{"id":125043,"date":"2025-03-10T21:44:54","date_gmt":"2025-03-10T21:44:54","guid":{"rendered":"https:\/\/peraltafinancing.com\/american-history\/walter-lippman-worried-about-a-time-when-people-cease-to-respond-to-truths-and-respond-simply-to-opinions-what-somebody-asserts-not-what-actually-is\/"},"modified":"2025-03-10T21:44:54","modified_gmt":"2025-03-10T21:44:54","slug":"walter-lippman-worried-about-a-time-when-people-cease-to-respond-to-truths-and-respond-simply-to-opinions-what-somebody-asserts-not-what-actually-is","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=125043","title":{"rendered":"Walter Lippman worried about a time when people \u201ccease to respond to truths, and respond simply to opinions\u2014what somebody asserts, not what actually is.\u201d"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div><img loading=\"lazy\" width=\"1140\" height=\"420\" src=\"https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Wolfe-1140x420.webp\" class=\"singular-image entry-image\" alt=\"\" decoding=\"async\"\/><\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Wolfe-1024x538.webp\" alt=\"\" class=\"wp-image-176512 lazyload\"\/><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"538\" src=\"https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Wolfe-1024x538.webp\" alt=\"\" class=\"wp-image-176512 lazyload\" srcset=\"https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Wolfe-1024x538.webp 1024w, https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Wolfe-300x158.webp 300w, https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Wolfe-768x403.webp 768w, https:\/\/currentpub.com\/wp-content\/uploads\/2025\/03\/Wolfe.webp 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"\/><\/figure>\n<\/div>\n<p>Check out Jeannette Cooperman\u2019s <a href=\"https:\/\/commonreader.wustl.edu\/c\/whos-afraid-of-tom-wolfe\/\">essay <\/a>at Common Reader on the late white-suited writer <a href=\"https:\/\/en.wikipedia.org\/wiki\/Tom_Wolfe\">Tom Wolfe<\/a>. She has some interesting thoughts on the so-called \u201cNew Journalism\u201d of the 1960s and 1970s.<\/p>\n<p>A taste:<\/p>\n<p><em>Did Wolfe do such a good job capturing the present that he ruined our future? Consider the trajectory. [Walter] Lippmann urged objectivity in 1920 because he saw \u201ceverywhere an increasingly angry disillusionment about the press, a growing sense of being baffled and misled.\u201d He worried about news coming at us \u201chelter-skelter, in inconceivable confusion,\u201d and readers \u201cprotected by no rules of evidence.\u201d He was afraid of a time when people \u201ccease to respond to truths, and respond simply to opinions\u2014what somebody asserts, not what actually is.\u201d<\/em><\/p>\n<p><em>Here we are.<\/em><\/p>\n<p><em>In the century between 1920 and 2025, journalists first tried for objectivity, then broke free from convention in the 1960s and 1970s with the New Journalism, named by Wolfe and led by him, Joan Didion, Truman Capote, Gay Talese, and Hunter S. Thompson. The shift would be\u00a0<a href=\"https:\/\/www.google.com\/search?gs_ssp=eJzj4tLP1TcwjU83qUoxYPRSLclIVUhPzEtXKMlILFEozy_NSclTBzKKMktSFYpLihIz0zNKAKvtEbE&amp;q=the+gang+that+wouldn%27t+write+straight&amp;rlz=1C1CHZL_enUS745US745&amp;oq=the+gang+that+wouldn%27t+writ&amp;gs_lcrp=EgZjaHJvbWUqBwgBEC4YgAQyCggAEAAY4wIYgAQyBwgBEC4YgAQyBggCEEUYOdIBCDQ4MDBqMGo3qAIIsAIB&amp;sourceid=chrome&amp;ie=UTF-8\" target=\"_blank\" rel=\"noreferrer noopener\">defined<\/a>\u00a0by Marc Weingarten as \u201cjournalism that reads like fiction and rings with the truth of reported fact.\u201d Its arrival rang out like a high, clear church bell, elating young feature writers. Its new freedom even colored newswriting, which began to set scenes for us, paint in vivid detail, and smuggle in the first person.<\/em><\/p>\n<p><em>Wolfe was so immersed, observant, and detached that he often got it right. But many of the journalists who followed slid away from the heavy-duty reporting that was the only way to keep New Journalism honest. They learned to write \u201clike\u201d Wolfe, in terms of flourish, without taking the time he took to report the substance. Laden with multiple, rapid deadlines, even the most earnest journalists were unable to climb on a bus and ride cross-country with their subject for a year. Others were wannabe novelists or gonzo reporters hungrier for attention than for accuracy. A succession of journalists were caught plagiarizing; creating composites, glomming various people they had interviewed into a single, named character; hiring other reporters to go to the scene and feed them details; or, not to put too fine a point on it, making shit up.<\/em><\/p>\n<p><em>But good, ethical reporters lost readers\u2019 trust, too. They borrowed New Journalism\u2019s techniques to liven up news stories\u2014which then read like fiction. If someone said of a profile I wrote, \u201cIt was like reading a novel,\u201d a thrill ran through me. Once I described the scenery and temperature on a group\u2019s pilgrimage to Israel\u2014interviewing each traveler at length and looking up weather stats and flora and fauna and the colors in the soil and sand\u2014and a friend asked how my trip was. Again, I took this as a compliment. But I was less sure when I gathered bureaucratic background for a local political controversy, watched the long, tedious video of the council meeting, then wrote the piece present tense, carefully setting the scene of the meeting. One official called me and screamed, \u201cYou weren\u2019t even there!\u201d<\/em><\/p>\n<p><em>Explaining that scene-setting was a convention of narrative journalism felt a little lame, even to me. Literary techniques make it easy to fudge, and readers sense that.<\/em><\/p>\n<p><em>On the other hand, when someone demanded, \u201cHow could you know what he was thinking?\u201d I always had a simple answer: \u201cI asked.\u201d If someone had grilled Wolfe about\u00a0T<\/em>he Electric Kool-Aid Acid Test,<em>\u00a0they would have learned that everything he reported he had either seen or heard himself, found recorded elsewhere, or learned from people who were there. Often if a piece feels vivid and imaginative, people cannot believe it to be accurate. But New Journalism (now old and usually called literary journalism or creative nonfiction) makes the research invisible on purpose. The effort to be artful often means leaving a little wiggle room, not moving in blow-by-blow chronological order or including every detail and caveat. Wolfe\u2019s work crackled with sassy, informed opinion; he was always interpreting, never laying it out flat. Yet he shied away from first-person,\u00a0<a href=\"https:\/\/www.scribd.com\/document\/124133881\/matters-of-fact-reading-nonfiction-over-the-edge\" target=\"_blank\" rel=\"noreferrer noopener\">pointing out<\/a>\u00a0that most of his major writing was \u201ccompletely about the lives of other people, with myself hardly intruding into the narratives at all. They were based on reporting, so a lot of it is impersonal and objective. It can be discouraging to see it described as implausible, personal, and unbelievable\u201d\u2014just because it is lively.<\/em><\/p>\n<p>Read the entire piece <a href=\"https:\/\/commonreader.wustl.edu\/c\/whos-afraid-of-tom-wolfe\/\">here<\/a>.<\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Check out Jeannette Cooperman\u2019s essay at Common Reader on the late white-suited writer Tom Wolfe. She has some interesting thoughts on the so-called \u201cNew Journalism\u201d of the 1960s and 1970s. A taste: Did Wolfe do such a good job capturing the present that he ruined our future? Consider the trajectory. [Walter] Lippmann urged objectivity in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":125044,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12032],"tags":[54840,54838,5338,54837,54833,54834,54839,3794,27244,14055,1231,54835,5477,34522,17282,54836,24716,2456],"dealstore":[],"offerexpiration":[],"class_list":["post-125043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-american-history","tag-asserts","tag-cease","tag-journalism","tag-lippman","tag-new-journalism","tag-objectivity","tag-opinionswhat","tag-people","tag-respond","tag-simply","tag-time","tag-tom-wolfe","tag-truth","tag-truths","tag-walter","tag-walter-lippman","tag-worried","tag-writing"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Walter Lippman worried about a time when people \u201ccease to respond to truths, and respond simply to opinions\u2014what somebody asserts, not what actually is.\u201d - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=125043\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Walter Lippman worried about a time when people \u201ccease to respond to truths, and respond simply to opinions\u2014what somebody asserts, not what actually is.\u201d - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Check out Jeannette Cooperman\u2019s essay at Common Reader on the late white-suited writer Tom Wolfe. 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