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Written and created by Priscilla Telmon, Vincent Moon, Adrien Goua<\/p>\n
The acacia can be found all over the world, but these particular species \u2013 Mimosa Tenuiflora or Mimosa Nigra \u2013 bloom in the region identified in maps as the states of Para\u00edba, Pernambuco, and Rio Grande do Norte. Everything that grows in the Brazil\u2019s agreste and\u00a0sert\u00e3o\u00a0regions must have profound roots in order to fetch water for survival. In these areas of the country, long roots have sustained 200-plus-year-old trees and kept a secret that has resisted through thousands of years of knowledge.<\/p>\n
Combined with the roots, there are also: bark, honey, ginger, spearmint, clove, cinnamon, and mysteries from beyond. If specialists say the drink doesn\u2019t cause for transformation, and if books can\u2019t make sense of Jurema, then ritualistic experience can reveal the reasons why this plant has been a Sacred symbol for the millenarian Amerindian knowledge. It\u2019s Catimb\u00f3. Indigenous technology, this is an ancient bridge built by the Tabajara, Potiguar, and Cariri peoples.<\/p>\n
Alexandre L\u2019Omi L\u2019Od\u00f2 is the creator behind the celebration and one of the juremeiros in charge of Kipupa Malunguinho \u2013 Coco performances taking place in Mata do Catuc\u00e1 for over eleven years now: the Jurema Peoples\u2019 National Meeting has brought this practice back to surface, considered one of the most ancient religions in Brazilian lands. Kipupa means union in the African Kimbundu language, and the celebration at the ceremony makes justice to its name. More than four thousand people from all corners of the country come for the Coco ceremonies in the heart of the sacred forest \u2013 a ritual that means, in other religions celebrated in terreiros, the building of deep and positive energy fields. The cities of enchanted peoples then open up and all the forces from entities and nature gather to celebrate life.<\/p>\n
One of Kipupa\u2019s main wishes is to take the juremeiros away from the masonry structures of the cities into the \u2018Quilombo\u00a0do Catuc\u00e1\u2019, which in past centuries was the historical land of Malunguinho. Malungo, meaning \u2018friend, partner, comrade\u2019 in the Kimbundu language, is the origin of \u2018Malunguinho\u2019, a title granted to great black heroes who fought for freedom in Pernambuco during the first half of the 19th century. And \u2018Kings\u2019, in the plural, means Malunguinho wasn\u2019t just the one, but many, representing the collectiveness of this ancient fight and memory.<\/p>\n
The Pernambuco state deity, a historical\u00a0quilombola\u00a0divinified and embodied leader, receives a great fruit offering during the ritual in gratitude for the blessings and cures brought to thousands of women and men. He is the one responsible for the spiritual flow between juremeiros and the Sacred, serving as the fundamental link in the Jurema cosmos, controlling the gates to the spiritual worlds: the Seven Cities of Jurema, represented by the seven-point star. He wears green beads as well as red and black ones that represent its Trunqueiro\/Exu\u00a0facet, with the bow and arrow and bodoques belonging to Indians, their chiefs, healers, and caboclos, plus the master harmonica belonging to Master Lords. Once \u2018manifested\u2019, he very much enjoys wearing his straw hat, a symbol of the peasant fight for agrarian reform.<\/p>\n
In the worship services where catimb\u00f3 practitioners are in trance, and their bodies are possessed by the spirits of the dead, there are three main courses of\u00a0work: the travels to Enchanted Worlds, the \u2018manifestations\u2019 of Masters,\u00a0cablocos, trunqueiros, kings, and those enchanted by Jurema and other entities that don\u2019t belong to their religious root, welcomed in their pantheon due to the contact between Indigenous and African peoples in the quilombos and in their fights for freedom, such as Pretos-velhos,\u00a0Exu\u00a0in\u00a0Umbanda\u00a0and Pombojiras.<\/p>\n
The spirits of Indians, Chiefs, Healers, and Caboclos are Jurema\u2019s main foundation. All other entities are their subordinates. They are enchanted entities related to deceased Indian warriors, who are always invoked in the beginning of the rituals. They are spiritual beings sent to the World of Enchanted Entities of the forest and rivers with knowledge about medicinal herbs, showers, and prayers.<\/p>\n
The Masters are leaders responsible for the embodiment of spirits that heal and advise the practitioners, the juremeiros: they were charitable healers in life who, upon dying, were transported to one of the seven mystical cities located in proximity to a Jurema tree. It is towards the tree that the ritual moves, and it\u2019s in this location of the forest that Masters are incorporated.<\/p>\n
Another important character in every Kipupa and Jurema ritual is smoking herbal mixes made from tobacco and other herbs, each with a purpose. It is through the smoke that the juremeiro reaches their wishes: when they want something, the catimbozeiros grab their pipes, smoke in, and let the smoke out. It follows the direction of what needs to be solved.<\/p>\n
Aside from the pipe, another juremeiro icon is the maraca. The Indigenous rattle made from gourd harmonizes with the Il\u00fa (a traditional type of drum from Pernambuco state) and, together, they fill the celebrations with sounds over so many meetings.<\/p>\n
Healers, juremeiros and catimbozeiros are after all priests and priestesses who have long been breaking frontiers: so many worlds have come closer together. The Science of Jurema started with the first peoples and has included those in the fringes of society who search of deliverance. Black enslaved African people found the villages where Jurema led them into the forest, towards the quilombos. Gypsies, homosexuals. People devoted to European witchcraft, to\u00a0pajelan\u00e7a, to popular Catholicism, to modern esotericism, to psychedelic psicotherapy, to esoteric Catholicism. People who walk in order to find themselves.<\/p>\n
And to cure others, Catimb\u00f3 uses the divine knowledge of the bark, leaves, and seeds from the sacred\u00a0Sert\u00e3o\u00a0trees. Making cleanses, infusions, and ointments. It\u2019s concrete and divine. It\u2019s the invisible one can hold in their hands.<\/p>\n
It\u2019s so familiar that not even centuries of prejudice can erase it: it\u2019s the scent of a grandmother\u2019s tea in the backyard, it\u2019s the noise animals make in the water that makes us smile. It\u2019s when the soul puts its arms around the ground. When the smoke travels around the world to bring messages of goodness.<\/p>\n
Sources:<\/p>\n
Owner<\/strong>\u00a0:\u00a0Petites Plan\u00e8tes<\/a>\u00a0& Feever Filmes \u2013 Rio de Janeiro 2202060 Br\u00e9sil
Creator<\/strong>:\u00a0Adrien Goua<\/a>
Publication Manager\u00a0<\/strong>: Priscilla Telmon & Vincent Moon \u2013 vincentmoon@gmail.com
The publication manager is a natural person or a legal person
Webmaster<\/strong>\u00a0: Adrien Goua \u2013 contact.adriengoua@gmail.com
Website Host<\/strong>\u00a0: domain.com \u2013 55 rue de verdun
Cr\u00e9dits :\u00a0<\/strong>Priscilla Telmon, Vincent Moon, Adrien Goua<\/p>\n