{"id":179262,"date":"2025-04-09T19:52:42","date_gmt":"2025-04-09T19:52:42","guid":{"rendered":"https:\/\/peraltafinancing.com\/animation\/cartoons-about-cartoons-part-30\/"},"modified":"2025-04-09T19:52:42","modified_gmt":"2025-04-09T19:52:42","slug":"cartoons-about-cartoons-part-30","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=179262","title":{"rendered":"Cartoons About Cartoons (Part 30) |"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n\t\t\t  \t<img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/04\/Animation-Trails-logo.jpg\" alt=\"\" width=\"600\" height=\"133\" class=\"aligncenter size-full wp-image-64485\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/04\/Animation-Trails-logo.jpg 600w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/04\/Animation-Trails-logo-300x67.jpg 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2021\/04\/Animation-Trails-logo-150x33.jpg 150w\" sizes=\"(max-width: 600px) 100vw, 600px\"\/><\/p>\n<p>In the wake of the popular and successful \u201cDisneyland\u201d anthology shows discussed last week, there was the inevitable flow of \u201ccopycats\u201d who attempted to expand animation made for television into self-hosted half hour packages.  This would gradually free even the major networks from providing live kid-show hosts to entertain and emcee between episodes of series too short in running length to fill out a half-hour by themselves, such as the original runs of \u201cGumby\u201d and \u201cRuff \u2018n\u2019 Reddy.\u201d  The cartoon stars would generally, in the same manner as the Disney characters, express full awareness of their animated existence upon the new medium of television \u2013 and play it to full advantage.  In at least one instance, an approach more akin to Disney\u2019s would be tried by a rival network to provide live-action hosting for a package of old theatrical cartoons, with the characters exchanging banter and interplay with the host through a TV screen on the set.   <\/p>\n<p><a href=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2025\/04\/Terrytoons-CBS-Theater.jpg\" rel=\"prettyphoto[89996]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2025\/04\/Terrytoons-CBS-Theater-300x235.jpg\" alt=\"\" width=\"300\" height=\"235\" class=\"alignright size-medium wp-image-89997\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2025\/04\/Terrytoons-CBS-Theater-300x235.jpg 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2025\/04\/Terrytoons-CBS-Theater-150x117.jpg 150w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2025\/04\/Terrytoons-CBS-Theater.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\"\/><\/a>When CBS acquired the Terrytoons\u2019 library of titles, they tried several formats to present the cartoons, far too numerous to remain within the confines of a single show.  The \u201cBarker Bill\u201d show, a syndicated affair, expressed no real effort whatsoever, lifting a one-shot character from the short \u201cHappy Circus Days\u201d for a brief piece of introductory animation, then merely stringing cartoons together to fill out the running time, with reshot titles featuring the Barker\u2019s face.  \u201cMighty Mouse Playhouse\u201d, \u201cThe Heckle and Jeckle Show\u201d, and \u2018Farmer Al Falfa and his Terrytoons Pals\u201d all relied merely upon a short series of bumpers in which the hosting characters would speak directly to the children of the audience.  Mighty: \u201cHold on to your seats, as we blast off to visit all of your favorite cartoon stars\u201d.  Heckle and Jeckle: \u201cTally ho and away we go\u201d \u201cInto another fun-filled cartoon show.\u201d  And so on.  However, some additional effort went into planning the prime-time \u201cCBS Cartoon Theater\u201d, an effort (before the premiere of the \u201cHeckle and Jeckle Show\u201d) to showcase the works of what CBS considered to be Terry\u2019s principal supporting players \u2013 Heckle and Jeckle, Gandy Goose and Sourpuss, Dinky Duck, and Little Roquefort.  Hosting duties were supplied by an up-and-coming comedian who would soon rise to stardom and well-known prominence \u2013 Dick Van Dyke, who would provide spoken introductions to the shorts from a sort of \u201cstudio central\u201d office with a large TV set in its center.  The principal characters would appear in new animations on the TV screen, frequently razzing or playing tricks upon Van Dyke and generally up to mischief.  Animation seems to have been supplied by usual suspects from the original studio, with the hand of Jim Tyer evidently visible, and in all likelihood some input by Connie Rasinski.  Original voices also continue to be provided by Tommy Morrison and Roy Hallee.  Surviving installments of the show have been in short supply online, but a sample broadcast from the show\u2019s 1956 premiere is included here (in original black and white, as CBS had not yet gone to color).  Notably, the instrumental music serving as the show\u2019s theme is the same little jingle which appeared as a theme for Dinky Duck\u2019s last theatrical release, <em>It\u2019s a Living<\/em>.  <\/p>\n<p><center><iframe loading=\"lazy\" title=\"CBS Cartoon Theater (1956)\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/vRwtd3mx2H0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/center><\/p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\"\/>\n<p><a href=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2015\/09\/boing-boing-show.jpg\" rel=\"prettyphoto[89996]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2015\/09\/boing-boing-show-300x255.jpg\" alt=\"\" width=\"300\" height=\"255\" class=\"alignleft size-medium wp-image-20614\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2015\/09\/boing-boing-show-300x255.jpg 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2015\/09\/boing-boing-show-150x127.jpg 150w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2015\/09\/boing-boing-show.jpg 474w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\"\/><\/a>CBS\u2019s next prime-time move was to employ the services of UPA studios for a new half-hour package of miscellaneous shorts.  While none of the episodes produced featured any previously-recognized UPA theatrical character, someone got the idea to use one of the studio\u2019s secondary stars in an odd hosting role as a \u201chook\u201d to sell the program by name \u2013 resulting in the title, \u201cThe Boing Boing Show\u201d (1956).  Negatives for this show\u2019s contents have been preserved in color, though, sadly, no intact broadcasts appear to have been made available.  Instead, some cobblings of elements from the show were released to the VHS market, with most of the original opening title animation and a few interstitial bumpers of the \u201cstar\u201d included.  One such release is embedded below.  Gerald\u2019s appearance amounts to walk-ons and the utterance of a few sound effects or music notes to put us in the mood for the next cartoon, while some unnamed stage-hands set up basic imagery around him.  While the effects track seems original, the theme music presented on the VHS releases appears fake, too modern and overdubbed in sound, undoubtedly to avoid paying royalties to whoever was the original composer.   <\/p>\n<p><center><iframe loading=\"lazy\" title=\"Gerald McBoing-Boing Presents Favorite Sing Along Songs\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/1Htfq_hTTjg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/center><\/p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\"\/>\n<p><a href=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/02\/Bill-Hanna-Joe-Barbera-Huck-344.jpg\" rel=\"prettyphoto[89996]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/02\/Bill-Hanna-Joe-Barbera-Huck-344-300x172.jpg\" alt=\"\" width=\"300\" height=\"172\" class=\"alignright size-medium wp-image-69843\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/02\/Bill-Hanna-Joe-Barbera-Huck-344-300x172.jpg 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/02\/Bill-Hanna-Joe-Barbera-Huck-344-150x86.jpg 150w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/02\/Bill-Hanna-Joe-Barbera-Huck-344.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\"\/><\/a>When Hanna-Barbera broke full-force into producing half-hour packages for TV, their first three ventures with sponsorship by Kellogg\u2019s all spotlighted their starring characters as show hosts.  Though the individual episodes included in the programs would rarely have the characters acknowledging a cartoon or television existence (perhaps because the films were also being set up with individual main titles for distribution in foreign markets and possibly in foreign theatrical venues where the references to television wouldn\u2019t have made sense), each show would not only feature fresh animation of the star promoting the cereal, but a series of interstitial bumpers in which the various characters featured on the show would cross-over between their own respective animated worlds to interact directly with one another, and always with a wrap-up line leading to an intro to the next cartoon or next week\u2019s show.  Curiously, H-B chose not to use this style in its prime-time ventures such as \u201cThe Flintstones\u201d, where the characters would generally only speak to the audience if presenting an animated commercial pitch of this week\u2019s product.  The \u201chosted\u201d output thus included \u201cThe Huckleberry Hound Show\u201d (1958), \u201cThe Quick Draw McGraw Show\u201d (1959). and \u201cThe Yogi Bear Show\u201d (1961).  A great assortment of bumper playlists presenting the characters acknowledging their presence on the shows is  available below.  There is so much terrific footage that went into these and various other bumpers of the shows, that someone should really compile a video package of the bumpers alone, to preserve the entirety of these great shows\u2019 legacies.<\/p>\n<p><center><iframe loading=\"lazy\" title=\"HUCK CAST - 80 - Restored:   &quot;New Recruits&quot;\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/ej3trxplJUw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/center><\/p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\"\/>\n<p>\tOne rare instance where cartoon-consciousness enters into an actual episode of <em>The Huckleberry Hound Show<\/em> appears in the first episode of Pixie and Dixie and Mr. Jinks, entitled <strong>Cousin Tex<\/strong> (10\/2\/58).  The film\u2019s basic idea is a sort-of reworking\/update on Tom and Jerry\u2019s <em>Jerry\u2019s Cousin<\/em>, with the two mice receiving unexpected protection by means of a long tall \u201cTexas-sized\u201d mouse, proficient in the arts of roping, branding, and generally making sure that no cantankerous cat gets a mite out of hand.  But the interesting factoid for the present article\u2019s purposes appears at the very beginning of the film, where Pixie and Dixie appear seated on the living room sofa, enjouing a cartoon on TV \u2013 not in this case of themselves.  Now what would the concept of a cartoon be to a pair of mice who are already cartoons themselves, rendered in highly-limited animation?  What else?  Childish stick figures, rendered in stark black and white, much like the old scrawlings that were \u201cPorky\u2019s Preview\u201d.  The film onscreen, of a character known as \u201cKnockout Mouse\u201d, even ends with rudimentary titles in outline drawing closely resembling the \u201csyndication\u201d end titles created by H-B for the very Pixie and Dixie cartoon we are watching!  Dixie wishes they had a friend like Knockout to beat up on cats, but Pixie reminds him that Knockout isn\u2019t really for real.  \u201cBut I\u2019m for real, shorty\u201d declares Jinks, popping up over the back of the sofa cushion.   The terrified mice beat a retreat to the mousehole, where Jinks warns them, \u201dThat mices beatin\u2019 up the cat stuff only happens in cartoons \u2013 so don\u2019t get any fancy ideas.\u201d  Within the mousehole, Dixie continues to wish, \u201cWell, we can dream, can\u2019t we?\u201d<\/p>\n<blockquote>\n<p>\u2022 <strong>Cousin Tex<\/strong> is on Facebook  \u2013 <a target=\"_blank\" href=\"http:\/\/\u2018Cousin Tex\u201d is on facebook at https:\/\/www.facebook.com\/100072053845348\/videos\/pixie-and-dixie-and-mr-jinks-season-1-episode-1-cousin-tex\/182093587019993\/\">CLICK HERE<\/a>.<\/p>\n<\/blockquote>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\"\/>\n<p>H-B\u2019s last consciously-hosted half-hours would be <strong>The Magilla Gorilla Show<\/strong> and <strong>The Peter Potamus Show<\/strong> (both 1964).  Here, hosting duties were kept to a minimum, appearing only as one-time series leaders and a closing bumper (often referred to as a \u201ccurtain call\u201d), repeated over and over in each week\u2019s show, rather than presenting new encounters between the characters each week.  The cast of the Magilla show was featured in a singing walk-on in the show\u2019s opening titles, interacted together in the curtain call, and Magilla portrayed a TV cameraman in the weekly closing.  Peter didn\u2019t interact with his co-stars except in the one-minute \u201ccurtain call\u201d before the closing credits.  Each of these finale bumpers further reminded viewers to watch the other of the two shows at its respective air time.  Much of this footage exists in multiple truncated and altered versions.  Part of this was due to the decision to interchange elements of the respective shows in mid-run.  Ricochet Rabbit thus moved from Magilla to the Peter Potamus roster, with Breezly Bruin and Sneezly Seal making the move from Potamus to Gorilla.  Thus, alternate opening credits had to be shot for Magilla, and both \u201ccurtain calls\u201d needed alternate filmings to interchange characters.  After original syndication, all references to Ideal Toys had to be removed from both sets of opening and closing credits, leading to drastic shortening of the sequences.  It is only through the dedication of collectors over at least a decade or more that these sequences have been restored, seemingly as far as humanly possible from disparate elements, as presented below.  There is still at least one artifact, in that original sound for the Magilla first-season curtain call seems not to have been located, and is replaced with track from the reshoot.  This accounts for Magilla\u2019s voice repeating \u201cSo Long\u201d at two places where the line is mouthed on screen by Punkin\u2019 Puss and Mushmouse, whose tracks still appear to be missing.  Also, the first season curtain call for Peter Potamus remains only available in black and white.  Hopefully, the search goes on.  <\/p>\n<p><center><iframe loading=\"lazy\" title=\"The Magilla Gorilla Show Original Opening, Curtain Call and Longer Closing (Almost Remastered)\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/4mzsMj3qtNc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"The Peter Potamus Show Curtain Call (Original)\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/kosMyqz9NBg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><\/center><\/p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\"\/>\n<p>\tAnother well-known self-hosted half-hour of late 50\u2019s=60\u2019s animation was Jay Ward\u2019s \u201cRocky the Flying Squirrel\u201d, also known as <strong>Rocky and his Friends<\/strong> (1959) and soon after as \u201cThe Bullwinkle Show\u201d, among other retitles.  Leaders and bumpers for these shows have again gone through a myriad of retoolings, cutting out references to sponsors, changing musical underscores to an alternate theme written for a later season, and ultimately pasting over series banners with \u201cThe Adventures of Rocky and Bullwinkle and Friends\u201d for DVD issue.  Rest easy that uncut full color 35mm elements exist for the original first-season titles at UCLA, with original score (which recently saw a big-screen public presentation hosted by Jay\u2019s daughter at the Hammer Theater, allowing for high-resolution viewing of the entirety of episode 2 of the series, in brilliant color).  It\u2019s a shame if you happened to miss it.  For those who did, a pretty-decent reconstruction of episode 1 is included below.  It remains inaccurate in including bumpers for the two Rocky cartoons visually retaining the DVD retitling, but at least fits them with the proper musical score.  Animated commercials featuring the characters are also included.<\/p>\n<p>\tWard\u2019s creations always maintained a certain irreverence in their presentation and asides to the audience, and were never above poking fun at television or film to get a laugh.  Though the characters didn\u2019t always acknowledge themselves as being cartoons, I recall a particularly telling sequence in a Rocky episode, which I cannot peg the identity of from memory among the seemingly hundreds of individual episodes produced, in which Boris Badenov nearly loses his mojo.  In furtherance of the latest nefarious plan, he is about to don his umpteenth disguise of the season, and break into his usual \u201cAllow me to introduce myself\u2026\u201d, but begins to utter the line weakly and half-heartedly, Natasha asks him what is wrong.  Boris expresses to her that this has gone on and on over again for what seems forever, and that it is totally ridiculous to expect such a lame disguise to succeed.  Sooner or later, it is inevitable that the squirrel will see right through his latest ploy, and everything will be lost.  So what\u2019s the use?  Natasha reminds him to look at a particular numbered rule within the No-Goodnik\u2019s handbook, which reads, simply, \u201cThere is no one more gullible than a cartoon hero.\u201d  Still without genuine conviction or any attempt to put his lines over with feeling, Boris makes his introduction to Rocky.  All that the squirel can respond with is his usual state of total unknowing confusion.  \u201cThat voice.  Where have I heard that voice before?\u201d  A wide smile spreads across Boris\u2019s face, and he exchanges a glance of confidence with Natasha.  Boris is back in the game.<\/p>\n<p><center><iframe loading=\"lazy\" title=\"ROCKY AND HIS FRIENDS (1959) Premier reconstruction\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/4D-KBH2Ztzc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/center><\/p>\n<hr style=\"color: #000000; background-color: #000000; height: 2px; border: none;\"\/>\n<div id=\"attachment_72850\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Clyde-Crashcup-Leonardo-baseball-still.jpg\" rel=\"prettyphoto[89996]\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-72850\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Clyde-Crashcup-Leonardo-baseball-still-300x233.jpg\" alt=\"\" width=\"300\" height=\"233\" class=\"size-medium wp-image-72850\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Clyde-Crashcup-Leonardo-baseball-still-300x233.jpg 300w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Clyde-Crashcup-Leonardo-baseball-still-768x596.jpg 768w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Clyde-Crashcup-Leonardo-baseball-still-150x116.jpg 150w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Clyde-Crashcup-Leonardo-baseball-still.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\"\/><\/a><\/p>\n<p id=\"caption-attachment-72850\" class=\"wp-caption-text\">Publicity still from \u201cClyde Crashcup Invents Baseball\u201d<\/p>\n<\/div>\n<p>A favorite of mine and many from early TV animation, which harkened directly back to the days of Van Beuren\u2019s and Terrytoons\u2019s \u201cmagic pencil\u201d episodes, was Format Films\u2019 \u201cClyde Crashcup\u201d series, created to provide a middle installment between episodes of CBS\u2019s \u201cThe Alvin Show\u201d (1961) featuring Ross Bagdasarian\u2019s singing chipmunks.  The chipmunks themselves were very conscious of their medium, not only in recording (most episodes set in the home recording studio of their mentor David Seville), but in the show\u2019s opening titles and bumpers, frequently showing them creating chaos with cameras and in the control room of a TV studio, where Alvin directs all the shots.  As for Clyde, he was a brilliant and magical inventor \u2013 with only one problem.  He seemed to have never kept up with modern life, nor the registered filings of inventions in the U.S. and international patent offices \u2013 and specialized in arriving at the re-invention of objects, ideas, and concepts which were already in existence, purely by means of his own twisted concepts of independent creation.  He never plagiarized \u2013 which was obvious from the backwards, lopsided, and horrendously-deviant manner in which his inventions usually turned out.  Yet, had Crashcup ever succeeded in conceiving an original idea, he might just have cornered the market on it \u2013 given his \u201cace in the hole\u201d which would have placed him far ahead of all others in the manufacturing department.  With no explanation ever provided in the series, Crashcup is in possession of a classic \u201cmagic pencil\u201d, which allows him to draw whatever he conceives on an area of blank wall within his laboratories \u2013 and have the drawing instantly solidify from the wall into three-dimensional living or mechanical form, with color fading in as well for good measure.  This generally allowed Crashcup to cut out entirely the tedious step of manual labor before putting his prototypes into action.  Did Crashcup invent the pencil himself?  We are never told, but if he did, for gosh sakes, Clyde, run out and get a patent on it applied for!<\/p>\n<p><a href=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Crashcup-comic.jpg\" rel=\"prettyphoto[89996]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Crashcup-comic-206x300.jpg\" alt=\"\" width=\"206\" height=\"300\" class=\"alignright size-medium wp-image-72854\" srcset=\"https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Crashcup-comic-206x300.jpg 206w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Crashcup-comic-103x150.jpg 103w, https:\/\/cartoonresearch.com\/wp-content\/uploads\/2022\/06\/Crashcup-comic.jpg 400w\" sizes=\"auto, (max-width: 206px) 100vw, 206px\"\/><\/a>Crashcup is ably assisted by a little fellow in lab coat and glasses named Leonardo (any descendancy from Da Vinci presumably intended).  Leonardo is never heard to understandably speak, but communicates all his suggestions to Clyde through whispers in his ear, with Clyde\u2019s verbal reactions to them providing all the information we need as to what the suggestion was.  For example, when Crashcup attempts to invent the chair, designing a seat in a geometric shape that in no manner resembles a human posterior, a whisper from Leonardo prompts Clyde to remark, \u201cWhat do you mean, it\u2019s not shaped that way?\u201d  Poor Leonardo is usually the fall guy for several of Clyde\u2019s failures, and often forced to take the blame and reprimands from Clyde when the inventive genius\u2019s pride refuses to acknowledge the shortcomings of his own ideas.  Yet, Leonardo often serves as the voice of reason, even if in a whisper, sometimes steering Clyde back upon a path where success seems nearly within their grasp \u2013 but always ultimately elusive.  It is further notable that Leonardo never once informed Clyde that something he was working on had already been invented \u2013 proving that Leonardo was no more current than Clyde upon pop culture.  Oh well, being under the thumb of Clyde all day, I guess he doesn\u2019t get out much.<\/p>\n<p>\tA typical example from the series, <strong>Crashcup Invents Flight<\/strong> (12\/6\/61), is featured below.  Crashcup\u2019s pencil gets busy drawing arm wings, the \u201cwhirling wing\u201d, being a sort of beany-copter cap, and the internal combustion airplane engine.  Clyde even gets in a little hand-labor by constructing his \u201cheavier-than-air\u201d craft \u2013 a dirigible composed of solid bricks!  The episode may be unique among the series in having Clyde actually faced with the reality that technology has beaten him to the punch \u2013 as Clyde crashes head-on into the intake of an oncoming jet fighter.  Yet, Clyde seems to remain oblivious to the fact that this strange object was an invention of man \u2013 and goes right on with his inventing.  Leonardo sums up the whole affair with a whisper at the closing, which even Clyde has to acknowledge is logical and correct: \u201cFlying is for the birds!\u201d  Perhaps all Clyde needs is to go back to the university for some refresher courses, under the tutelage of Professor Grampy.<\/p>\n<blockquote>\n<p>\u2022 \u201cCrashcup Invents Flight\u201d is at <a target=\"_blank\" href=\"https:\/\/ia802308.us.archive.org\/22\/items\/FourClydeCrashcupEpisodes\/Clyde%20Crashcup%20Invents%20Flight.mp4\">ARCHIVE.ORG<\/a><\/p>\n<\/blockquote>\n<p><strong>NEXT WEEK:<\/strong> More studios from the dawn of 1960\u2019s TV.<\/p>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>In the wake of the popular and successful \u201cDisneyland\u201d anthology shows discussed last week, there was the inevitable flow of \u201ccopycats\u201d who attempted to expand animation made for television into self-hosted half hour packages. This would gradually free even the major networks from providing live kid-show hosts to entertain and emcee between episodes of series [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":111736,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12035],"tags":[26156,3341],"dealstore":[],"offerexpiration":[],"class_list":["post-179262","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","tag-cartoons","tag-part"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cartoons About Cartoons (Part 30) | - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=179262\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cartoons About Cartoons (Part 30) | - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"In the wake of the popular and successful \u201cDisneyland\u201d anthology shows discussed last week, there was the inevitable flow of \u201ccopycats\u201d who attempted to expand animation made for television into self-hosted half hour packages. 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