchaikovsky), I didn\u2019t finish any novels, just one graphic novel, Kit Alexander\u2019s Second Shift<\/em>.<\/p>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"

At the end of each week, I usually collate a lightly edited collection of recent comments I\u2019ve made on social media, which I think of as my public scratch pad. I find knowing I\u2019ll revisit my posts to be a positive and mellowing influence on my social media activity. 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