{"id":170568,"date":"2025-04-04T07:44:03","date_gmt":"2025-04-04T07:44:03","guid":{"rendered":"https:\/\/peraltafinancing.com\/american-history\/april-4-2025-foolish-texts-fool\/"},"modified":"2025-04-04T07:44:03","modified_gmt":"2025-04-04T07:44:03","slug":"april-4-2025-foolish-texts-fool","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=170568","title":{"rendered":"April 4, 2025: Foolish Texts: Fool"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"post-body-8378407069360932618\" itemprop=\"description articleBody\">\n<p>[For this<br \/>\nyear\u2019s April Fool\u2019s series, I\u2019ll be AmericanStudying cultural works with \u201cfool\u201d<br \/>\nin the title. Share your thoughts on foolish texts, with or without the word,<br \/>\nfor a fool-hearty crowd-sourced weekend post!]<\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">First, repeating<br \/>\nyesterday\u2019s a bit of inside baseball: I haven\u2019t yet had a chance to check out either<br \/>\nof the texts on which my last two posts in this series will focus. I don\u2019t want<br \/>\nto pretend to have specific things to say about them, but I did want to both highlight<br \/>\nthem and use them as a lens for broader AmericanStudies questions. So in honor<br \/>\nof <a href=\"https:\/\/www.google.com\/books\/edition\/Fool\/u-wD0Iyuk8UC?hl=en&amp;gbpv=1&amp;printsec=frontcover\">Christopher<br \/>\nMoore\u2019s 2009 novel<\/a> reframing <i>King Lear<\/i> from the Fool\u2019s perspective,<br \/>\nhere are AmericanStudies takeaways from a trio of similar such Shakespearean<br \/>\nadaptations:<\/span><\/p>\n<p class=\"MsoListParagraphCxSpFirst\" style=\"margin-top: 12.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 142.5pt; text-indent: -.25in;\"><!--[if !supportLists]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;\"><span style=\"mso-list: Ignore;\">1)<span style=\"font: 7.0pt &quot;Times New Roman&quot;;\">\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/span><\/span><\/span><!--[endif]--><i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/www.google.com\/books\/edition\/Rosencrantz_Guildenstern_are_Dead\/6xPYu-qm4J0C?hl=en&amp;gbpv=1&amp;printsec=frontcover\">Rosencrantz<br \/>\nand Guildenstern Are Dead<\/a><\/span><\/i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> (1966): Tom Stoppard\u2019s play is quite simply one<br \/>\nof the most unique and compelling cultural works I\u2019ve ever encountered, and I\u2019d<br \/>\nsay the <a href=\"https:\/\/www.imdb.com\/title\/tt0100519\/\">1990 film adaptation<\/a><br \/>\ncaptures its essence (if you\u2019re able to check that out more easily than the<br \/>\nplay). There are a lot of reasons why, from the philosophical debates to the witty<br \/>\nwordplay to the ultimate pathos, but I\u2019d say a significant element in the play\u2019s<br \/>\nsuccess is integral to this broader genre of cultural text: it reminds us that<br \/>\nmany of our greatest literary works (especially from earlier centuries,<br \/>\nalthough the trend undoubtedly continues) focus too fully on elite characters<br \/>\nand worlds, and that it\u2019s worth stopping to consider how different the story and<br \/>\nour takeaways from it alike might look from the perspective of others (to foreshadow<br \/>\nnext week\u2019s series, Myrtle Wilson, anyone?). <\/span><\/p>\n<p class=\"MsoListParagraphCxSpMiddle\" style=\"margin-top: 12.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 142.5pt; text-indent: -.25in;\"><!--[if !supportLists]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;\"><span style=\"mso-list: Ignore;\">2)<span style=\"font: 7.0pt &quot;Times New Roman&quot;;\">\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/span><\/span><\/span><!--[endif]--><i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/www.imdb.com\/title\/tt0138097\/\">Shakespeare<br \/>\nin Love<\/a><\/span><\/i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> (1998): Look, I know there are people who think this film (co-written<br \/>\nby Tom Stoppard!) is one of the most overrated ever, not least because it beat out<br \/>\nSpielberg\u2019s <i>Saving Private Ryan<\/i> for the Best Picture Oscar. Maybe all I need<br \/>\nto say here is that I 1000% support that Oscar win, and think this is one of the<br \/>\nmost clever, funny, and ultimately moving films I\u2019ve ever seen. But even if you<br \/>\ndon\u2019t agree with all of that, I think it\u2019s undeniable that <i>Shakespeare<\/i><br \/>\noffers a unique and thoughtful perspective on both the creative process and how<br \/>\nit intersects with broader historical events. Given how much we tend to think<br \/>\nof plays like <i>Romeo and Juliet<\/i> as timeless or universal, I very much<br \/>\nappreciate this film\u2019s reminder that it was created in one time and place, by a<br \/>\nplaywright and a group of collaborators fully and importantly immersed in that<br \/>\nworld. <\/span><\/p>\n<p class=\"MsoListParagraphCxSpLast\" style=\"margin-top: 12.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 142.5pt; text-indent: -.25in;\"><!--[if !supportLists]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;\"><span style=\"mso-list: Ignore;\">3)<span style=\"font: 7.0pt &quot;Times New Roman&quot;;\">\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/span><\/span><\/span><!--[endif]--><i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/www.google.com\/books\/edition\/Opheliamachine\/8GTcEAAAQBAJ?hl=en&amp;gbpv=1&amp;printsec=frontcover\">Opheliamachine<\/a><\/span><\/i><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> (2013): I\u2019ve<br \/>\nonly had the chance to read that Google Books excerpt of Magda Romanska\u2019s<br \/>\npostmodern drama (which as you can see only features peripheral materials for<br \/>\nand about the play), and so will mostly direct you to check out that excerpt as<br \/>\nwell as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Opheliamachine\">the Wikipedia<br \/>\nentry<\/a> on what sounds like a fascinating attempt to adapt Shakespeare\u2019s<br \/>\ncharacters in a 21<sup>st<\/sup> century world. While there are lots of reasons<br \/>\nto create such adaptations, as just these few examples of the genre clearly<br \/>\nreflect, I\u2019d say their most important effect is precisely Romanska\u2019s goal: to<br \/>\nhelp us think further about both the original work and our own moment, on their<br \/>\nown terms but also and especially in conversation with each other. I love this<br \/>\ngenre for both those reasons, and look forward to reading <i>Fool<\/i> soon to<br \/>\nadd another example!<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Crowd-sourced<br \/>\npost this weekend,<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Ben<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">PS. So one<br \/>\nmore time: what do you think? Foolish texts you\u2019d share?<\/span><\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>[For this year\u2019s April Fool\u2019s series, I\u2019ll be AmericanStudying cultural works with \u201cfool\u201d in the title. Share your thoughts on foolish texts, with or without the word, for a fool-hearty crowd-sourced weekend post!] First, repeating yesterday\u2019s a bit of inside baseball: I haven\u2019t yet had a chance to check out either of the texts on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12032],"tags":[4759,43750,60796,30458],"dealstore":[],"offerexpiration":[],"class_list":["post-170568","post","type-post","status-publish","format-standard","hentry","category-american-history","tag-april","tag-fool","tag-foolish","tag-texts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>April 4, 2025: Foolish Texts: Fool - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=170568\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"April 4, 2025: Foolish Texts: Fool - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"[For this year\u2019s April Fool\u2019s series, I\u2019ll be AmericanStudying cultural works with \u201cfool\u201d in the title. 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