{"id":137164,"date":"2025-03-16T10:39:38","date_gmt":"2025-03-16T10:39:38","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/5-outstanding-artworks-at-tefaf-maastricht-2025\/"},"modified":"2025-03-16T10:39:38","modified_gmt":"2025-03-16T10:39:38","slug":"5-outstanding-artworks-at-tefaf-maastricht-2025","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=137164","title":{"rendered":"5 Outstanding Artworks at TEFAF Maastricht 2025"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Art Market<\/p>\n<p><a display=\"block\" text-decoration=\"none\" class=\"RouterLink__RouterAwareLink-sc-c712443b-0 WYjhB\" href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-5-outstanding-artworks-tefaf-maastricht-2025\"><\/p>\n<p>Arun Kakar<\/p>\n<p><\/a><\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:5362 \/ 4032;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEkyqK9Sb0vx8_ik4vtIT4A%252FMar13_TM25_FlowerWall_JitskeNap_011.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEkyqK9Sb0vx8_ik4vtIT4A%252FMar13_TM25_FlowerWall_JitskeNap_011.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEkyqK9Sb0vx8_ik4vtIT4A%252FMar13_TM25_FlowerWall_JitskeNap_011.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Interior view of the \u201cFlower Wall\u201d at TEFAF Maastricht, 2025. Photo by Jitske Nap. Courtesy of TEFAF.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>Elaborate floral decorations, flutes of white wine, and freshly shucked oysters made for a typical scene at The European Fine Art Foundation (TEFAF)\u2019s Maastricht fair, which got the first of its two VIP preview days underway yesterday, March 13th. <\/p>\n<p>Now in its 38th edition, <a href=\"https:\/\/www.artsy.net\/fair\/tefaf-maastricht-2025\">TEFAF Maastricht 2025<\/a> sits among the senior citizens of the art fair world and has a formidable reputation in the industry. The fair\u2019s claim to represent \u201c7,000 years of art history\u201d is not just a tagline, but a serious declaration of intent that it achieves with remarkable consistency: Everything from <a href=\"https:\/\/www.artsy.net\/collection\/old-masters\">Old Masters<\/a> through to jewelry, rare books, sculpture, antiquities, and contemporary art can be perused across the MECC convention center. <\/p>\n<p>At the 2025 edition of the fair\u2014which features 273 galleries from 21 countries\u2014discoveries, oddities, and museum-quality items abound. As well as works by famous names such as <a href=\"https:\/\/www.artsy.net\/artist\/vincent-van-gogh\">Vincent van Gogh<\/a>, <a href=\"https:\/\/www.artsy.net\/artist\/titian\">Titian<\/a>, <a href=\"https:\/\/www.artsy.net\/artist\/diego-velazquez\">Diego Vel\u00e1zquez<\/a>, and <a href=\"https:\/\/www.artsy.net\/artist\/rembrandt-van-rijn\">Rembrandt van Rijn<\/a>, a slew of works from across different slices of art history is everywhere. \u201cThe depth of the fair in terms of quality and also subject matter means that there\u2019s almost something for everyone,\u201d said Robert Bowman, owner of <a href=\"https:\/\/www.artsy.net\/partner\/bowman-sculpture\">Bowman Sculpture<\/a>, which has been exhibiting at the fair for a quarter of a century. He added: \u201cYou get a lot of serious collectors and museum directors who say, \u2018If there\u2019s one fair I\u2019m going to go to, it\u2019s TEFAF.\u2019\u201d Among the standouts at the gallery\u2019s booth, which is presenting two centuries\u2019 worth of sculpture, is <a href=\"https:\/\/www.artsy.net\/artist\/sarah-bernhardt\">Sarah Bernhardt<\/a>\u2019s haunting plaster work <em>Autoportrait<\/em> (1870). <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:7600 \/ 5050;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FU0P315iNbIq3gcGimqe8rA%252FMarch13-JorgeWelsh-208-LoraineBodewes-3.jpeg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FU0P315iNbIq3gcGimqe8rA%252FMarch13-JorgeWelsh-208-LoraineBodewes-3.jpeg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FU0P315iNbIq3gcGimqe8rA%252FMarch13-JorgeWelsh-208-LoraineBodewes-3.jpeg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Installation view of Jorge Welsh\u2019s booth at TEFAF Maastricht, 2025. Photo by Loraine Bodewes. Courtesy of TEFAF.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>While TEFAF is perhaps best known for historical works, it would be a mistake to think that the fair is not looking forward. New managing director Dominique Savelkoul (TEFAF\u2019s fifth managing director in four years), formerly the head of the Belgian museum Mu.ZEE, has <a href=\"https:\/\/www.theartnewspaper.com\/2025\/03\/11\/new-leadership-brings-rebirth-to-tefaf\">stated her plan to<\/a> encourage next-gen collectors to the MECC. This is highlighted through the fair\u2019s Showcase section, launched in 2008, which this year features 10 galleries that have operated for 10 years or less. Also of note this year is the fair\u2019s digital \u201cInsider\u2019s Guide,\u201d which spotlights artworks under \u20ac20,000 ($21,728). <\/p>\n<p>Contemporary art, too, maintains a strong presence with enough galleries in the category to form a small fair of their own. As well as blue-chip names such as <a href=\"https:\/\/www.artsy.net\/partner\/white-cube\">White Cube<\/a> and Skarstedt, highlights include Marianne Boesky Gallery\u2019s presentation of new works by <a href=\"https:\/\/www.artsy.net\/artist\/danielle-mckinney\">Danielle Mckinney<\/a> (in dialogue with <a href=\"https:\/\/www.artsy.net\/artist\/edward-hopper\">Edward Hopper<\/a>) and new sculptures by <a href=\"https:\/\/www.artsy.net\/artist\/ken-mihara\">Ken Mihara<\/a> at <a href=\"https:\/\/www.artsy.net\/partner\/a-lighthouse-called-kanata\">A Lighthouse Called Kanata<\/a>. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:8192 \/ 5464;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEWsSPUPok2gSlxAWvWXRIQ%252FMarch13-D%2527LanContemporary-431-LoraineBodewes-1.jpeg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEWsSPUPok2gSlxAWvWXRIQ%252FMarch13-D%2527LanContemporary-431-LoraineBodewes-1.jpeg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FEWsSPUPok2gSlxAWvWXRIQ%252FMarch13-D%2527LanContemporary-431-LoraineBodewes-1.jpeg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Installation view of D\u2019Lan Contemporary\u2019s booth at TEFAF Maastricht, 2025. Photo by Loraine Bodewes. Courtesy of TEFAF.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>Contemporary-leaning galleries are also taking the opportunity presented by the fair to append historical components to their current programming. At the Parisian gallery <a href=\"https:\/\/www.artsy.net\/partner\/mennour\">Mennour<\/a>\u2019s booth, works by the likes of <a href=\"https:\/\/www.artsy.net\/artist\/alberto-giacometti\">Alberto Giacometti<\/a> and <a href=\"https:\/\/www.artsy.net\/artist\/david-hockney\">David Hockney<\/a> are shown alongside ultra-contemporary names such as <a href=\"https:\/\/www.artsy.net\/artist\/alicja-kwade\">Alicja Kwade<\/a> and <a href=\"https:\/\/www.artsy.net\/artist\/petrit-halilaj\">Petrit Halilaj<\/a>. \u201cThe idea is this confrontation, the porosity between modernity and antiques,\u201d said gallery owner Kamel Mennour. \u201cI like the idea of this juxtaposition. For me it was very important to be close to this idea of what people are expecting to see here so I try to be Mennour, but in [a] different way.\u201d<\/p>\n<p>Indeed, TEFAF\u2019s greatest asset is its breadth and exceedingly high standards (its entry process and vetting committee have a fearsome reputation). Recent stock market volatility and tariff changes created tension in the weeks preceding the fair. And yet gallery anxieties appeared to be allayed by the appearance of a buzzing VIP day crowd. With a bounty of blue-chip items on view\u2014the fair\u2019s most expensive work is tipped to be <a href=\"https:\/\/www.artsy.net\/artist\/pablo-picasso\">Pablo Picasso<\/a>\u2019s <em>Les Dormeurs<\/em> (1965), with a price \u201cexceeding\u201d $50 million at Landau Fine Art\u2019s booth\u2014dealers will hope that the initial energy on the ground will be met with a similar vigor when it comes to transactions.  <\/p>\n<p>Here, Artsy picks out five outstanding works from the fair, which runs through Wednesday, March 19th. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<h2><a href=\"https:\/\/www.artsy.net\/artist\/mary-cassatt\">Mary Cassatt<\/a>, <em>Girl with a Banjo<\/em>, 1894 <\/h2>\n<h3><a href=\"https:\/\/www.artsy.net\/partner\/ms-rau\">M.S Rau<\/a><\/h3>\n<h3>Booth 334<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:2264 \/ 2000;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FDgvfzqwHe4EMTTtiFlSSfA%252FMary%2BCassatt%252C%2BGirl%2Bwith%2Ba%2BBanjo%252C%2B1894.%2BCourtesy%2Bof%2BM.S%2BRau.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FDgvfzqwHe4EMTTtiFlSSfA%252FMary%2BCassatt%252C%2BGirl%2Bwith%2Ba%2BBanjo%252C%2B1894.%2BCourtesy%2Bof%2BM.S%2BRau.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FDgvfzqwHe4EMTTtiFlSSfA%252FMary%2BCassatt%252C%2BGirl%2Bwith%2Ba%2BBanjo%252C%2B1894.%2BCourtesy%2Bof%2BM.S%2BRau.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Mary Cassatt, <i>Girl with a Banjo<\/i>, 1894. Courtesy of M.S Rau.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>According to Old Masters specialist Merc\u00e8 Valderrey Art and the Athena Art Foundation, the participation of women artists at this year\u2019s edition of TEFAF has \u201cnearly doubled\u201d compared to 2024: More than 500 works by women artists are exhibited by almost 100 booths at the fair. While this is still less than half of the exhibitors at the fair, it does nonetheless yield some exceptional highlights. Among them is this exceptional pastel-on-board work by American Impressionist <a href=\"https:\/\/www.artsy.net\/artist\/mary-cassatt\">Mary Cassatt<\/a>, <em>Girl with a Banjo<\/em> (1894). <\/p>\n<p>This tender work showcases Cassatt\u2019s mastery of pastels, which she was encouraged to use by her friend <a href=\"https:\/\/www.artsy.net\/artist\/edgar-degas\">Edgar Degas<\/a> in the 1880s. By the 1890s, Cassatt had established herself as one of the foremost American women artists. This work encapsulates the artist\u2019s <a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-inside-mary-cassatts-mothers-babies-subtle-feminist-politics\">enduring and touching focus on the lives of women<\/a>, often in domestic and everyday settings. <\/p>\n<p>\u201cIt\u2019s so skillfully rendered and so delicate and so sensitive, but I also interpret it as truly kind of an early feminist artwork which makes it particularly special,\u201d said Rebecca Rau, vice president of acquisitions at <a href=\"https:\/\/www.artsy.net\/partner\/ms-rau\">M.S. Rau<\/a>. \u201cThe scale and refinement and the palette are so unique and so specific. I love these really warm, deep kind of burnt sienna, burnt umber hues that I don\u2019t often associate with her.\u201d<\/p>\n<p>The work, which is priced at \u20ac4.5 million ($4.88 million), is one of a cluster of hefty artworks at the New Orleans gallery\u2019s booth. Works by <a href=\"https:\/\/www.artsy.net\/artist\/paul-gauguin\">Paul Gauguin<\/a>, Vincent van Gogh, and <a href=\"https:\/\/www.artsy.net\/artist\/claude-monet\">Claude Monet<\/a> are among those on view here. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<h3><a href=\"https:\/\/www.artsy.net\/partner\/richard-saltoun\">Richard Saltoun <\/a><\/h3>\n<h3>Booth 704<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:4000 \/ 3424;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F_gwo5JF-YsI9Mpp4HuwvKw%252FJuliana%2BSeraphim%252C%2BThe%2BEye%252C%2B1970s%2B%2BCopyright%2BThe%2BEstate%2Bof%2Bthe%2BArtist%2BCourtesy%2Bof%2BRichard%2BSaltoun%2BGallery%2BLondon%252C%2BRome%2Band%2BNew%2BYork.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F_gwo5JF-YsI9Mpp4HuwvKw%252FJuliana%2BSeraphim%252C%2BThe%2BEye%252C%2B1970s%2B%2BCopyright%2BThe%2BEstate%2Bof%2Bthe%2BArtist%2BCourtesy%2Bof%2BRichard%2BSaltoun%2BGallery%2BLondon%252C%2BRome%2Band%2BNew%2BYork.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F_gwo5JF-YsI9Mpp4HuwvKw%252FJuliana%2BSeraphim%252C%2BThe%2BEye%252C%2B1970s%2B%2BCopyright%2BThe%2BEstate%2Bof%2Bthe%2BArtist%2BCourtesy%2Bof%2BRichard%2BSaltoun%2BGallery%2BLondon%252C%2BRome%2Band%2BNew%2BYork.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Juliana Seraphim, <i>The Ey<\/i>e, ca 1970s. \u00a9 The estate of the artist. Courtesy of Richard Saltoun Gallery London, Rome, and New York.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p><a href=\"https:\/\/www.artsy.net\/partner\/richard-saltoun\">Richard Saltoun<\/a> is showing a solo booth of late Palestinian artist <a href=\"https:\/\/www.artsy.net\/artist\/juliana-seraphim\">Juliana Seraphim<\/a>, one of the leading 20th-century Middle Eastern modernists. The gallery\u2019s tightly arranged survey of work from across Seraphim\u2019s career sits in the Focus section of the fair, dedicated to curated presentations of single artists or concepts. <\/p>\n<p>After being displaced in 1948, Seraphim moved to Beirut as a teenager. She attended classes with the esteemed Lebanese painter <a href=\"https:\/\/www.artsy.net\/artist\/jean-khalife\">Jean Khalif\u00e9<\/a>, who would organize Seraphim\u2019s first exhibition. The artist emerged in the 1960s and mainly depicted women in a style that is often compared to <a href=\"https:\/\/www.artsy.net\/collection\/surrealism\">Surrealism<\/a>, combining dreamlike settings with a distinctively female sensuality. <\/p>\n<p>\u201cHer work is characterized by these women set amongst these sort of fantastical, imaginary, architectural worlds,\u201d said Richard Saltoun director Niamh Coglan. In <em>The Eye<\/em> (1970)\u2014one of the few works available for purchase by the artist from the 1970s\u2014a giant eye casts protection on a woman amid an ambiguously austere cityscape. <\/p>\n<p>The work, which is priced at \u20ac80,000 ($86,858), encapsulates the feminine touch and freewheeling imagination that came to define much of the artist\u2019s oeuvre. \u201cThe images in my paintings come from deep within me; they are surreal and unexplainable,\u201d the artist said in an interview for <em>The Woman Artist in Lebanon<\/em>, a 1987 book by Helen Khal. \u201cI want to portray a woman\u2019s world and how important love is to a woman. Few men understand the quality of love a woman seeks. I try to show them.\u201d <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<h2><a href=\"https:\/\/www.artsy.net\/artist\/camille-pissarro\">Camille Pissarro<\/a>, <em>La servante assise dans le jardin d\u2019\u00c9ragny<\/em>, 1884 <\/h2>\n<h3><a href=\"https:\/\/www.artsy.net\/partner\/alon-zakaim-fine-art\">Alon Zakaim Fine Art<\/a><\/h3>\n<h3>Booth 458<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:3882 \/ 3205;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FXtt0WWVvgYcW_FB0IeflGA%252FCamille%2BPissarro%252C%2BLa%2Bservante%2Bassise%2Bdans%2Ble%2Bjardin%2Bd_E%25CC%2581ragny%252C%2B1884.%2BCourtesy%2Bof%2BAlon%2BZakaim%2BFine%2BArt%25281%2529.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FXtt0WWVvgYcW_FB0IeflGA%252FCamille%2BPissarro%252C%2BLa%2Bservante%2Bassise%2Bdans%2Ble%2Bjardin%2Bd_E%25CC%2581ragny%252C%2B1884.%2BCourtesy%2Bof%2BAlon%2BZakaim%2BFine%2BArt%25281%2529.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FXtt0WWVvgYcW_FB0IeflGA%252FCamille%2BPissarro%252C%2BLa%2Bservante%2Bassise%2Bdans%2Ble%2Bjardin%2Bd_E%25CC%2581ragny%252C%2B1884.%2BCourtesy%2Bof%2BAlon%2BZakaim%2BFine%2BArt%25281%2529.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Camille Pissarro, <i>La servante assise dans le jardin d_E\u0301ragny<\/i>, 1884. Courtesy of Alon Zakaim Fine Art.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>One of an abundance of <a href=\"https:\/\/www.artsy.net\/gene\/impressionism\">Impressionist<\/a> works on view at the fair, <a href=\"https:\/\/www.artsy.net\/artist\/camille-pissarro\">Camille Pissarro<\/a>\u2019s <em>La servante assise dans le jardin d\u2019\u00c9ragny<\/em> (1884) was executed at a turning point in the artist\u2019s career. The landscapes that he earned renown for in prior decades had now developed into more close-up figurative depictions of moments and places. <\/p>\n<p>Here, a servant watches lovingly over two children in a garden. The maid\u2019s head is turned away from the viewer as the children play, casting a protective gaze. Her watchful demeanor is mirrored by another woman in the background, who is gardening. Painted shortly after Pissarro moved to \u00c9ragny (where he would spend the rest of his life), the painting is a prime example of the artist\u2019s signature flourishes: rich foliage, dappled ochres and greens, and a simplicity in its setting that brings an emphatic realism to this Impressionist work. <\/p>\n<p>The painting is priced at \u20ac1.3 million ($1.4 million) and is part of London gallery <a href=\"https:\/\/www.artsy.net\/partner\/alon-zakaim-fine-art\">Alon Zakaim Fine Art<\/a>\u2019s strong booth of mainly 19th- and 20th-century art. It also includes works by the likes of Picasso, <a href=\"https:\/\/www.artsy.net\/artist\/paul-signac\">Paul Signac<\/a>, <a href=\"https:\/\/www.artsy.net\/artist\/marc-chagall\">Marc Chagall<\/a>, and <a href=\"https:\/\/www.artsy.net\/artist\/hans-hoffmann\">Hans Hoffmann<\/a>. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<h2><a href=\"https:\/\/www.artsy.net\/artist\/bruce-onobrakpeya\">Bruce Onobrakpeya<\/a>, <em>Emiovwo Beroma I; Ore Mu Vbo Gbo; Agogo and Tisha<\/em>, 1983<\/h2>\n<h3><a href=\"https:\/\/www.artsy.net\/partner\/tafeta\">TAFETA<\/a><\/h3>\n<h3>Booth 608<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:3544 \/ 2364;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FaBCIgHL4brRWQu37zGsxVw%252FBruce%2BOnobrakpeya%2B%2B%2BPanel%2Bof%2Bfour_%2BEmiovwo%2BBeroma%2BI_%2B%2BOre%2BMu%2BVbo%2BGbo_%2B%2BAgogo%2Band%2BTisha%252C%2B1983.%2BCourtesy%2Bof%2BTAFETA.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FaBCIgHL4brRWQu37zGsxVw%252FBruce%2BOnobrakpeya%2B%2B%2BPanel%2Bof%2Bfour_%2BEmiovwo%2BBeroma%2BI_%2B%2BOre%2BMu%2BVbo%2BGbo_%2B%2BAgogo%2Band%2BTisha%252C%2B1983.%2BCourtesy%2Bof%2BTAFETA.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FaBCIgHL4brRWQu37zGsxVw%252FBruce%2BOnobrakpeya%2B%2B%2BPanel%2Bof%2Bfour_%2BEmiovwo%2BBeroma%2BI_%2B%2BOre%2BMu%2BVbo%2BGbo_%2B%2BAgogo%2Band%2BTisha%252C%2B1983.%2BCourtesy%2Bof%2BTAFETA.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"black60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Bruce Onobrakpeya, <i>Emiovwo Beroma I; Ore Mu Vbo Gbo; Agogo and Tisha<\/i>, 1983. Courtesy of TAFETA.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr\">\n<p>One of the most prominent figures of Nigerian modernism and a founding member of the influential Zaria Art Society, <a href=\"https:\/\/www.artsy.net\/artist\/bruce-onobrakpeya\">Bruce Onobrakpeya<\/a> is represented in <a href=\"https:\/\/www.artsy.net\/partner\/tafeta\">TAFETA<\/a>\u2019s booth with a stunning patinated four-panel metal work, <em>Emiovwo Beroma I; Ore Mu Vbo Gbo; Agogo and Tisha<\/em> (1983). <\/p>\n<p>The imagery on the panels references the relief plaques and commemorative heads of the <a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-long-exile-looted-benin-bronzes-story-mighty-african-kingdom\">Benin bronzes<\/a>. These bronze sculptures, which date back as far as the 14th century, once decorated the Royal Palace of Benin, in what is now in Nigeria\u2019s Edo State, but most were taken by British forces in 1897. In his work, Onobrakpeya harkens back to a pre-colonial representation of mythologies and symbolic tradition\u2014themes that the artist draws upon across his practice and are often amalgamated with his personal experiences. <\/p>\n<p>\u201cThe subject matter was always deeply African and very relatable to their culture,\u201d said TAFETA director Ayo Adeyinka. The London gallery\u2019s impressive booth includes works by a number of 20th-century African artists featured in the <a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-venice-biennale-foreigners-everywhere-carves-space-queer-indigenous-artists\">2024 Venice Biennale main show \u201cForeigners Everywhere\u201d<\/a>: Onobrakpeya, <a href=\"https:\/\/www.artsy.net\/artist\/uche-okeke\">Uche Okeke<\/a>, <a href=\"https:\/\/www.artsy.net\/artist\/ben-enwonwu\">Ben Enwonwu<\/a>, <a href=\"https:\/\/www.artsy.net\/artist\/malangatana-ngwenya\">Malangatana Ngwenya<\/a>, and <a href=\"https:\/\/www.artsy.net\/artist\/susanne-wenger\">Susanne Wenger<\/a> are among the artists exhibited. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:819 \/ 1024;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-a0e66a1d-1 hgRaTA cvpDYh\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F__gAWLhVsU_KAftW8vKr1g%2Fmain.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F__gAWLhVsU_KAftW8vKr1g%2Fmain.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F__gAWLhVsU_KAftW8vKr1g%2Fmain.jpg&amp;width=1820 2x\" alt=\"Greek, \u2018A Monumental Attic Red-figure Calyx Krater, Attributed to the Kleophrades Painter\u2019, 480-470 BCE, Other, Terracotta, Galerie Cahn\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-72bc87bd-0 hsljei dCLIGr ArticleSectionText__ArticleHTMLLastChild-sc-dc4648d4-1 fFJXgY\">\n<p>TEFAF wouldn\u2019t be TEFAF without a discovery from ancient art history. This two-handled terracotta vase dating back to 480\u2013470 BCE is a stunning example, in impressive condition. <\/p>\n<p>One side depicts an elderly couple followed by a girl, followed by several mythological figures including Theano, a priestess of Athena in Troy during the Trojan War, who is shown stooped in pain. On the other side is the ancient Greek god of the sea, Poseidon, robed in a chiton tunic and himation wrap, holding a trident in one hand and a fish in the other. Other figures on the vase include Theano\u2019s husband Antenor; a woman holding a ribbon; and a bearded man clasping his head in what appears to be a state of anguish. <\/p>\n<p>\u201cThis vase is not only quite exceptional in the scenery, but also in its movement,\u201d said <a href=\"https:\/\/www.artsy.net\/partner\/galerie-cahn\">Galerie Cahn<\/a> director Jean-David Cahn. \u201cIt\u2019s in good shape, though the surface has suffered.\u201d The terracotta, which is priced at $357,000, was reassembled from fragments with restorations and fillings. It is also a rare extant example of the mythological figure of Theano, who featured in ancient Greek literature, being represented clearly in a visual artwork. <\/p>\n<p>It\u2019s also one of a number of fascinating artifacts presented in the booth of the Basel-based gallery. Ancient Egyptian molds, neolithic blade axes, and Roman sculpted heads are among the delights on view here. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 hsljei\">\n<div class=\"Box-sc-15se88d-0\">\n<p>Arun Kakar<\/p>\n<p>Arun Kakar is Artsy\u2019s Art Market Editor.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Art Market Arun Kakar Interior view of the \u201cFlower Wall\u201d at TEFAF Maastricht, 2025. Photo by Jitske Nap. Courtesy of TEFAF. Elaborate floral decorations, flutes of white wine, and freshly shucked oysters made for a typical scene at The European Fine Art Foundation (TEFAF)\u2019s Maastricht fair, which got the first of its two VIP preview [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":137165,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[58753,15279,58750,58749,4315,58755,58748,58751,58757,58747,36738,58752,58754,58756],"dealstore":[],"offerexpiration":[],"class_list":["post-137164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-alon-zakaim-fine-art","tag-artworks","tag-bruce-onobrakpeya","tag-camille-pissarro","tag-fairs","tag-galerie-cahn","tag-juliana-seraphim","tag-m-s-rau","tag-maastricht","tag-mary-cassatt","tag-outstanding","tag-richard-saltoun","tag-tafeta","tag-tefaf"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>5 Outstanding Artworks at TEFAF Maastricht 2025 - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=137164\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"5 Outstanding Artworks at TEFAF Maastricht 2025 - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Art Market Arun Kakar Interior view of the \u201cFlower Wall\u201d at TEFAF Maastricht, 2025. Photo by Jitske Nap. Courtesy of TEFAF. 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