{"id":180281,"date":"2025-04-10T11:34:10","date_gmt":"2025-04-10T11:34:10","guid":{"rendered":"https:\/\/peraltafinancing.com\/african-music\/wizard-chan-ce-que-je-veux-cest-durer-pour-toujours\/"},"modified":"2025-04-10T11:34:10","modified_gmt":"2025-04-10T11:34:10","slug":"wizard-chan-ce-que-je-veux-cest-durer-pour-toujours","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=180281","title":{"rendered":"Wizard Chan \u00ab ce que je veux, c&#8217;est durer pour toujours \u00bb"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"\">\n<p class=\"has-drop-cap\">La musique de Wizard <em>Maxwell Fuayefika<\/em> Chan oscille entre rap, highlife, reggae, hip-hop, soul ou pop africaine. Un creuset d\u2019influence, qui trouve \u00e9galement sa source dans son identit\u00e9 Ijaw, une communaut\u00e9 issue de la rivi\u00e8re et \u00e9tablie dans le delta du Niger. Les Ijaw composent \u00e0 grands renforts de bouteilles, de gongs et de cloches. C\u00f4t\u00e9 paroles, l\u2019artiste \u00e9gr\u00e8ne pens\u00e9es philosophiques, proverbes et messages de motivation. Il collabore fr\u00e9quemment avec les Boma Nime, une trio de gu\u00e9risseuses traditionnelles qui utilisent la musique, les chants et les ch\u0153urs de pri\u00e8re autochtones dans leurs th\u00e9rapies m\u00e9dicales.<\/p>\n<p>Maxwell est devenu le magicien qu\u2019on appelle aujourd\u2019hui Chan dans un studio du centre d\u2019Accra en 2015, \u00e0 l\u2019occasion d\u2019un freestyle : \u00ab <em>j\u2019ai prononc\u00e9 le mot <\/em>Chan<em> et j\u2019en ai trouv\u00e9 la tonalit\u00e9 tr\u00e8s belle. Apr\u00e8s cette session, tout le monde a commenc\u00e9 \u00e0 m\u2019appeler Chan.<\/em> <em>Je suis un magicien de la musique<\/em> \u00bb confie le sorcier.\u00ab J\u2019ai \u00e9crit ma premi\u00e8re chanson pour un camarade de classe qui venait de mourir des suites d\u2019une an\u00e9mie falciforme \u00bb, explique-t-il d\u2019une voix douce. \u00ab <em>En 2011, apr\u00e8s le coll\u00e8ge, je suis entr\u00e9 pour la premi\u00e8re fois dans un studio de musique pour y enregistrer une chanson. \u00c0 l\u2019\u00e9poque, je d\u00e9testais d\u00e9j\u00e0 la fa\u00e7on dont sonnaient la plupart des projets musicaux africains. Ils m\u2019avaient l\u2019air si peu coh\u00e9rents. J\u2019ai donc voulu cr\u00e9er quelque chose d\u2019unique et d\u2019\u00e9vident. <\/em>\u00bb\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"HIGHER POWERS FT BOMA NIME (WIZARD CHAN LIVE IN CONCERT)\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/zA8ZuvmKtDE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p><strong>Chan, le sorcier qui gu\u00e9rit\u00a0<\/strong><\/p>\n<p>Tout au long des neuf titres de <em>The Messenger<\/em>, son premier album sorti l\u2019ann\u00e9e derni\u00e8re, ainsi que des huit pistes de son deuxi\u00e8me LP, <em>Time Traveler<\/em>, sorti une poign\u00e9e de mois plus tard, Wizard Chan \u00e9gr\u00e8ne des p\u00e9pites rapp\u00e9es, hant\u00e9es, farcies d\u2019un groove reggae-ragga chaud, et de nombreuses sonorit\u00e9s traditionnelles. Ici, la nouvelle fusion hiplife baptis\u00e9e <em>Highlife<\/em> prend tous son sens.<\/p>\n<p>La musique de Wizard Chan est aussi largement impr\u00e9gn\u00e9e d\u2019une foi profonde. Dans un titre comme \u00ab <em>Mr Sailor Man <\/em>\u00bb, il aspire \u00e0 la stabilit\u00e9 et s\u2019en r\u00e9f\u00e8re aux conseils du Cr\u00e9ateur : \u00ab <em>\u00d4 toi le marin, prie Jah pour qu\u2019il prot\u00e8ge tes mains\/ Et navigue vers la terre promise\/ L\u2019amour du P\u00e8re est tout ce que nous avons <\/em>\u00bb (\u00abOh Mr Sailor Man, Pray to Jah to guard your hands\/ Sail that boat to the promised land\/ Father\u2019s love is all we have\u00bb). Bien qu\u2019il ait, dans le pass\u00e9, fait partie d\u2019une chorale d\u2019\u00e9glise, Chan refuse que sa musique soit per\u00e7ue comme religieuse. Mais l\u2019influence du Gospel tout comme les esth\u00e9tiques chr\u00e9tiennes sont omnipr\u00e9sentes dans sa musique : dans \u00ab Demons and Angels \u00bb, il confesse sans complexe \u00eatre \u00ab <em>en n\u00e9gociation avec mes anges\/ mais ces satan\u00e9s d\u00e9mons se disputent pour moi <\/em>\u00bb (\u00abI am in talks with my angels\/ But them demons they are fighting over me\u00bb), tout le reste de la chanson \u00e9tant d\u00e9di\u00e9e \u00e0 cette bataille entre anges et d\u00e9mons.\u00a0<\/p>\n<p>Truff\u00e9es de proverbes et de mots d\u2019esprit en anglais et en izon, le dialecte local parl\u00e9 par la plupart des membres de la tribu de Chan, les chansons de Chan op\u00e8rent de v\u00e9ritables plong\u00e9es au c\u0153ur de la psych\u00e9e humaine : sur l\u2019excellent \u00ab Loner \u00bb extrait de The Messenger, morceau en featuring avec Joeboy, le Sorcier parle du danger de l\u2019alcoolisme comme m\u00e9canisme de d\u00e9fense, en chantant : \u00ab <em>\u00e0 l\u2019aide, mon Dieu, sauvez-moi de moi-m\u00eame, car je r\u00e9fl\u00e9chis trop quand je bois du rhum <\/em>\u00bb (\u00abSomeone save me, Lord, from myself, because I think a lot when I mix my rum\u00bb). Toujours sur \u00ab <em>Demons and Angels <\/em>\u00bb, il aborde la gestion de la col\u00e8re, expliquant que \u00ab <em>pour g\u00e9rer la col\u00e8re je me renferme sur moi-m\u00eame \/ Dans ma chambre, cette cellule qui me prot\u00e8ge du manque de respect <\/em>\u00bb (\u00abanger management is me locking up myself\/ In my room, making it a cell to avoid some disrespect\u00bb).<\/p>\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1010\" height=\"1515\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/w54-1-1010x1515.jpg\" alt=\"\" class=\"wp-image-129510\" srcset=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/w54-1-1010x1515.jpg 1010w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/w54-1-759x1139.jpg 759w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/w54-1-2048x3072.jpg 2048w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/w54-1-1440x2160.jpg 1440w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/w54-1-661x992.jpg 661w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/w54-1-465x698.jpg 465w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/w54-1-375x563.jpg 375w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/w54-1.jpg 3648w\" sizes=\"(min-width:1010px) 759px,100vw\"\/><\/figure>\n<p><strong>\u00ab <em>Les voix sont f\u00eal\u00e9es, les sons sont tendus <\/em>\u00bb<\/strong><\/p>\n<p>L\u2019homme est persuad\u00e9 que ses compositions spontan\u00e9es, traditionnelles et ultra-m\u00e9lodiques d\u00e9coulent de sa propre spiritualit\u00e9 : \u00ab <em>j\u2019appelle ma musique <\/em>\u00ab\u00a0afro teme\u00a0\u00bb [prononcez \u00ab\u00a0afro t\u00e8-m\u00e8\u00a0\u00bb]<em>, ce qui dans ma langue maternelle signifie<\/em> \u00ab\u00a0musique spirituelle africaine\u00a0\u00bb<em>. Je suis un Ijaw, originaire de la r\u00e9gion Sud du Nig\u00e9ria, mais ce n\u2019est qu\u2019\u00e0 l\u2019\u00e2ge adulte que je suis retomb\u00e9 dans le c\u00f4t\u00e9 traditionnel de notre culture <\/em>\u00bb explique Chan. \u00ab<em> La musique que je faisais \u00e0 mes d\u00e9buts ne sonnait pas comme \u00e7a ; il m\u2019a fallu \u00e9couter \u00e9norm\u00e9ment de sons locaux.<\/em> \u00bb<\/p>\n<p>Au sorcier d\u2019ajouter : \u00ab <em>j\u2019aime l\u2019id\u00e9e que sur le continent, on se concentre davantage sur les \u00e9motions et sentiments que sur la th\u00e9orie musicale. Lorsque nous chantons, c\u2019est avec le c\u0153ur, de fa\u00e7on instinctive. Nous sommes bien plus spirituels que nous ne le pensons. C\u2019est pourquoi j\u2019\u00e9vite sciemment d\u2019en apprendre trop sur la th\u00e9orie musicale et les aspects techniques. Il ne s\u2019agit pas de jouer la note parfaite. Si vous avez d\u00e9j\u00e0 c\u00f4toy\u00e9 des Ijaw, vous avez alors remarqu\u00e9 que nous chantons \u00e0 l\u2019unisson. Nous chantons comme si c\u2019\u00e9tait notre dernier souffle, et que tout le monde \u00e9tait sur le point de mourir. Les voix sont f\u00eal\u00e9es, les sons sont tendus. \u00c0 l\u2019\u00e9coute, on a l\u2019impression d\u2019\u00eatre en transe, comme s\u2019il y avait une connexion spirituelle. <\/em>\u00bb<\/p>\n<p>Lorsqu\u2019il compose, le Sorcier s\u2019enferme \u00ab <em>seul et dans des pi\u00e8ces sombres <\/em>\u00bb la plupart du temps. Pour Chan, les id\u00e9es s\u2019expriment mieux \u00ab <em>quand je traverse un moment important ou juste apr\u00e8s <\/em>\u00bb, une singularit\u00e9 qui lui est rest\u00e9e depuis l\u2019\u00e9criture de sa premi\u00e8re chanson, le gar\u00e7on \u00e9tait encore au lyc\u00e9e : \u00ab <em>j\u2019ai commenc\u00e9 \u00e0 faire de la musique juste pour moi et pour mes enfants qui \u00e9taient sur le point de na\u00eetre. En vrai, je ne pensais pas que je pouvais conna\u00eetre le succ\u00e8s. Les gens dont la carri\u00e8re explosait \u00e9taient plus jeunes que moi, un trentenaire. Et puis, finalement, j\u2019ai d\u00e9cid\u00e9 de ne plus me soucier de mon approche artistique, d\u2019op\u00e9rer uniquement librement, \u00e0 l\u2019instinct.\u00a0<\/em>\u00bb<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1515\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/Press-shot-2-1010x1515.jpg\" alt=\"\" class=\"wp-image-129511\" srcset=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/Press-shot-2-1010x1515.jpg 1010w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/Press-shot-2-759x1139.jpg 759w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/Press-shot-2-2048x3072.jpg 2048w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/Press-shot-2-1440x2160.jpg 1440w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/Press-shot-2-661x992.jpg 661w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/Press-shot-2-465x698.jpg 465w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/Press-shot-2-375x563.jpg 375w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/Press-shot-2.jpg 3648w\" sizes=\"auto, (min-width:1010px) 759px,100vw\" loading=\"lazy\"\/><\/figure>\n<p><strong>\u00ab <em>Il s\u2019agit de se d\u00e9ployer. Le son lui, doit rester le m\u00eame. <\/em>\u00bb<\/strong><\/p>\n<p>Un instinct qui le pousse \u00e0 ignorer tous les conseils des observateurs, prompts \u00e0 jeter le magicien dans la soupe de la pop africaine contemporaine : \u00ab <em>je n\u2019aime pas et ne recherche pas la c\u00e9l\u00e9brit\u00e9. Ce n\u2019est pas ma motivation premi\u00e8re. Ce que je veux, c\u2019est durer pour toujours, pas juste pour une minute ou quelques mois. <\/em>\u00bb<\/p>\n<p>L\u2019omnipr\u00e9sence de l\u2019imagerie cultuelle de Chan est souvent confondue avec de l\u2019occultisme, parfois m\u00eame au sein de sa fanbase : \u00ab <em>je comprends pourquoi on parle de musique occulte, puisque de nombreux groupes sectaires ont utilis\u00e9 des sonorit\u00e9s proches des miennes. Il faut savoir qu\u2019elles appartiennent \u00e0 certaines personnes et au territoire d\u2019o\u00f9 elles sont originaires, c\u2019est-\u00e0-dire nos villages.<\/em> \u00bb Dans un r\u00e9cent post sur X, Chan ajoutait : \u00ab <em>ma musique n\u2019a rien \u00e0 voir avec les cultes. C\u2019est une pratique de chant qui a pour but de redonner le moral. C\u2019est la mani\u00e8re dont mon peuple chante et quiconque a \u00e9mis l\u2019id\u00e9e que nos chansons \u00e9taient de la musique de culte ne fait que d\u00e9truire la culture de quelqu\u2019un d\u2019autre.<\/em> \u00bb<\/p>\n<p>Wizard Chan est fermement convaincu que son catalogue doit rester ancr\u00e9 dans sa propre histoire, dans les sonorit\u00e9s africaines relev\u00e9es, qui se parent d\u2019atours parfois \u00e9sot\u00e9riques comme de percussions africaines complexes : \u00ab <em>suivre des r\u00e8gles musicales strictes peut limiter la cr\u00e9ativit\u00e9. Si tu es capable de rassembler des sons provenant de diff\u00e9rents endroits, de diff\u00e9rentes r\u00e9gions et que tu essaies de les int\u00e9grer dans ton univers accompagn\u00e9 d\u2019un bon message, alors tu obtiens un son intemporel. Pour moi, il s\u2019agit juste de me d\u00e9ployer, le son lui, doit surtout rester le m\u00eame.\u00a0<\/em>\u00bb<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1515\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/press-shot-1010x1515.jpg\" alt=\"\" class=\"wp-image-129512\" srcset=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/press-shot-1010x1515.jpg 1010w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/press-shot-759x1139.jpg 759w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/press-shot-2048x3072.jpg 2048w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/press-shot-1440x2160.jpg 1440w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/press-shot-661x992.jpg 661w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/press-shot-465x698.jpg 465w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/press-shot-375x563.jpg 375w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2025\/02\/press-shot.jpg 3648w\" sizes=\"auto, (min-width:1010px) 759px,100vw\" loading=\"lazy\"\/><\/figure>\n<\/p><\/div>\n<p><script type=\"eca09553a11194b3e9c8177d-text\/javascript\">\n!function(f,b,e,v,n,t,s){if(f.fbq)return;n=f.fbq=function(){n.callMethod?\nn.callMethod.apply(n,arguments):n.queue.push(arguments)};if(!f._fbq)f._fbq=n;\nn.push=n;n.loaded=!0;n.version='2.0';n.queue=[];t=b.createElement(e);t.async=!0;\nt.src=v;s=b.getElementsByTagName(e)[0];s.parentNode.insertBefore(t,s)}(window,\ndocument,'script','https:\/\/connect.facebook.net\/en_US\/fbevents.js?v=next');\n<\/script><script type=\"eca09553a11194b3e9c8177d-text\/javascript\">\n          !function(f,b,e,v,n,t,s)\n          {if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n          n.callMethod.apply(n,arguments):n.queue.push(arguments)};\n          if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n          n.queue=[];t=b.createElement(e);t.async=!0;\n          t.src=v;s=b.getElementsByTagName(e)[0];\n          s.parentNode.insertBefore(t,s)}(window, document,'script',\n          'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n          fbq('init', '304027956726511');\n          fbq('track', 'PageView');\n        <\/script><br \/>\n<br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La musique de Wizard Maxwell Fuayefika Chan oscille entre rap, highlife, reggae, hip-hop, soul ou pop africaine. Un creuset d\u2019influence, qui trouve \u00e9galement sa source dans son identit\u00e9 Ijaw, une communaut\u00e9 issue de la rivi\u00e8re et \u00e9tablie dans le delta du Niger. Les Ijaw composent \u00e0 grands renforts de bouteilles, de gongs et de cloches. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":180282,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12025],"tags":[71364,28992,71365,6933,71366,71363,7693],"dealstore":[],"offerexpiration":[],"class_list":["post-180281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-music","tag-cest","tag-chan","tag-durer","tag-pour","tag-toujours","tag-veux","tag-wizard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wizard Chan \u00ab ce que je veux, c&#039;est durer pour toujours \u00bb - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=180281\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wizard Chan \u00ab ce que je veux, c&#039;est durer pour toujours \u00bb - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"La musique de Wizard Maxwell Fuayefika Chan oscille entre rap, highlife, reggae, hip-hop, soul ou pop africaine. 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