{"id":176969,"date":"2025-04-08T07:44:09","date_gmt":"2025-04-08T07:44:09","guid":{"rendered":"https:\/\/peraltafinancing.com\/american-history\/americanstudies-april-8-2025-a-great-gatsby-centennial-three-phone-calls\/"},"modified":"2025-04-08T07:44:09","modified_gmt":"2025-04-08T07:44:09","slug":"americanstudies-april-8-2025-a-great-gatsby-centennial-three-phone-calls","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=176969","title":{"rendered":"AmericanStudies: April 8, 2025: A Great Gatsby Centennial: Three Phone Calls"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"post-body-5345501597940087763\" itemprop=\"description articleBody\">\n<p>[On <a href=\"https:\/\/time.com\/3765539\/1925-review-great-gatsby\/\">April 10<sup>th<\/sup>,<br \/>\n1925<\/a>, F. Scott Fitzgerald\u2019s novel <i>The Great Gatsby<\/i> was <a href=\"https:\/\/www.abebooks.com\/book-search\/title\/great-gatsby\/author\/fitzgerald\/first-edition\/sortby\/1\/page-1\/\">published<br \/>\nby Charles Scribner\u2019s Sons<\/a>. While I <a href=\"https:\/\/americanstudier.blogspot.com\/2018\/04\/april-10-2018-great-american-novel.html\">have<br \/>\nmy problems with <i>Gatsby<\/i><\/a>, it remains one of our most influential and important<br \/>\nnovels, and one that opens up so many AmericanStudies contexts. So this week I\u2019ll<br \/>\nhighlight a handful of them, leading up to a weekend post featuring fellow<br \/>\nGatsbyStudiers!]<\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">On three<br \/>\nphone calls that illustrate the classic novel\u2019s thoughtful portrayal of Modern<br \/>\ntechnologies.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">When you<br \/>\nteach a book as often as <\/span><a href=\"http:\/\/americanstudier.blogspot.com\/2022\/05\/may-11-2022-spring-semester-reflections.html\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">I have F.<br \/>\nScott Fitzgerald\u2019s <i style=\"mso-bidi-font-style: normal;\">The Great Gatsby<\/i><\/span><\/a><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> (1925),<br \/>\nyou start to focus on different layers each time. Along with the dialogues with<br \/>\nother authors\/works like Nella Larsen\u2019s <i style=\"mso-bidi-font-style: normal;\">Passing<br \/>\n<\/i>that I talk about in that hyperlinked post, in my last couple times reading<br \/>\nand teaching the novel I\u2019ve thought a lot about just how many early 20<sup>th<\/sup><br \/>\ncentury technologies play central roles in its story. That\u2019s especially true of<br \/>\nautomobiles, of course; not only in the book\u2019s climactic events (which I won\u2019t<br \/>\nspoil here for the few people who managed not to read Fitzgerald\u2019s novel in<br \/>\nhigh school), but in the central presence (geographically as well as<br \/>\nsymbolically) of <\/span><a href=\"https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/00144940.2012.727905\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Wilson\u2019s<br \/>\ngas station and auto repair shop<\/span><\/a><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">. It\u2019s true of Hollywood film, both in<br \/>\npresences at Gatsby\u2019s parties (<\/span><a href=\"https:\/\/ew.com\/article\/2013\/04\/26\/true-hollywood-story-f-scott-fitzgerald\/\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">and<br \/>\nFitzgerald\u2019s career<\/span><\/a><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">) and in the novel\u2019s underlying themes of<br \/>\nsurface and depth, illusion and reality. But it\u2019s also certainly true of the<br \/>\nstill <\/span><a href=\"https:\/\/www.elon.edu\/u\/imagining\/time-capsule\/150-years\/back-1870-1940\/#:~:text=By%201900%20there%20were%20nearly,and%205.8%20million%20by%201910.\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">relatively<br \/>\nnew technology<\/span><\/a><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">, particularly when it comes to the idea of every household having<br \/>\none, that was the telephone.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">As we meet<br \/>\nthe novel\u2019s main characters in the opening few chapters, Fitzgerald uses a<br \/>\ncouple key phone calls to present mysterious and ambiguous sides to them. In<br \/>\nChapter 1, as Nick Carraway visits the beautiful home of his cousin Daisy and<br \/>\nher husband Tom for a dinner party, Tom gets a mysterious phone call; Daisy<br \/>\nsuspects that it\u2019s his mistress on the other end, but of course can\u2019t know for<br \/>\ncertain to whom he\u2019s speaking. In Chapter 3, as Nick attends one of the lavish<br \/>\nparties at his neighbor Jay Gatsby\u2019s mansion, Gatsby gets a mysterious call;<br \/>\nother partygoers suggest that it\u2019s a criminal business partner of Gatsby\u2019s on<br \/>\nthe other end, but of course no one knows for certain to whom he\u2019s speaking.<br \/>\nThese calls reveal both men as defined by secrets, dynamics that precisely<br \/>\nbecause of their ambiguity are a source of intense speculation by those around<br \/>\nthem. And those secrets can only be maintained in these scenes because of the<br \/>\ntechnology of the phone, without which their conversants would have to visit in<br \/>\nperson (or write a letter, which of course would be far less immediate).<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">[Serious<br \/>\nSPOILERS in this paragraph.] At the end of the novel, after all the<br \/>\naforementioned climactic events have unfolded, Nick has his own, quite<br \/>\ndifferent phone call. He is trying to organize a funeral for Gatsby (or maybe<br \/>\nJames Gatz, since his father who knows him by that name is one of the few who<br \/>\nattends that tragic event), and manages to speak with Gatsby\u2019s elusive <\/span><a href=\"https:\/\/americanstudier.blogspot.com\/2020\/09\/september-28-2020-sports-scandals-black.html\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">business<br \/>\npartner Meyer Wolfshiem<\/span><\/a><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> on the phone. In one of the novel\u2019s only<br \/>\nmoments where a character says directly what he\u2019s feeling and thinking, shares<br \/>\nwhat seems at least to be the unvarnished truth (even when Gatsby and Nick have<br \/>\ntheir heart-to-hearts, it\u2019s always an open question whether Gatsby is telling<br \/>\nthe truth), Wolfshiem confesses to Nick that he can\u2019t possibly be seen at the<br \/>\nfuneral, that it would be far too destructive for his reputation and<br \/>\nrelationships. This is the side of the telephone that allows us to be more<br \/>\nhonest, more ourselves, in its conversations than we might manage to be if had<br \/>\nto face someone and something in the flesh. Just another layer to how<br \/>\nFitzgerald\u2019s novel reflects the technologies and contexts of its rapidly<br \/>\nevolving Modernist world. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Next<br \/>\nGatsbyStudying tomorrow,<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Ben<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">PS. What do<br \/>\nyou think? Takes on Fitzgerald\u2019s novel or its contexts? <\/span><\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>[On April 10th, 1925, F. Scott Fitzgerald\u2019s novel The Great Gatsby was published by Charles Scribner\u2019s Sons. While I have my problems with Gatsby, it remains one of our most influential and important novels, and one that opens up so many AmericanStudies contexts. So this week I\u2019ll highlight a handful of them, leading up to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12032],"tags":[13299,4759,2027,22661,53254,2338,1255],"dealstore":[],"offerexpiration":[],"class_list":["post-176969","post","type-post","status-publish","format-standard","hentry","category-american-history","tag-americanstudies","tag-april","tag-calls","tag-centennial","tag-gatsby","tag-great","tag-phone"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>AmericanStudies: April 8, 2025: A Great Gatsby Centennial: Three Phone Calls - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=176969\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AmericanStudies: April 8, 2025: A Great Gatsby Centennial: Three Phone Calls - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"[On April 10th, 1925, F. 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