{"id":179290,"date":"2025-04-09T20:25:05","date_gmt":"2025-04-09T20:25:05","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/in-memoriam-erno-marosi-1940-2021\/"},"modified":"2025-04-09T20:25:05","modified_gmt":"2025-04-09T20:25:05","slug":"in-memoriam-erno-marosi-1940-2021","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=179290","title":{"rendered":"In memoriam Ern\u0151 Marosi (1940\u20132021)"},"content":{"rendered":"


\n<\/p>\n

\n\n\n\n\n
<\/span><\/td>\n<\/tr>\n
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Ern\u0151 Marosi in 2017<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


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\n

Ern\u0151 Marosi<\/b> (1940\u20132021), professor emeritus at the Institute of Art History of ELTE and a full member of the Hungarian Academy of Sciences, died on July 9, 2021, at the age of 81. With his death, we lost one of the most important Hungarian art historians of our time. His impact as a researcher and author of groundbreaking books as well as a teacher for almost six decades is immeasurable.<\/span><\/p>\n

A simple listing of his professional positions does not do justice to his career. He started teaching at the Department of Art History<\/a> at ELTE in 1963, immediately after graduating. In addition, he was a researcher at the Art History Research Institute<\/a> of the Hungarian Academy of Sciences, serving as the director of the Institute between 1991 and 2000.\u00a0<\/span>\u00a0He had been a full member of the Hungarian Academy of Science since 2001 and from 2002 to 2008, he was the Vice President of the Academy. He also taught at the Central European University and was an active board member of CIHA.\u00a0Research fellowships took him
\nto places such as Washington D.C., where he was a Senior Visiting Fellow at
\nCASVA in 1991, and Berlin. Among the prizes he received was the prestigious Sz\u00e9chenyi
\nPrize (1997) and the Commander’s Cross with Star of the Hungarian Order of
\nMerit (2009).\u00a0<\/span>He continued teaching even after his retirement and remained active as a researcher until his death.\u00a0<\/span><\/span><\/p>\n

His contribution to the field of medieval art history is better measured by his groundbreaking publications, which cover all areas of Hungarian medieval art. His research fundamentally re-wrote our knowledge of the field, placing Hungarian monuments in their broader, European context. During his career, there were several topics which he often revisited, providing new insights and interpretations to the most important monuments of medieval Hungary. His publications cover very diverse subjects ranging in time from the Coronation Mantle donated to the Sz\u00e9kesfeh\u00e9rv\u00e1r provostry by King Saint Stephen in 1031 to the patronage of Matthias Corvinus. Among his most important publications, we should first mention his book on the beginnings of Gothic architecture in Hungary, published in 1984 (<\/span>Die Anf\u00e4nge der Gotik in Ungarn. Esztergom in der Kunst des 12\u201313. Jahrhunderts<\/em>. Budapest, Akad\u00e9miai Kiad\u00f3, 1984). A catalogue on stone carvings from the \u00c1rp\u00e1dian-period<\/a> and an illustrated overview of Hungarian art of the \u00c1rp\u00e1dian-period<\/a> (1997, co-authored with T\u00fcnde Wehli) also attest to his interest in architecture and stone carving of the 12th-13th centuries. The other focus of his research was the art of the 14th and early 15th centuries, primarily the period of King Sigismund. His dissertation focused on the Church of St. Elisabeth at Kassa (<\/span>Ko\u0161ice), which was then published as a series of studies. Starting from 1974, he provided the proper art historical context for the famous statue find of Buda castle, a key monument of Central European sculpture of the International Gothic period. He co-organized two exhibitions on this period: first, in 1982 on art at the time of King Louis the Great <\/a>(1342-1382) and in 1987, on the period of King Sigismund<\/a> (1387-1437). Parallel to this work, Ern\u0151 Marosi edited and co-wrote the monumental handbook on Art in Hungary, 1300-1470<\/a> (published in 1987). In a series of later studies and in his academic doctoral dissertation, he almost immediately started to deconstruct the picture of the period given in the handbook, reflecting on new finds and providing new approaches (see especially:\u00a0<\/span>Image and Likeness<\/a><\/i><\/span>: Art and Reality in the 14th and 15th Centuries in Hungary<\/a><\/i>.<\/span>\u00a0Budapest, Akad\u00e9miai Kiad\u00f3, 1995). In 2006, he was one of the key advisors and authors of the new exhibition dedicated to the period of King Sigismund (Sigismundus Rex et Imperator<\/a>, Budapest-Luxemburg, 2006).\u00a0<\/span><\/span><\/p>\n\n\n\n\n
<\/span><\/a><\/td>\n<\/tr>\n
Ern\u0151 Marosi examining the inner reliquary of St. Ladislas, 2004<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

Another focus of his research was historiography, especially the 19th-century beginnings of Hungarian art history. He edited a number of source collections on art historical writing<\/a> as well as a volume on Hungary and the Vienna School of art history<\/a> (Die ungarische Kunstgeschichte und die Wiener Schule 1846\u20131930<\/i>, Vienna, 1983). He also wrote a basic overview of the methods of art history aimed at students (1973). He also dealt extensively with issues of monument protection and museum history – often writing on contemporary issues in these fields as well. Naturally, he was a keen observer of contemporary art as well.<\/span><\/div>\n
As a university professor, he also provided some of the basic surveys and textbooks on medieval art in Hungarian.\u00a0<\/span>In 1972, he wrote a survey
\nbook on Romanesque art, which was later expanded into a textbook on the art of
\nthe Middle Ages, 1000<\/span>\u20131250
\n(published in 1996). This was soon followed by a second, much larger volume on
\nthe art of the Middle Ages, 1250<\/span>\u20131500, published in 1997. He also wrote overviews
\nof Hungarian Romanesque Art (2013) and Gothic Art (2008).\u00a0His collection of<\/span><\/span><\/span>\u00a0<\/span>primary sources on medieval art<\/a>\u00a0<\/span>translated into Hungarian\u00a0<\/span><\/span><\/span>(first published in 1969 and then in an expanded edition in 1997) is a much-used source collectionto this day.<\/span><\/span><\/div>\n
During his long career, he published hundreds of studies in various journals, conference volumes, and exhibition catalogues.\u00a0<\/span>Coinciding with <\/span>his 80th birthday, a three-volume collection of his
\nselected studies on medieval art was published, coordinated by the Thesaurus
\nmediaevalis research group led by Imre Tak\u00e1cs\u00a0(<\/span>\u201c<\/span><\/i>F\u00e9nylik a m\u0171 nemesen<\/a><\/em>\u201d.\u00a0V\u00e1logatott \u00edr\u00e1sok a k\u00f6z\u00e9pkori m\u0171v\u00e9szet t\u00f6rt\u00e9net\u00e9b\u0151l<\/span><\/i>. Budapest, Martin Opitz Kiad\u00f3, 2020)<\/span>. The book makes available many of his studies
\npublished internationally, in the form of newly made and annotated Hungarian
\ntranslations prepared by Marosi himself. The ninety studies in two volumes are
\naccompanied by a third volume containing 1359 illustrations. A bibliography of
\nhis publications is also included there: it fills almost forty pages of the
\nbook.<\/span>\u00a0<\/span>His colleagues and students paid tribute to his work in a Festschrift <\/span>published for his seventieth birthday (<\/span>Bonum ut pulchrum. Essays in Art History in Honor of Ern\u0151 Marosi on his Seventieth Birthday<\/a><\/span><\/em>. Eds. L\u00edvia Varga\u00a0<\/span><\/span>–<\/em>\u00a0L\u00e1szl\u00f3 Beke\u00a0<\/span>–<\/em>\u00a0Anna J\u00e1vor\u00a0<\/span>–<\/em>\u00a0P\u00e1l L\u0151vei\u00a0<\/span>–<\/em>\u00a0Imre Tak\u00e1cs. Budapest, Argumentum, 2010) and he was also celebrated with a conference organized by the\u00a0<\/span>Institute of Art History of ELTE,\u00a0<\/span>titled\u00a0<\/span><\/span>Disputatio de quodlibet<\/a><\/em>.<\/a> In 2010 and 2020, <\/span>Enigma, <\/i>a<\/span>\u00a0<\/i>journal of art\u00a0<\/span>theory,<\/i><\/span><\/span>\u00a0published two thematic issues dedicated to Ern\u0151 Marosi (Enigma vols. 61 and 100<\/a>)<\/span><\/span>.<\/span><\/span><\/div>\n\n\n\n\n
<\/span><\/a><\/td>\n<\/tr>\n
Ern\u0151 Marosi in 2005<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/span><\/p>\n

Like
\ngenerations of art historians studying in Budapest, I took some of my first art
\nhistory classes with Ern\u0151 Marosi, who taught European medieval art. He was my
\nsupervisor when I was an MA student in medieval studies at Central European
\nUniversity (1994\u20131995) and encouraged my doctoral studies, suggesting I work on
\nthe newly discovered fresco cycle at the Augustinian Church at Sikl\u00f3s. Later,
\nhe would also serve as an external reader of my dissertation, which was
\nsupervised by Walter Cahn at Yale University. I had a chance to work with Ern\u0151
\nMarosi on numerous occasions after I returned to Hungary \u2013 especially during
\nthe preparations for the international exhibition on King Sigismund (2006). He
\nparticipated in the international conference organized in Luxemburg (2005) in
\nconjunction with the exhibition and also provided the art historical commentary
\nfor a digital edition of the Viennese manuscript of Eberhard Windecke’s
\nchronicle on Emperor Sigismund (Eberhard Windecke emle\u0301kirata Zsigmond
\nkira\u0301lyro\u0301l e\u0301s kora\u0301ro\u0301l = Eberhard Windeckes Denkwu\u0308rdigkeiten zur Geschichte
\ndes Zeitalters Kaiser Sigmunds.<\/i>\u00a0Budapest, Arcanum, 2009). More
\nrecently, Marosi published numerous studies on late medieval wall painting \u2013
\nincluding an introductory essay to a volume on wall paintings in north-eastern
\nHungary, co-authored by me (2009) and edited by Tibor Koll\u00e1r. In June of this
\nyear, he graciously agreed to present our new book on medieval wall paintings
\nin Z\u00f3lyom County (Zsombor J\u00e9kely \u2013 Gergely Kov\u00e1cs:\u00a0Falfest\u00e9szeti
\neml\u00e9kek a k\u00f6z\u00e9pkori Z\u00f3lyom v\u00e1rmegye ter\u00fclet\u00e9n<\/i>. Ed. Tibor Koll\u00e1r. Budapest,
\n2021), although his illness prevented him from fulfilling the task. He was an
\ninspiration and mentor to me for 30 years and he will surely inspire future
\ngenerations of art historians, even those who never had a chance to meet him.
\nHe will be greatly missed.<\/span><\/p>\n

A final, personal note: Thirty-one years ago, as a first-year art history student, I had an opportunity to travel to France. Ern\u0151 Marosi’s lectures on medieval art were a fresh experience – the notes of his lectures served as my guide on my trip.\u00a0I
\nvisited everything from Romanesque pilgrimage churches in the south of France
\nto the great Gothic cathedrals of northern France and the late Gothic and
\nRenaissance castles of the Loire Valley. After my<\/span>\u00a0first year of college and this French tour, I decided definitively that I would like to pursue medieval art. In 2021, news of the death of my teacher, Ern\u0151 Marosi, reached me inside the Benedictine abbey church of St. Denis, the birthplace of Gothic.<\/span><\/p>\n


<\/span><\/div>\n\n\n\n\n
<\/span><\/a><\/td>\n<\/tr>\n
Ern\u0151 Marosi and Zsombor J\u00e9kely listening to J\u00f3zsef L\u00e1ngi, 2019<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

* (Most of the links above take you to full-text versions of some publications written or edited by Ern\u0151 Marosi. Photos by Attila Mudr\u00e1k and the author).<\/span><\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Ern\u0151 Marosi in 2017 Ern\u0151 Marosi (1940\u20132021), professor emeritus at the Institute of Art History of ELTE and a full member of the Hungarian Academy of Sciences, died on July 9, 2021, at the age of 81. With his death, we lost one of the most important Hungarian art historians of our time. His impact […]<\/p>\n","protected":false},"author":1,"featured_media":179291,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[71012,71013,23219],"dealstore":[],"offerexpiration":[],"class_list":["post-179290","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-erno","tag-marosi","tag-memoriam"],"yoast_head":"\nIn memoriam Ern\u0151 Marosi (1940\u20132021) - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=179290\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In memoriam Ern\u0151 Marosi (1940\u20132021) - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Ern\u0151 Marosi in 2017 Ern\u0151 Marosi (1940\u20132021), professor emeritus at the Institute of Art History of ELTE and a full member of the Hungarian Academy of Sciences, died on July 9, 2021, at the age of 81. 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With his death, we lost one of the most important Hungarian art historians of our time. 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