{"id":147330,"date":"2025-03-21T08:28:45","date_gmt":"2025-03-21T08:28:45","guid":{"rendered":"https:\/\/peraltafinancing.com\/animation\/u-k-directors-nicolas-menard-and-jack-cunningham-release-3d-printed-stop-motion-project-triple-bill\/"},"modified":"2025-03-21T08:28:45","modified_gmt":"2025-03-21T08:28:45","slug":"u-k-directors-nicolas-menard-and-jack-cunningham-release-3d-printed-stop-motion-project-triple-bill","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=147330","title":{"rendered":"U.K. Directors Nicolas M\u00e9nard And Jack Cunningham Release 3D-Printed Stop-Motion Project &#8216;Triple Bill&#8217;"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Animators Nicolas M\u00e9nard and Jack Cunningham are kindred spirits.<\/p>\n<figure id=\"attachment_246428\" aria-describedby=\"caption-attachment-246428\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/menard_cunningham.jpg\" alt=\"Nicolas M\u00e9nard (left) and Jack Cunningham.\" width=\"400\" height=\"398\" class=\"size-full wp-image-246428\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/menard_cunningham.jpg 400w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/menard_cunningham-380x378.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/menard_cunningham-150x150.jpg 150w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/menard_cunningham-180x179.jpg 180w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\"\/><figcaption id=\"caption-attachment-246428\" class=\"wp-caption-text\">Nicolas M\u00e9nard (left) and Jack Cunningham.<\/figcaption><\/figure>\n<p>The two met at Nexus Studios in 2014, and began collaborating in 2019. Now, they have formalized their creative partnership by launching as the directing duo <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/eastendwestern.com\/\">Eastend Western<\/a>, repped by Nexus.<\/p>\n<p>Both are based in the U.K., although M\u00e9nard is Qu\u00e9b\u00e9cois and was born in Montr\u00e9al before attending the Royal College of Art in London. M\u00e9nard\u2019s 2016 short <em>Wednesday With Goddard<\/em> won best animated short at South By Southwest film festival. <\/p>\n<p><!--googleoff: index--><\/p>\n<aside class=\"cb-ad cb-post inset\"\/><!--googleon: index--><\/p>\n<p>Cunningham\u2019s work has included projects for Google, Vitra, <em>The New York Times<\/em>, and an augmented-reality app for the Obama Administration, <em>1600<\/em>, that allowed viewers to conjure 3d animation of the White House from a dollar bill. <\/p>\n<p>To celebrate the debut of their partnership, M\u00e9nard and Cunningham have released <em>Triple Bill<\/em>, a trilogy of short animated films, each under two minutes. The shorts \u2014 unique mood pieces that M\u00e9nard describes as \u201ca Western, a film noir, and a fantasy film \u2014 continue the filmmakers\u2019 fascination with replacement animation, using delicately-rendered miniatures to bring to life stop-motion characters.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1047520946\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/p>\n<p>Eastend Western created <em>Triple Bill<\/em> over a year-and-a-half, working with director of photography Ian Forbes in three shooting blocks at Arch Model Studio, a stop-motion specialist production facility. They then finessed the trilogy with other friends and collaborators who contributed to the passion project. <em>Cartoon Brew<\/em> spoke with M\u00e9nard and Cunningham to discuss <em>Triple Bill\u2019<\/em>s creation, and their love for the tactile animation medium, which they recently showcased in an art exhibition near their London studio.<\/p>\n<p><strong>Cartoon Brew: What was your creative inspiration for <em>Triple Bill<\/em>?<\/strong> <\/p>\n<p><strong>Nicolas M\u00e9nard:<\/strong> Jack and I had been working with replacement animation for a while, mainly through commercials. We had many character heads, and body parts from previous films. For a couple of years, we\u2019d been writing an eight-to-ten-minute short film, but it was ambitious. We felt, if we wanted to improve our replacement animation techniques, it was better to do something shorter first. And so, we came up with the script for <em>Blue Goose<\/em>.<\/p>\n<figure id=\"attachment_246395\" aria-describedby=\"caption-attachment-246395\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_g-scaled.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[246073]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_g-scaled.jpg\" alt=\"Camera planning document (left) for \" blue=\"\" goose=\"\" and=\"\" final=\"\" shot=\"\" in=\"\" the=\"\" film=\"\" width=\"2560\" height=\"912\" class=\"size-full wp-image-246395\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_g-scaled.jpg 2560w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_g-380x135.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_g-580x207.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_g-768x273.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_g-180x64.jpg 180w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\"\/><\/a><figcaption id=\"caption-attachment-246395\" class=\"wp-caption-text\">Camera planning document (left) for <em>Blue Goose,<\/em> and final shot in the film (right).<\/figcaption><\/figure>\n<p><strong>Jack Cunningham:<\/strong> We had these pieces around us, and we used them as inspirations. We thought, let\u2019s try and make one minute have impact and atmosphere, and give it the time and attention to detail, to show people what we\u2019re capable of outside of the commercial zone.<\/p>\n<p><strong>Did you start by sketching?<\/strong><\/p>\n<p><strong>M\u00e9nard:<\/strong> Drawing is always the foundation of everything we do. We start on paper, finding interesting compositions with pencil usually starting with the silhouette of a character. With these films, the animatic process was a little bit of a mix. Once we had a pencil-and-paper animatic that functioned, we did more advanced sketches using Blender in grayscale.<\/p>\n<figure id=\"attachment_246394\" aria-describedby=\"caption-attachment-246394\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_f.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[246073]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_f.jpg\" alt=\"On the set of \" club=\"\" row.=\"\" width=\"1500\" height=\"1166\" class=\"size-full wp-image-246394\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_f.jpg 1500w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_f-380x295.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_f-580x451.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_f-768x597.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_f-180x140.jpg 180w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\"\/><\/a><figcaption id=\"caption-attachment-246394\" class=\"wp-caption-text\">On the set of <em>Club Row<\/em>.<\/figcaption><\/figure>\n<p><strong>Why is the first short, about a red cowboy, called <em>Blue Goose<\/em>?<\/strong><\/p>\n<p><strong>Cunningham:<\/strong> I happened to visit an antique shop in San Francisco where I found some vintage advertising labels for peaches [Blue Goose Produce]. That sat on my desk, and it was such an evocative name. When we were tackling this story about the modern world, seen from a 1960s style, and the meanings behind brands, the name seemed to work. We also liked the contrast between words and visuals. There\u2019s a little bit of mystery there.<\/p>\n<p><strong>The cowboy is very Talos-like [from <em>Jason and the Argonauts<\/em> (1963)]. How did you develop him?<\/strong><\/p>\n<p><strong>Cunningham:<\/strong> He was 3d printed, and so we wanted to be able to get that motion across in as few frames as possible, to make that movement memorable. That slightly menacing, slow walk with a stuttering frame rate, like a statue creaking to life, worked perfectly. And a nod to Ray Harryhausen is always a charm.<\/p>\n<figure id=\"attachment_246393\" aria-describedby=\"caption-attachment-246393\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_e.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[246073]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_e.jpg\" alt=\"Shooting on the set of \" blue=\"\" goose.=\"\" width=\"1500\" height=\"1828\" class=\"size-full wp-image-246393\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_e.jpg 1500w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_e-380x463.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_e-580x707.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_e-768x936.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_e-180x219.jpg 180w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\"\/><\/a><figcaption id=\"caption-attachment-246393\" class=\"wp-caption-text\">Shooting on the set of <em>Blue Goose.<\/em><\/figcaption><\/figure>\n<p><strong>How did you refine the 3d outputs?<\/strong><\/p>\n<p><strong>M\u00e9nard:<\/strong> 3d printing today with resin is very high fidelity. If you look closely, you might see some printing layers, but it\u2019s subtle. And Jack does a really good job at sanding.<\/p>\n<p><strong>Cunningham:<\/strong> The cowboy was my first foray into that. Knowing that he\u2019d be close to camera, and such small figures, I went to town with sanding each model. We also purchased an airbrush, and researched paints to give us a particular matte finish.<\/p>\n<figure id=\"attachment_246392\" aria-describedby=\"caption-attachment-246392\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_d.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[246073]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_d.jpg\" alt=\"Behind the scenes of Blue Goose.\" width=\"1465\" height=\"1947\" class=\"size-full wp-image-246392\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_d.jpg 1465w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_d-380x505.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_d-580x771.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_d-768x1021.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_d-180x239.jpg 180w\" sizes=\"auto, (max-width: 1465px) 100vw, 1465px\"\/><\/a><figcaption id=\"caption-attachment-246392\" class=\"wp-caption-text\">Behind the scenes of <em>Blue Goose<\/em> (clockwise from top left): cg character model; painting the 3d-printed model; preview of the 3d printing slicer, which shows every scaffold layer that composes the printed 3d model.<\/figcaption><\/figure>\n<p><strong>Was there any digital rig removal?<\/strong><\/p>\n<p><strong>M\u00e9nard:<\/strong> There\u2019s barely any postproduction. The cowboys each had a pin under their feet, that we pinned into a foam base. The only supports we had to remove in all three films was [in <em>Club Row<\/em>] for the staircase. That had supports under two pieces of the platform. It was minimal cleanup, and we designed it that way. Our main \u2018post\u2019 element was grading, done very generously by Johnny Tully at No. 8 and also at Cheat.<\/p>\n<p><strong>What was your setup for lighting?<\/strong><\/p>\n<p><strong>M\u00e9nard:<\/strong> For each film, we came to our DOP, Ian Forbes, thinking about the atmosphere that we wanted to illustrate the genre that we were shooting. We first set out to do only <em>Blue Goose<\/em>. After that, we thought, \u2018Maybe we should make another\u2026\u2019 It happened that way because it took us a little bit of time to finish music on <em>Blue Goose.<\/em> There were two, or three months in between each one. Each of them had about three days\u2019 shoot.<\/p>\n<figure id=\"attachment_246389\" aria-describedby=\"caption-attachment-246389\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_c.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[246073]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_c.jpg\" alt=\"Behind-the-scenes and 3d printed models for \" club=\"\" row.=\"\" width=\"2382\" height=\"1125\" class=\"size-full wp-image-246389\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_c.jpg 2382w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_c-380x179.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_c-580x274.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_c-768x363.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_c-180x85.jpg 180w\" sizes=\"auto, (max-width: 2382px) 100vw, 2382px\"\/><\/a><figcaption id=\"caption-attachment-246389\" class=\"wp-caption-text\">Behind-the-scenes and 3d printed models for <em>Club Row.<\/em><\/figcaption><\/figure>\n<p><strong>What inspired the Escher\/Kafka vibe of <em>Club Row<\/em>?<\/strong><\/p>\n<p><strong>M\u00e9nard:<\/strong> I have an interest in the pictorial space within painting. I find that staircases as a subject are a good way of playing with that. I remember saying to Jack, \u2018I want this film to be a spinning staircase.\u2019 We focused on the engineering aspect of how to make that work in stop-motion replacement animation. And then, we added themes to make a story.<\/p>\n<p><strong><em>Club Row\u2019<\/em>s opening is sinister. Is that a floppy disk emerging from coffee, like the Lady of the Lake?<\/strong><\/p>\n<p><strong>Cunningham:<\/strong> I was in Cornwall with my family, near Tintagel, so the Arthurian tales were very much in my head. I suggested to Nicolas, \u2018I know we\u2019re doing this Bauhaus staircase with corporate espionage, but let\u2019s put a bit of Arthurian legend in there.\u2019<\/p>\n<p><strong>Where did the title <em>\u2018Mythacrylate\u2019<\/em> come from?<\/strong><\/p>\n<p><strong>Cunningham:<\/strong> The chemical name for acrylic is [polymethyl] methacrylate. So, we made the trees out of acrylic, and we added \u2018myth\u2019 to give it a \u2018mythic\u2019 feel.<\/p>\n<p><figure id=\"attachment_246390\" aria-describedby=\"caption-attachment-246390\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_b.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[246073]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_b.jpg\" alt=\"Still from \" mythacrylate.=\"\" width=\"1500\" height=\"1125\" class=\"size-full wp-image-246390\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_b.jpg 1500w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_b-380x285.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_b-580x435.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_b-108x81.jpg 108w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_b-768x576.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_b-180x135.jpg 180w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_b-288x216.jpg 288w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\"\/><\/a><figcaption id=\"caption-attachment-246390\" class=\"wp-caption-text\">Still from <em>Mythacrylate.<\/em><\/figcaption><\/figure>\n<p><strong>How did you animate the swordplay?<\/strong><\/p>\n<p><strong>M\u00e9nard:<\/strong> We had 18 figurines doing a cycle. And then, we redistributed them in the set to create the army. That was an intense day of shooting. Each figure had its number 3d-printed under its foot. We aligned 18 figures at once, and every frame I had to swap their placements, to reposition them, but also try not to make any of the trees move. It was a challenging shoot, but it was the centerpiece of the film. The technique of replacement animation is all about the multiplicity of figurines. So, we found a story that showcased that.<\/p>\n<p><strong>The audio for the series is very atmospheric, and you both have music credits, with Bridget Samuels on the first \u2013 is that correct?<\/strong><\/p>\n<p><strong>M\u00e9nard:<\/strong> Yes, Bridget Samuels, our dear friend, did the music on [a] Corona beer commercial [we worked on] back in 2019, and she agreed to do <em>Blue Goose<\/em>. We were so lucky.<\/p>\n<p><strong>Cunningham:<\/strong> Bridget is a music supervisor with Mika Levi, who had just done [Jonathan Glazer\u2019s 2023 drama] <em>The Zone of Interest<\/em>. To have Bridget\u2019s talent was great. Something so simple can be so evocative. That kicked off the sound design for all the films. Bridget didn\u2019t have time for the other two, so we had to step up.<\/p>\n<p><strong>M\u00e9nard:<\/strong> Jack did <em>Club Row<\/em>. After that, I gave <em>Mythacrylate<\/em> a try. Joe Wilkinson, who did the mix, then took what we did, and brought it forward very beautifully.<\/p>\n<figure id=\"attachment_246388\" aria-describedby=\"caption-attachment-246388\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_a.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[246073]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_a.jpg\" alt=\"Behind the scenes of \" mythacrylate.=\"\" width=\"1500\" height=\"1125\" class=\"size-full wp-image-246388\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_a.jpg 1500w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_a-380x285.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_a-580x435.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_a-108x81.jpg 108w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_a-768x576.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_a-180x135.jpg 180w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/03\/eastendwestern_a-288x216.jpg 288w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\"\/><\/a><figcaption id=\"caption-attachment-246388\" class=\"wp-caption-text\">Behind the scenes of <em>Mythacrylate.<\/em><\/figcaption><\/figure>\n<p><strong>What is it about this medium that fascinates you?<\/strong><\/p>\n<p><strong>Cunningham:<\/strong> It\u2019s physical. In the face of AI, and generated imagery, at the end of our process, we\u2019re not just left with an mp4; we have a magical array of puppets and sets. In fact, we had an exhibition where people came to see not only the films, but the sets themselves. One of my friends has a clothing shop at Coal Drops Yards in Kings Cross. It\u2019s a vibrant area and Google\u2019s headquarters are being built around the corner. We were very lucky to have a great space to screen the films and show the work.<\/p>\n<p><strong>M\u00e9nard:<\/strong> I also think that replacement animation echoes culture in an interesting way. We love working within that aesthetic of how sculpture is formed, how you can retain the detail and the beauty of each shape in the same way that you have in a sculpture, and then apply that to animation. It\u2019s something that we find interesting.<\/p>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Animators Nicolas M\u00e9nard and Jack Cunningham are kindred spirits. Nicolas M\u00e9nard (left) and Jack Cunningham. The two met at Nexus Studios in 2014, and began collaborating in 2019. Now, they have formalized their creative partnership by launching as the directing duo Eastend Western, repped by Nexus. Both are based in the U.K., although M\u00e9nard is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":147331,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12035],"tags":[57620,61939,6795,61940,61941,36667,16352,36664,61942,3519,36665,36668,61943,32989,36666,5401,2279,24769,678,61944,9156],"dealstore":[],"offerexpiration":[],"class_list":["post-147330","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","tag-3dprinted","tag-arch-model-studio","tag-bill","tag-blue-goose","tag-club-row","tag-cunningham","tag-directors","tag-eastend-western","tag-ian-forbes","tag-jack","tag-jack-cunningham","tag-menard","tag-mythacrylate","tag-nicolas","tag-nicolas-menard","tag-project","tag-release","tag-stopmotion","tag-triple","tag-triple-bill","tag-u-k"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>U.K. Directors Nicolas M\u00e9nard And Jack Cunningham Release 3D-Printed Stop-Motion Project &#039;Triple Bill&#039; - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=147330\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"U.K. Directors Nicolas M\u00e9nard And Jack Cunningham Release 3D-Printed Stop-Motion Project &#039;Triple Bill&#039; - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Animators Nicolas M\u00e9nard and Jack Cunningham are kindred spirits. Nicolas M\u00e9nard (left) and Jack Cunningham. The two met at Nexus Studios in 2014, and began collaborating in 2019. Now, they have formalized their creative partnership by launching as the directing duo Eastend Western, repped by Nexus. 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