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\u201cThese movements fostered artists to examine the exclusionary character of the art world itself, and many artists who had been excluded from the mainstream art world founded alternative spaces, community centres, workshops, and collectives,\u201d says Nelson.<\/p>\n
\u201cPhotography\u2019s engagement with social issues was still very powerful, what was changing was who stood behind the camera,\u201d she continues. \u201cTaking up the camera, engaging with photography, was a way to work outside of the established art world that had marginalised many people. It was a way to express new ideas and record actions that were breaking down conventional notions of what art could be.\u201d <\/p>\n
The \u201970s Lens: Reimagining Documentary Photography<\/em><\/a> is on view through April 6, 2025, at the National Gallery of Art in Washington D.C.<\/em><\/strong><\/p>\n Miss Rosen is a freelance arts and photography\u00a0writer, follow her on X<\/a>. Buy your copy of Huck 81 here<\/a>.<\/strong><\/em><\/em><\/p>\n Enjoyed this article? Follow Huck on Instagram<\/a> and sign up to our newsletter<\/a> for more from the cutting edge of sport, music and counterculture.<\/strong><\/em><\/em><\/p>\n Support stories like this by becoming a member of Club Huck<\/a>.<\/strong><\/em><\/em>
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