{"id":113586,"date":"2025-02-27T15:50:25","date_gmt":"2025-02-27T15:50:25","guid":{"rendered":"https:\/\/peraltafinancing.com\/animation\/yuck-qa-with-loic-espuche\/"},"modified":"2025-02-27T15:50:25","modified_gmt":"2025-02-27T15:50:25","slug":"yuck-qa-with-loic-espuche","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=113586","title":{"rendered":"Yuck! | Q&#038;A with Lo\u00efc Espuche"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"\">\n<header>\n<p><!-- Either there are no banners, they are disabled or none qualified for this location! --><\/p>\n<h2 class=\"topTitle\">Yuck! | Q&amp;A with Lo\u00efc Espuche<\/h2>\n<p class=\"metaDetails\">\n<time datetime=\"2025-02-27\">27 February 2025<\/time><br \/>\n<span> \/\/ <\/span><br \/>\n<a href=\"https:\/\/www.skwigly.co.uk\/articles\/interviews\/\" title=\"Interviews\">Interviews<\/a><\/p>\n<p><!--metaDetails--><\/p>\n<\/header>\n<div id=\"attachment_51500\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2025\/02\/Yuck-cover.jpg\"><img fetchpriority=\"high\" decoding=\"async\" aria-describedby=\"caption-attachment-51500\" class=\"size-medium wp-image-51500\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2025\/02\/Yuck-cover-600x300.jpg\" alt=\"\" width=\"600\" height=\"300\"\/><\/a><\/p>\n<p id=\"caption-attachment-51500\" class=\"wp-caption-text\">\u00a9 IKKI Films and Miyu Productions<\/p>\n<\/div>\n<p><strong>In a mostly adult-focused category, <i>Yuck!<\/i> stands out as one of two Oscar-nominated animated shorts to follow children. It\u2019s a charming, innocent look into a kid\u2019s first experience with romantic feelings, and the urge to express those feelings through kissing, something found utterly repulsive by his peers. The minimal 2D animation uses block colours to communicate the simplicity of this pivotal moment in this child\u2019s life.\u00a0<\/strong><\/p>\n<p><strong>Directing the short is Lo\u00efc Espuche helming his fourth short film after contributing animation and art to projects like <i>I Lost My Body<\/i> and <i>Mariona\u2019s Fantastic Tale<\/i>. Skwigly caught up with Espuche to discuss some of the challenges facing children today, depicting innocence through animation and taking part in a prison film festival.\u00a0<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Yuck! | Oscar Nominated Short Film | Official Trailer\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/P662Q7aIbr8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><b>How did you come up with the idea for the film?<\/b><\/p>\n<blockquote>\n<p><span style=\"font-weight: 400;\">It was during a screening of my previous short in a theater full of kids. That film was about a soldier who goes off to war, and at some point at the beginning of the film, he said goodbye to his fiance by giving her a little kiss. And at this moment, all the kids in the audience said,\u00a0 \u2018It\u2019s so disgusting I cannot watch.\u2019 It made me laugh a lot and I said to myself, I have to make a movie about this and the reaction it can provoke to children. So I needed to find a concept, and I came up with this idea to symbolize the desire to kiss someone where the lips light up, and contrast this with the sound of the dialog saying \u2018yuck!\u2019 I started with the contrast between sound and image, the two components of cinema. I knew that it could be a funny movie, but also a movie that could speak about themes like the beginning of having feelings for another and the fear of other people\u2019s gaze.<\/span><\/p>\n<\/blockquote>\n<p><b>Did you go in trying to make something for children or was the aim more universal?<\/b><\/p>\n<blockquote>\n<p><span style=\"font-weight: 400;\">I tried to be more universal because I knew the subject would connect with kids, but I wanted to make a movie that everyone can watch. For me, it\u2019s really important to make cinema that\u2019s not only for a single category of people. I like the idea that we share cinema together.<\/span><\/p>\n<\/blockquote>\n<p><b>How did you come up with the characters and the setting?<\/b><\/p>\n<blockquote>\n<p><span style=\"font-weight: 400;\">It was a super long process to find the characters. I knew that I wanted to have kids be the protagonists, but the first idea was really abstract and so the characters evolved during the three and a half year process of writing the script. I\u2019d say the main character is inspired by the kid I was because I was shy and was also really observant, which means you discover a lot of details, and you think everyone\u2019s looking at you and finding all your details. So I was really shy and the story is about being shy and being afraid of the gaze of other people. It was unconscious but it connected.<\/span><\/p>\n<\/blockquote>\n<div id=\"attachment_51501\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2025\/02\/Yuck-group.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-51501\" class=\"size-medium wp-image-51501\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2025\/02\/Yuck-group-600x338.jpg\" alt=\"\" width=\"600\" height=\"338\"\/><\/a><\/p>\n<p id=\"caption-attachment-51501\" class=\"wp-caption-text\">\u00a9 IKKI Films and Miyu Productions<\/p>\n<\/div>\n<p><b>Do you think it\u2019s hard for kids today to make genuine connections?<\/b><\/p>\n<blockquote>\n<p><span style=\"font-weight: 400;\">It\u2019s probably more difficult now because of social media, but I know people who feel really comfortable with it, and so I think even when they\u2019re young, some kids are probably not so oppressed by the other people\u2019s gaze. The contrast is just higher, because when we were kids our lives were only in the range of the school, or maybe in our neighborhood, or something like that.<\/span><\/p>\n<\/blockquote>\n<p><b>How did you decide on 2D animation for this project?<\/b><\/p>\n<blockquote>\n<p><span style=\"font-weight: 400;\">I don\u2019t consider myself specifically as a 2D animator because I have also developed 3D shows. I studied 3D at school, but I think I\u2019m more comfortable with 2D because 3D is way more technical. I\u2019ve drawn since I was a kid so I\u2019m comfortable with the whole process. So if at some point we run out of money, for example, for the backgrounds, I could do all the backgrounds by myself. In 3D, if I have to modelize, create the texture, set the light, the render, and all that, it would be too much just for me. Ultimately, I choose to go 2D for this film because it\u2019s allowed me to sensitise the graphic style. I wanted to focus the attention of the audience on the lips, and this way I could make graphics that are all in solid colors, and have them contrast with the shiny and glittery effect on the lips. Also that allows me to remove a lot of details which helps the viewer to use their imagination and forget about the technique.\u00a0<\/span><\/p>\n<\/blockquote>\n<div id=\"attachment_51502\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2025\/02\/Yuck-alone.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-51502\" class=\"size-medium wp-image-51502\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2025\/02\/Yuck-alone-600x337.jpg\" alt=\"\" width=\"600\" height=\"337\"\/><\/a><\/p>\n<p id=\"caption-attachment-51502\" class=\"wp-caption-text\">\u00a9 IKKI Films and Miyu Productions<\/p>\n<\/div>\n<p><b>My favourite shot is near the end where you see all these tents lit up by people\u2019s glowing lips. How difficult was that to achieve?<\/b><\/p>\n<blockquote>\n<p><span style=\"font-weight: 400;\">What was difficult about this shot is that it\u2019s also a pan, so the background was super large and to light all the tents, we had to separate everything because the light of the tents lights the bushes in front of it as well. It took a long time for the computer to calculate it so it was a technical problem. The lighting of this shot was done by Nicolas Trotignon who prepared an algorithm to control the tent light and everything was connected. Also it was difficult to preview this scene and with that algorithm we could have a render and I could adjust the timing, because we needed to find the timing of the camera movement, but also of the light, and to create a rhythm.\u00a0<\/span><\/p>\n<\/blockquote>\n<p><b>How does it feel to get that Oscar nomination?<\/b><\/p>\n<blockquote>\n<p><span style=\"font-weight: 400;\">It\u2019s crazy. At first, it was an explosion of joy, and I was with a part of the team and it was so cool and we were not expecting it. After that I received thousands of messages, it took me five or six hours to answer\u00a0 everyone. And then there is a rush, because you have to organize to go to Los Angeles and plan all that. For example, today, before we came [to LA], we didn\u2019t know where we would sleep. There was a big contrast, because you have some crazy stuff with all these red carpets but the week after the nomination, I had planned to go to a jail to present the movie to the prisoners. There is a festival and they gave <\/span><i><span style=\"font-weight: 400;\">Yuck!<\/span><\/i><span style=\"font-weight: 400;\"> the grand prize. 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It\u2019s a charming, innocent look into a kid\u2019s first experience with romantic feelings, and the urge to express those feelings [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":113587,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12035],"tags":[50679,50678,50676,50677,37756],"dealstore":[],"offerexpiration":[],"class_list":["post-113586","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","tag-espuche","tag-loic","tag-loic-espuche","tag-nicolas-trotignon","tag-yuck"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Yuck! | Q&amp;A with Lo\u00efc Espuche - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=113586\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yuck! | Q&amp;A with Lo\u00efc Espuche - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Yuck! | Q&amp;A with Lo\u00efc Espuche 27 February 2025 \/\/ Interviews \u00a9 IKKI Films and Miyu Productions In a mostly adult-focused category, Yuck! stands out as one of two Oscar-nominated animated shorts to follow children. 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