{"id":157969,"date":"2025-03-26T15:42:14","date_gmt":"2025-03-26T15:42:14","guid":{"rendered":"https:\/\/peraltafinancing.com\/anime\/winter-2025-week-13-in-review\/"},"modified":"2025-03-26T15:42:14","modified_gmt":"2025-03-26T15:42:14","slug":"winter-2025-week-13-in-review","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=157969","title":{"rendered":"Winter 2025 \u2013 Week 13 in Review"},"content":{"rendered":"


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Hello folks, and welcome back to Wrong Every Time. This week saw me finishing up Persona 3 Reload, after first attempting and failing to finish the original game back in 2008 or so. I had a fine enough time with it on the whole, though in retrospect, it probably wasn\u2019t a great idea to play this directly after Metaphor: Refantazio. Metaphor demonstrates Atlus\u2019 powers at their current peak, polishing and innovating on Persona\u2019s framework in both a mechanical and narrative sense; in contrast, 3 feels dated compared to its successors, its core loop less embellished with variations, its narrative wandering and poorly structured. Nonetheless, there\u2019s a core appeal to Persona\u2019s make friends->build Pokemon->make more friends->build stronger Pokemon loop that remains one of the most addictive compulsions in game design, and I did appreciate 3\u2019s clarity of thematic focus, even if it was kinda lacking in the human element that made 4 and 5 so special. Also, movies! We ran down a pile of movies this week, so let\u2019s get to those!<\/span><\/p>\n

First up this week was <\/span>Shaolin Wooden Men<\/b>, an early Jackie Chan feature from 1976. Jackie stars as a mute Shaolin student who is haunted by the memories of his father\u2019s killer, and bullied by his fellow students for his difficulties in managing their training. Eventually, Jackie finds an unexpected teacher locked in a mountain cave, and learns from him the secrets of a deadly style. However, when Jackie\u2019s teacher escapes, the student will have to use his newfound powers to defeat the master, and at last avenge his father\u2019s name.<\/span><\/p>\n

A Jackie feature where he\u2019s forbidden from saying anything certainly makes for an interesting experiment. On the one hand, the man is an endless fountain of charisma, and casting him as a mute is clearly not the sort of thing they\u2019d gamble on these days. On the other, he\u2019s such a master of physical comedy and facial contortions that limiting him in this way isn\u2019t much of a handicap; silent or not, he\u2019s still got a Chaplinesque fluency in expressing himself purely through movement.<\/span><\/p>\n

That choice aside, Shaolin Wooden Men is an absolute, absurd buffet of martial arts goodness. The film opens with a ten minute sequence pitting Jackie against five Shaolin masters, and rarely slows from there; the titular wooden men earn a great setpiece around the halfway point, and Jackie engages in perhaps half a dozen extended duels throughout the rest of the drama. Early Jackie films are astonishing tableaus of incidental riches; the man was far bigger than his roles at the time, and he attacks each of them with charisma and astonishing physicality. An exceedingly generous watch.<\/span><\/p>\n

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Continuing our investigation of the big shonens\u2019 tie-in films, we then checked out the first two <\/span>Dragon Ball Z<\/b> films, <\/span>The Dead Zone<\/b> and <\/span>The World\u2019s Strongest<\/b>. Each of these offer pretty much what you\u2019d expect from a Dragon Ball Z film: perhaps fifteen to twenty minutes of establishing some new threat, twenty-five minutes of Goku and company beating the crap out of it, and just enough time to spare for some goofy Gohan-centric musical number. There is unfortunately little that separates these tonally or structurally from the show proper, though it is certainly nice to see early Z-era designs animated with such fluidity. As far as that goes, the absolute highlight of these two films was Hisashi Eguchi\u2019s <\/span>marvelous addition<\/span><\/a> to The Dead Zone\u2019s finale. Contextualizing a clip like that was well worth the viewing!<\/span><\/p>\n

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We then checked out <\/span>Son of the White Mare<\/b>, an animated fantasy cataloging the journey of Treeshaker, a heroic figure of Hungarian folklore. Directed by Marcell Jankovics, the film follows Treeshaker\u2019s journey from his birth as the third son of the white mare to his reunion with his brothers, and onward to his brave journey into the underworld. Eventually, Treeshaker must do battle with three terrible dragons in order to save three princesses, and at last reclaim his rightful position as king.<\/span><\/p>\n

Son of the White Mare is an absurd marvel of visual storytelling, comparable only to similar feats of ecstatic animation like Fantasia or Mind Game. I have never before seen animation so effectively used to convey the fundamental ambiguity of gods and demons; even as Treeshaker converses with some being, its shape is likely to warp and wane incessantly, here evoking a man\u2019s beard in the brush, there capturing his eye as the moon in the night sky. Through this glorious, gorgeous fluidity of movement and form, Son of the White Mare somehow captures the essence of gods as they are addressed in narrative or myth, as both individuals and aspects of reality in simultaneous, ever-shifting array.<\/span><\/p>\n

Basically every moment of Son of the White Mare offers a new visual revelation, constantly shifting in design and perspective, yet maintaining a clarity of storytelling that would seem impossible given such ever-present distortion. The character \u201cdesigns\u201d are essentially a series of visual motifs that can assume diverse forms while maintaining their fundamental essence, drawing on ancient styles and newer innovations alike, contrasting cave-scrawled visions of the sun against brutalist \u201cdragons\u201d and art deco-tinged captive princesses. The story is action-packed and endearing, the clashes of brutish dragons and self-absorbed princesses is charming, and the narrative is conveyed through one of the greatest realizations of design-as-storytelling to ever be achieved in animation. A staggering achievement on all counts.<\/span><\/p>\n

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Last up for the week was <\/span>Battle Beyond the Stars<\/b>, another Corman Classic from the early \u201880s. However, unlike Corman\u2019s stretch of \u201880s sword and sorcery films, Battle Beyond the Stars counts as one of his \u201cbig swings\u201d \u2013 he hired actual movie stars, there\u2019s an original score, and every attempt is made to ensure this film has an appeal beyond accidentally being mistaken for Star Wars. This is Corman\u2019s Fall of the House of Usher for the blockbuster generation, with all the crowd-pleasing spectacle and canny gestures towards unrealized scale that implies.<\/span><\/p>\n

The film\u2019s plot is simply \u201cwhat if Seven Samurai rear-ended A New Hope.\u201d A village (planet) of humble farmers is besieged by the evil Sador, played by a delightfully scenery-chewing John Saxon, who vows to return and claim their planet in seven days. The young boy Shad (Richard Thomas) thus heads off to recruit defenders for the planet, eventually assembling a motley collection of raiders, joyriders, crustpunks, meatballs, and maladroits.<\/span><\/p>\n

I imagine watching Battle Beyond the Stars would feel very different coming directly from A New Hope, where the expected response is likely \u201cwow, what a shoddy imitation.\u201d In contrast, I\u2019m rising <\/span>up<\/span><\/i> to Battle Beyond the Stars from a previous Corman high of like, Wizards of the Lost Kingdom, meaning everything about this film felt grand by comparison. The sets actually look pretty convincing, there\u2019s a sense of scale, some genuinely great actors (Robert Vaughn\u2019s repentant assassin feels like a refugee from an actual classic), and the script is at least poaching its ideas from worthy targets. The film unfortunately feels a touch shapeless; there\u2019s no real sense of progression or clear stakes in the second half, which is basically anathema to a Seven Samurai-like, where having a clear impression of the battle\u2019s flow is essential. Nonetheless, there are enough charming individual components here to forgive the film for not quite measuring to the sum of its parts; Corman knows how to stretch money thin, and Battle Beyond the Stars represents the most he ever stretched.<\/span><\/p>\n

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Hello folks, and welcome back to Wrong Every Time. This week saw me finishing up Persona 3 Reload, after first attempting and failing to finish the original game back in 2008 or so. I had a fine enough time with it on the whole, though in retrospect, it probably wasn\u2019t a great idea to play […]<\/p>\n","protected":false},"author":1,"featured_media":157970,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12036],"tags":[3749,1619,222],"dealstore":[],"offerexpiration":[],"class_list":["post-157969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anime","tag-review","tag-week","tag-winter"],"yoast_head":"\nWinter 2025 \u2013 Week 13 in Review - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=157969\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Winter 2025 \u2013 Week 13 in Review - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Hello folks, and welcome back to Wrong Every Time. 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