{"id":177638,"date":"2025-04-08T18:08:28","date_gmt":"2025-04-08T18:08:28","guid":{"rendered":"https:\/\/peraltafinancing.com\/african-music\/ranking-olamides-albums-from-worst-to-best\/"},"modified":"2025-04-08T18:08:28","modified_gmt":"2025-04-08T18:08:28","slug":"ranking-olamides-albums-from-worst-to-best","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=177638","title":{"rendered":"Ranking Olamide\u2019s Albums From Worst To Best"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<h2 class=\"wp-block-heading\">How do you rank the catalog of Olamide, an artist who\u2019s been everything\u2014lyricist, hitmaker, street prophet, culture-shifter?<\/h2>\n<p>Olamide\u2019s discography isn\u2019t just a collection of songs\u2014it\u2019s a chronicle of Nigerian music\u2019s evolution. From <a href=\"https:\/\/unorthodoxreviews.com\/10-olamide-songs-that-owned-the-streets\">Olamide\u2019s songs that owned the streets<\/a> to his more polished Afro-pop slappers, each output captures a different phase of his journey\u2014from the raw hunger of a <a href=\"https:\/\/strangersguide.com\/articles\/bariga\/\" target=\"_blank\" rel=\"noopener\">Bariga<\/a> upstart to the global icon he is today. We\u2019ve previously looked at 20 <em><a href=\"https:\/\/unorthodoxreviews.com\/20-essential-olamide-songs\">Essential Olamide Songs Every Fan Should Know<\/a><\/em>, but what about his albums?<\/p>\n<p>But let\u2019s be clear: ranking his albums isn\u2019t about declaring winners and losers. <a href=\"https:\/\/unorthodoxreviews.com\/10-essential-olamide-music-videos\">Olamide\u2019s<\/a> floor is higher than most artists\u2019 ceilings. Even his so-called \u201cweaker\u201d albums offer insight into his mindstate at the time\u2014whether he was testing new sounds, doubling down on street loyalty, or simply making music on his own terms. The goal here isn\u2019t to discredit any phase of his journey but to map the arc of his artistry\u2014what worked, what shifted the culture, and what captured lightning in a bottle.<\/p>\n<p>Each album tells a story, and this is about understanding which of those stories hit hardest\u2014and why. Here\u2019s our ranking of Olamide\u2019s albums through the years.<\/p>\n<h2 class=\"wp-block-heading\"><strong>10. Lagos Nawa (2017)<\/strong><\/h2>\n<p>Olamide\u2019s attempt at a concept album\u2014recorded in just <a href=\"https:\/\/www.pulse.ng\/articles\/music\/olamide-ybnl-rapper-releases-7th-studio-album-lagos-nawa-2024073113432373901\" target=\"_blank\" rel=\"noopener\">48 hours<\/a> with Young John, was daring, but ultimately scattershot. <em>Lagos Nawa<\/em> wants to capture the raw chaos and musical plurality of Lagos, but it never quite gels. For every moment of brilliance like \u201cWo!!\u201d and the Reminisce\/Timaya-assisted \u201cBend It Over,\u201d there\u2019s filler that feels rushed. The sound design is unfiltered and percussive, but too often repetitive. It\u2019s an album more admirable for its ambition than its execution, a creative detour that lacked the polish of his best work.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Lagos Nawa!\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6QgSn3J5BlCRNGoMaJM7In?si=29525d2a65b44f8f&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\"><strong>9. UY Scuti (2021)<\/strong><\/h2>\n<p>This was Olamide in full sonic pivot, leaning into mellow, groovy, almost meditative production\u2014an Afro-fusion wave far removed from his rowdy origins. While tracks like \u201cRock\u201d and \u201cJulie\u201d showcased a more refined, sensual side of him, the album sometimes felt too restrained, too smoothed-out. The risks are commendable, but the payoff varies. <em>UY Scuti<\/em> shows Olamide\u2019s maturity and desire to evolve, but it doesn\u2019t quite hit with the same emotional or lyrical weight as his classics.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: UY Scuti\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2nDH1AOBaaugSngw9Yiwyw?si=e52d056244664bc1&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\"><strong>8. Unruly (2023)<\/strong><\/h2>\n<p>Unruly felt like a statement. It was Olamide returning to rap, not with the fiery hunger of Rapsodi but with the calm confidence of someone who\u2019s already built an empire. The beats were lush and modern, with Olamide flowing effortlessly over amapiano, drill, and mid-tempo bounce. \u201cTrumpet\u201d with CKay and \u201cJinja\u201d showcased his polished delivery, while \u201cProblem\u201d felt like vintage Baddo wrapped in designer. What made Unruly special was how unforced it felt\u2014there was no need to prove anything. It was Olamide, at peace with his greatness, creating music that sounded like freedom.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Unruly\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/51mowf1u3WaEYvqalsbP7M?si=2b893361ebfa436f&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\"><strong>7. Eyan Mayweather (2015)<\/strong><\/h2>\n<p>This is arguably Olamide\u2019s most misunderstood album. No features, pure confidence and a lot of flexing. Coming after <em>Street OT<\/em>, it was a declaration of dominance, packed with hits like \u201cLagos Boys\u201d and \u201cDon\u2019t Stop.\u201d Still, despite its commercial success, the album lacked the storytelling depth and cultural texture of his other works. It\u2019s Olamide at his most self-assured, but also his most isolated. A solid project, but one that felt more than just an artistic leap.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Eyan Mayweather\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1IAoO8gCx9gRwN2HbSGO8l?si=ea0a4cee0f0d44e1&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\"><strong>6. Carpe Diem (2020)<\/strong><\/h2>\n<p>This was Olamide\u2019s rebirth. After years of holding the street down, <em>Carpe Diem<\/em> marked his pivot into a smoother, more contemporary Afrobeats space. He embraced melody like never before, with standout tracks like \u201cInfinity\u201d (featuring Omah Lay) and \u201cTriumphant\u201d (featuring Bella Shmurda) showing a vulnerable, reflective side. The album glowed with balance\u2014emotional honesty, club bangers, and modern production. It wasn\u2019t as raw as his early work, but it felt intentional, graceful, and forward-looking.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Carpe Diem\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6fG2eFCgUmytQWL6umtsCh?si=285d9ff03d314ea0&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\"><strong>5. YBNL (2016)<\/strong><\/h2>\n<p>This was the arrival of a movement. <em>YBNL<\/em> wasn\u2019t just an album; it was a blueprint for street-pop dominance. It refined the rawness of his debut, pairing street gospel with massive hooks. \u201cFirst of All,\u201d \u201cVoice of the Street,\u201d and \u201cStupid Love\u201d were instant anthems, but it\u2019s the consistency that made this album so potent. It cemented Olamide as more than a flash-in-the-pan. Here, he found his voice, fused tradition with trend, and proved that Bariga had something to say.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: YBNL\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0mBEVecZUhNn4sD2nHvJTX?si=e26bb87671654890&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\"><strong>4. Street OT (2014)<\/strong><\/h2>\n<p>Arguably the album that fully crowned him the street king. <em>Street OT<\/em> is where Olamide became the voice of an entire demographic\u2014narrating their hustle, dreams, and coded language with unflinching confidence. The synergy with Pheelz was at a creative peak, and the album offered both street bangers \u201cStory for the Gods,\u201d \u201cGoons Mi\u201d and \u201cPrayer for Client\u201d. It didn\u2019t try to impress critics; it existed purely for the streets and the streets responded in kind.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Street OT\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0oxaTMdegAWyNXaP9BTELF?si=ff88068798d0472e&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\"><strong>3. Rapsodi (2011)<\/strong><\/h2>\n<p>The debut that started it all. Olamide entered the game rapping like he had nothing to lose\u2014and everything to prove. \u201cEni Duro\u201d hit like a meteor, and <em>Rapsodi<\/em> kept that momentum going with a blend of Yoruba lyricism, gritty production, and raw hunger. His delivery was sharp, his pen vicious. There was no pretense, just pure ability and ambition. While it lacks the polish of his later work, it remains one of the most impactful debut albums in Nigerian hip-hop history.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Rapsodi\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2w7LTbrUuRW5LhezyFjeWk?si=0fd5daf63e39403c&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\"><strong>2. The Glory (2016)<\/strong><\/h2>\n<p>This was Olamide returning to pure rap form with sharper penmanship, deeper storytelling, and some of his most focused production. \u201cLetter to Milli\u201d gave fans emotional honesty. \u201cJourney of a Thousand Miles\u201d tapped into introspection. \u201cUnderground\u201d with Akuchi was a gritty standout. But the magic of <em>The Glory<\/em> was how mature it felt\u2014this was Olamide reflecting, not just reacting. It wasn\u2019t about hits; it was about legacy. And with this album, he crafted one of his most complete, lyrically potent, and emotionally resonant bodies of work.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: The Glory\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6z6r9RgyDDp35cfOAixpvq?si=2c7ecb0acc3e4f36&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\"><strong>1. Baddest Guy Ever Liveth (2013)<\/strong><\/h2>\n<p>Wait, you thought this was already ranked? Nope\u2014<strong>the true #1 is <\/strong><strong><em>Baddest Guy Ever Liveth<\/em><\/strong>. <em>Eyan Mayweather<\/em> already got its shine earlier at #7. Let\u2019s give that crown where it belongs:<\/p>\n<p>Because it deserves to be said, this is the most complete, culturally pivotal Olamide\u2019s album to date. It married Yoruba lyricism with pop structure, gave the streets a new language, and redefined what a local rap act could achieve in the mainstream. It\u2019s the album that even non-Olamide fans had to respect. Every track, every flow switch, every slang, felt timeless.<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Baddest Guy Ever Liveth\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1ZghKqMTCsMb5QnSrTKOQP?si=f94dd70866934a30&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<p><!-- CONTENT END 3 -->\n\t\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>How do you rank the catalog of Olamide, an artist who\u2019s been everything\u2014lyricist, hitmaker, street prophet, culture-shifter? Olamide\u2019s discography isn\u2019t just a collection of songs\u2014it\u2019s a chronicle of Nigerian music\u2019s evolution. From Olamide\u2019s songs that owned the streets to his more polished Afro-pop slappers, each output captures a different phase of his journey\u2014from the raw [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":177639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12025],"tags":[16420,70519,16394,11258],"dealstore":[],"offerexpiration":[],"class_list":["post-177638","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-music","tag-albums","tag-olamides","tag-ranking","tag-worst"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ranking Olamide\u2019s Albums From Worst To Best - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=177638\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ranking Olamide\u2019s Albums From Worst To Best - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"How do you rank the catalog of Olamide, an artist who\u2019s been everything\u2014lyricist, hitmaker, street prophet, culture-shifter? Olamide\u2019s discography isn\u2019t just a collection of songs\u2014it\u2019s a chronicle of Nigerian music\u2019s evolution. 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Olamide\u2019s discography isn\u2019t just a collection of songs\u2014it\u2019s a chronicle of Nigerian music\u2019s evolution. 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