{"id":151556,"date":"2025-03-23T11:33:09","date_gmt":"2025-03-23T11:33:09","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/organised-artistic-rebellion-with-habib-hajallie\/"},"modified":"2025-03-23T11:33:09","modified_gmt":"2025-03-23T11:33:09","slug":"organised-artistic-rebellion-with-habib-hajallie","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=151556","title":{"rendered":"Organised artistic rebellion with Habib Hajallie"},"content":{"rendered":"


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Through his intricate ballpoint pen drawings and use of antique texts, Habib Hajallie explores the powerful connection between art and music, creating multi-sensory experiences that challenge the way we perceive history and identity. In this article, we discuss the “sound of form” in his work, the echoes of cultural narratives, and the embodied, almost musical act of composition.<\/p>\n

By Sophie Heatley<\/span> | 17 Mar 2025<\/p>\n<\/div>\n

\n

\u201cI can never draw in silence,\u201d Habib Hajallie<\/a> tells me. \u201cIt allows me to get into the flow state. Songs carry me through when I\u2019m in a lull.\u201d If I listen to music while writing, I\u2019ll start typing the song lyrics, I half-joke. Hajallie\u2019s music does find its way into his work, though; you can feel it in the rhythm and the pace of his mark-making. A maestro with a ballpoint pen, he orchestrates his portraits with the precision of a master conductor. A practice that takes so much patience, time and concentration, being able to lose himself in the music and moments of detail are a relief and a necessary part of Hajallie\u2019s creative process. That\u2019s not to say he\u2019s not present with the process; the music is a way in, to embody each stroke of what can be a very unforgiving medium. \u201cIf I don\u2019t understand the pressure of my pen, I won\u2019t get the outcome I want, and there\u2019s no escaping mistakes.\u201d\u00a0\u00a0<\/p>\n

Music allows Hajallie to connect more deeply with both the time periods he references and the figures he brings to life. For example, when depicting West African figures, he immerses himself in Afro-beats or classical African music. \u201cThere\u2019s a real vibrancy to these sounds. They give me energy and help me capture their essence.\u201d Different genres accompany different subjects, scales, and scopes. The Grime Series<\/i>, featured in The Sound of Form<\/i><\/a> exhibition, overlays prominent grime artists onto London tube maps<\/a> \u2013 London being the birthplace of Grime. \u201cWhen I drew JME<\/a>, I was listening to a lot of his music.\u201d<\/p>\n

\"Organised<\/a>
JME<\/a> by Habib Hajallie (Limited Edition Gicl\u00e9e Print on Hahnem\u00fchle Photo Rag 308gsm, 2022, 30 x 21 cm) Edition of 50<\/figcaption><\/figure>\n

The life-like resemblance to Hajallie\u2019s subjects is breathtaking and envy-inducing, and yet their exquisite detail is the least interesting thing about them. Drawing is so much more than figurative representation for the artist; the creative act is one of reawakening dormant histories, elevating underrepresented voices, his pen a quiet instrument of rebellion and reclamation.\u00a0<\/p>\n

Armed with pragmatism and an \u201cunromantic\u201d level of organisation, Hajallie begins his process by collecting antique texts, largely from vintage shops, charity stops, and eBay. \u201cI have stacks of philosophical books. I\u2019ll go through them one by one and highlight certain sections that resonate.\u201d\u00a0<\/p>\n

From his vast collection of saved quotes, prints, and book covers, Hajallie embarks on the next step: recontextualisation and subversion. With a focus on challenging ethnocentric views and fostering cross-cultural understanding and empathy, he superimposes both prominent contemporary figures and those from antiquity \u2014 many of whom were erased from history or overlooked \u2014 on the pages of problematic 18th and 19th century literature steeped in colonial ideologies.<\/p>\n

\"Organised<\/a>
The Pursuit of Music: Flowdan<\/a> by Habib Hajallie (ballpoint pen on antique texts, 2024, 23 x 39 x 1 cm)<\/figcaption><\/figure>\n

By juxtaposing these outdated, harmful ideas of eugenics, race, and misogyny with modern themes, Hajallie subverts the narratives of the past. Drawing inspiration from artists like Godfried Donkor, known for using archival material to challenge stereotypes associated with Black figures, and Barbara Walker, who famously used found materials to raise awareness of racial profiling, Hajallie\u2019s work becomes a dialogue between eras. This conversation reclaims historical texts and repositions marginalised figures on the front covers, \u201creincarnating\u201d them and giving them a renewed, empowered presence \u2014 deepening the discourse surrounding minority voices.<\/p>\n

\"Organised<\/a>
Dame Jocelyn Barrow<\/a> by Habib Hajallie (2021, Edition of 25)<\/figcaption><\/figure>\n

This intersection is further enriched by Hajallie\u2019s use of crosshatching and Renaissance-era techniques, all executed with his humble biro. In doing so, he bridges the simplicity of domestic, note-taking tools with classical artistic methods, creating a striking fusion of the old and the new, complex and yet accessible.<\/p>\n

\u201cI started drawing with pens. We had loads of Barclays pens and Argos pens when I was kind. I\u2019ve always loved the immediacy of it; you don\u2019t need to sharpen it, you don\u2019t need to dip it in water. I guess it started as just a convenience, but now the accessibility of it has become so tied up in my practice. It\u2019s important and nostalgic to me.\u201d\u00a0<\/p>\n

In a world that is constantly shifting towards technology and a “more-is-more” mentality, analogue mediums seem to be gradually fading into obsolescence. However, the specialist remains resolutely uninterested in changing his medium, believing that there is still so much to discover and explore. \u201cI like drawing because<\/i> it’s an analogue medium. There\u2019s something truly special about using your hands to create something\u2014it becomes a part of yourself,\u201d he explains.<\/p>\n

\"Organised
Habib Hajallie in front of a self-portrait at Mall Galleries, London | Image courtesy of the artist<\/figcaption><\/figure>\n

This sentiment is particularly evident in Hajallie\u2019s \u201cquasi-surrealist\u201d self-portraits, which caricature himself to spark conversations around his dual heritage\u2014Sierra Leonean and Lebanese. In these imagined scenarios and narratives, he explores the complexities of his background, and by extension, wider discussions around culture and identity. \u201cI\u2019ve since realised that my personal experience is enough to use myself as a sitter and convey what I want to share,\u201d he reflects.<\/p>\n

Hajallie\u2019s cross-genre, cross-era works are rich with historical and personal resonance. Their painstaking conceptualisation and execution invite viewers to delve into multi-layered, literary-sonic spaces, urging them to listen to the stories long neglected or actively removed from the various canons. Ultimately, these portraits serve as a mirror to our biases and a poignant reminder to read the small print: What is this truly about? And what am I choosing to ignore, even advocating for, by not looking further?<\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Through his intricate ballpoint pen drawings and use of antique texts, Habib Hajallie explores the powerful connection between art and music, creating multi-sensory experiences that challenge the way we perceive history and identity. In this article, we discuss the “sound of form” in his work, the echoes of cultural narratives, and the embodied, almost musical […]<\/p>\n","protected":false},"author":1,"featured_media":151557,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[3860,14088,14089,14091,14090,14103,10863,63179,31110,4768,63181,63178,63182,14093,14092,5289,14094,3782,63177,63180,36215,36241],"dealstore":[],"offerexpiration":[],"class_list":["post-151556","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-antique","tag-art-articles","tag-art-blog","tag-art-events","tag-art-news","tag-artistic","tag-black-history","tag-draftsperson","tag-drawings","tag-exhibition","tag-habib","tag-habib-hajalli","tag-hajallie","tag-latest-art-releases","tag-latest-news","tag-literature","tag-online-art-gallery","tag-organised","tag-organised-artistic-rebellion-with-habib-hajallie","tag-pen-drawings","tag-rebellion","tag-the-sound-of-form"],"yoast_head":"\nOrganised artistic rebellion with Habib Hajallie - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=151556\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Organised artistic rebellion with Habib Hajallie - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Through his intricate ballpoint pen drawings and use of antique texts, Habib Hajallie explores the powerful connection between art and music, creating multi-sensory experiences that challenge the way we perceive history and identity. 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