{"id":125517,"date":"2025-03-11T03:27:54","date_gmt":"2025-03-11T03:27:54","guid":{"rendered":"https:\/\/peraltafinancing.com\/american-history\/review-storylife\/"},"modified":"2025-03-11T03:27:54","modified_gmt":"2025-03-11T03:27:54","slug":"review-storylife","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=125517","title":{"rendered":"REVIEW: Storylife"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div><img loading=\"lazy\" width=\"1140\" height=\"420\" src=\"https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Screen-Shot-2025-03-03-at-8.06.42-PM-1140x420.png\" class=\"singular-image entry-image\" alt=\"\" decoding=\"async\"\/><\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Screen-Shot-2025-03-03-at-8.06.42-PM-1024x695.png\" alt=\"\" class=\"wp-image-176499 lazyload\"\/><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"695\" src=\"https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Screen-Shot-2025-03-03-at-8.06.42-PM-1024x695.png\" alt=\"\" class=\"wp-image-176499 lazyload\" srcset=\"https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Screen-Shot-2025-03-03-at-8.06.42-PM-1024x695.png 1024w, https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Screen-Shot-2025-03-03-at-8.06.42-PM-300x203.png 300w, https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Screen-Shot-2025-03-03-at-8.06.42-PM-768x521.png 768w, https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Screen-Shot-2025-03-03-at-8.06.42-PM-1536x1042.png 1536w, https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Screen-Shot-2025-03-03-at-8.06.42-PM.png 1840w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"\/><\/figure>\n<p class=\"has-larger-font-size\"><em><strong>Homer for our time<\/strong><\/em><\/p>\n<p><a href=\"https:\/\/yalebooks.yale.edu\/book\/9780300269239\/storylife\/\">Storylife: On Epic, Narrative, and Living Things<\/a> <em>by Joel P. Christensen. Yale University Press, 2025. 248 pp., $30.00<\/em><\/p>\n<p class=\"has-drop-cap\">The world is in flux in many unsettling ways. One of these involves how humans now envision artistic production, creative originality, meaning and authorship. Joel P. Christensen\u2019s newest foray into the Homeric epics offers a welcome and timely intervention for our cultural moment, reminding us that ancient poetry has long held rich resources for reflecting on these matters. While modern sentiments have long been shaped by romantic ideals of the creative genius, scholarship demonstrates that ancient Greece\u2019s most celebrated literary works\u2014the <em>Iliad<\/em> and <em>Odyssey<\/em>\u2014emerged from collective contexts and were produced as collaborations between performers and audiences.<\/p>\n<p><em>Storylife<\/em> proceeds through a series of metaphors drawn primarily from biology, such as the transmission of DNA, development of ecosystems, and arboreal features. The latter involves further discussions of tree rings, roots, and branches. Elaborations on these themes yield various meaningful insights\u2014for instance, the evolution of crustaceans provides Christensen conceptual language for scholarly quests for a proto-myth that gave rise to Homer\u2019s epics.\u00a0<\/p>\n<p>This search for original myth and its cultural transmission has proven to be consistently elusive. Christensen borrows terminology from evolutionary biology to suggest that a better approach attends to \u201canalogous adaptations\u201d rather than \u201chomologous\u201d ones (i.e., those that are dependent on a common ancestor). This approach allows for meaningful comparisons between mythological traditions (e.g., <em>Gilgamesh<\/em> or the <em>Enuma Elish<\/em>) without privileging either Indo-European or ancient Near Eastern cultural forebears. Parallels between stories of heroes\u2014whether Heracles, Moses, or Jesus\u2014can be conceptualized as \u201cdeveloping in ecosystems, like crabs, and exhibiting different features based on an interplay between their inheritance (genetics) and their environment,\u201d combined with complex layers of human involvement.<\/p>\n<p>Christensen effectively applies such insights from biology to numerous details within the <em>Iliad<\/em> and <em>Odyssey<\/em>. The well-known Homeric epithets, for example, are often thought to be fossilized\u2014that is, fixed and thus lacking poetic creativity. On the contrary, Christensen argues, a phrase such as \u201cswift-footed Achilles\u201d is like a gene or strand of DNA: When transferred into a new setting, it can take on a striking range of inversions and ironies. Similarly, narrative patterns that appear to be inherited set-pieces are deployed in the epics with sophisticated patterns of recombination and change.\u00a0<\/p>\n<p>In short, for Christensen, Homer\u2019s formulaic elements, from epithets to type scenes, are not merely building blocks. Rather, they are akin to features within biological organisms: evolving, adaptable and, above all, alive.<\/p>\n<p>The velocity at which contemporary cultural attitudes toward creativity in arts and literature are shifting is well illustrated in the production timeline of <em>Storylife<\/em>. Between the moments when Christensen first conceptualized the book\u2019s ideas and the date of publication, generative artificial intelligence became widely available to the public. Professional academics have faced this invention with a range of reactions from curiosity and excitement to anxiety and dismay. The most immediate task has been to establish policies for students regarding the extent to which they may deploy these tools in their written assignments. Beyond challenges posed for pedagogy, generative A.I. has provoked radical reassessments of what qualifies as one\u2019s own work, original idea, or genuine insight.\u00a0\u00a0<\/p>\n<p>While Christensen conceptualized his project as an endeavor to understand the construction of language and literature with biological metaphors\u2014not inanimate ones, such as ChatGPT\u2014he managed to insert an insightful, if ever so brief, discussion of the latter in his introduction. He helpfully anticipates how generative A.I. will force us once again to reevaluate what, if anything, about human consciousness uniquely enables the production of art. How might insights from the Homeric epics contribute to <em>that<\/em> discussion? This may be a question for a future book.<\/p>\n<p>The implicit assumption running throughout <em>Storylife<\/em>\u2014that Homer remains as relevant as ever\u2014will warm the heart of every professional classicist. At the same time, Christensen\u2019s engaging style and stimulating ventures through a wide range of academic perspectives are certain to appeal to a much wider audience. Such projects are especially vital in our historical moment when one of the most common biological terms applied to the field of classics (and indeed the humanities more broadly) is \u201cextinction.\u201d\u00a0<\/p>\n<p>In rebuttal, <em>Storylife<\/em> demonstrates that this field of inquiry has the potential not only to survive but to thrive in the years to come as long as the power of stories remains encoded within human DNA. The persistence of the academic discipline demands, however, that its practitioners learn to adapt to new cultural and intellectual environments. Christensen offers a welcome paradigm for this, and with luck his book might prompt its readers to return to Homer with fresh eyes and ears and to find renewed appreciation for the epics.<\/p>\n<p><em>Courtney Friesen is Professor of Religious Studies and Classics at the University of Arizona. His most recent book,\u00a0<\/em><a href=\"https:\/\/www.routledge.com\/Acting-Gods-Playing-Heroes-and-the-Interaction-between-Judaism-Christianity-and-Greek-Drama-in-the-Early-Common-Era\/Friesen\/p\/book\/9781032491028\">Acting Gods, Playing Heroes<\/a><em>,\u00a0was published with Routledge Press in 2024.<\/em><\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Homer for our time Storylife: On Epic, Narrative, and Living Things by Joel P. Christensen. Yale University Press, 2025. 248 pp., $30.00 The world is in flux in many unsettling ways. One of these involves how humans now envision artistic production, creative originality, meaning and authorship. Joel P. Christensen\u2019s newest foray into the Homeric epics [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":125518,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12032],"tags":[3749,54988],"dealstore":[],"offerexpiration":[],"class_list":["post-125517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-american-history","tag-review","tag-storylife"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>REVIEW: Storylife - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=125517\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"REVIEW: Storylife - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Homer for our time Storylife: On Epic, Narrative, and Living Things by Joel P. 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