{"id":152925,"date":"2025-03-24T03:57:05","date_gmt":"2025-03-24T03:57:05","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/film-x-autochthonous-struggles-today-we-make-money-not-art\/"},"modified":"2025-03-24T03:57:05","modified_gmt":"2025-03-24T03:57:05","slug":"film-x-autochthonous-struggles-today-we-make-money-not-art","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=152925","title":{"rendered":"Film X Autochthonous Struggles Today \u2013 We Make Money Not Art"},"content":{"rendered":"


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Film X Autochthonous Struggles Today<\/a>, edited by Nicole Brenez<\/a>, curator and head of the department of Analysis and Cinematographic Culture at La F\u00e9mis, Jonathan Larcher<\/a>, researcher at Paris Nanterre Universit\u00e9, Alo Paistik<\/a>, a researcher focusing on media history and politically engaged media practices & Skaya Siku<\/a>, an assistant research fellow at the National Academy for Educational Research in Taiwan. Published by Sternberg<\/a>.<\/p>\n

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Film X Autochthonous Struggles Today <\/a>looks at the diverse filmic forms made by and within Autochthonous communities as part of their fights against every form of colonisation, confiscation and contamination of their lands and cultures. <\/p>\n

In the book, filmmakers, activists, film curators and scholars share how, since the 1960s and 1970s, autochthonous communities and peoples have integrated films into their repertoire of resistance, along with blockades, sit-ins, peaceful protests and other actions.<\/p>\n

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Alanis Obomsawin<\/a>, Sleeping During the Oka Crisis, 1990. Photo: John Kenney (via: Elephant<\/a>)<\/em><\/p>\n