{"id":130076,"date":"2025-03-13T06:10:19","date_gmt":"2025-03-13T06:10:19","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/on-the-line\/"},"modified":"2025-03-13T06:10:19","modified_gmt":"2025-03-13T06:10:19","slug":"on-the-line","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=130076","title":{"rendered":"On the Line"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<p><strong>\u25b0 Tap Dance:<\/strong><\/p>\n<pre class=\"wp-block-code\"><code>Dance artists often spout rhythmic medleys of noises and counts during classes and rehearsals. In a wordless art that lacks a widely used form of written notation, these sounds, poetic and onomatopoeic, are strikingly efficient at conveying both what the steps are and how they should be performed. It\u2019s an improvised language that can capture choreography\u2019s cadence, texture and feel.<\/code><\/pre>\n<p>That is&nbsp;<strong>Margaret Fuhrer<\/strong>&nbsp;in the New York Times on&nbsp;<a href=\"https:\/\/www.nytimes.com\/2025\/03\/11\/arts\/dance\/dance-choreography-vocals.html\">the sounds of choreography<\/a>.<\/p>\n<p>. . .<\/p>\n<p><strong>\u25b0 Heart Beat:<\/strong><\/p>\n<pre class=\"wp-block-code\"><code>The silence, the thoughts \/ that come with it, the sinking \/ suspicion that something more \/ is wrong with me than anyone \/ knows, including myself, including \/ the doctor who hooked me up \/ to the EKG machine<\/code><\/pre>\n<p>That is the opening of a poem,&nbsp;<a href=\"https:\/\/www.newyorker.com\/magazine\/2025\/03\/10\/what-am-i-afraid-of-sasha-debevec-mckenney-poem\">\u201cWhat Am I Afraid Of?\u201d<\/a>&nbsp;by&nbsp;<strong>Sasha Debevec-McKenney<\/strong>, in&nbsp;<em>The New Yorker<\/em>.<\/p>\n<p>. . .<\/p>\n<p><strong>\u25b0 Backing Track:<\/strong><\/p>\n<pre class=\"wp-block-code\"><code>I always thought, if the acting thing didn\u2019t work out, which it still might not, I would love to be a Foley artist.<\/code><\/pre>\n<p>That is&nbsp;<strong>Cate Blanchett<\/strong>&nbsp;<a href=\"https:\/\/www.theguardian.com\/film\/2025\/mar\/09\/everything-is-so-fragile-cate-blanchett-on-marriage-metoo-and-the-state-of-the-world\">speaking to The Guardian\u2019s Eva Wiseman<\/a>. (Found via Peter Albrechtsen.)<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>\u25b0 Tap Dance: Dance artists often spout rhythmic medleys of noises and counts during classes and rehearsals. In a wordless art that lacks a widely used form of written notation, these sounds, poetic and onomatopoeic, are strikingly efficient at conveying both what the steps are and how they should be performed. It\u2019s an improvised language [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12031],"tags":[4827],"dealstore":[],"offerexpiration":[],"class_list":["post-130076","post","type-post","status-publish","format-standard","hentry","category-ambient-music","tag-line"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>On the Line - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=130076\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"On the Line - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"\u25b0 Tap Dance: Dance artists often spout rhythmic medleys of noises and counts during classes and rehearsals. In a wordless art that lacks a widely used form of written notation, these sounds, poetic and onomatopoeic, are strikingly efficient at conveying both what the steps are and how they should be performed. 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