{"id":105925,"date":"2025-02-23T21:53:18","date_gmt":"2025-02-23T21:53:18","guid":{"rendered":"https:\/\/peraltafinancing.com\/african-music\/aaron-dworkin-interviews-rebecca-geoffrey-schwinden-coordinator-of-ba-critical-studies-at-university-of-north-texas\/"},"modified":"2025-02-23T21:53:18","modified_gmt":"2025-02-23T21:53:18","slug":"aaron-dworkin-interviews-rebecca-geoffrey-schwinden-coordinator-of-ba-critical-studies-at-university-of-north-texas","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=105925","title":{"rendered":"Aaron Dworkin Interviews Rebecca Geoffrey Schwinden, Coordinator of BA Critical Studies at University of North Texas!"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEil4TDRptTADG8UNF5H2Z5GxqLNnMnMS6wY3b7Fd1zOUbWyFfazjZnEHjC9RPTSjUdTGdde1eKB-5U48bMnZxB7TJMl7zDqY6SZsMcJ6YL_0dTbGALNlZiKWLlyhqDXUIXeYpvimjXRvTCQOjRxyo6XCTm0EB2BGJl7ovAv6BMixibE-6q_LbDE-4Rb\/s98\/ArtsEnginesLogoSmall.PNG\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"65\" data-original-width=\"98\" height=\"133\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEil4TDRptTADG8UNF5H2Z5GxqLNnMnMS6wY3b7Fd1zOUbWyFfazjZnEHjC9RPTSjUdTGdde1eKB-5U48bMnZxB7TJMl7zDqY6SZsMcJ6YL_0dTbGALNlZiKWLlyhqDXUIXeYpvimjXRvTCQOjRxyo6XCTm0EB2BGJl7ovAv6BMixibE-6q_LbDE-4Rb\/w200-h133\/ArtsEnginesLogoSmall.PNG\" width=\"200\"\/><\/a><\/div>\n<p>\u00a0<span style=\"color: #202020; font-family: verdana; font-size: 14px; text-align: justify;\">Welcome to this week&#8217;s episode of\u00a0<\/span><strong style=\"color: #202020; font-family: verdana; font-size: 14px; text-align: justify;\">Arts Engines\u00a0<\/strong><span style=\"color: #202020; font-family: verdana; font-size: 14px; text-align: justify;\">which now<\/span><strong style=\"color: #202020; font-family: verdana; font-size: 14px; text-align: justify;\">\u00a0<em>reaches over\u00a0<\/em><\/strong><\/p>\n<p><strong style=\"font-family: verdana; font-size: 14px;\"><em>100,000 weekly viewers\u00a0<\/em><\/strong><span style=\"font-family: verdana; font-size: 14px;\">in\u00a0partnership with Detroit Public Television,<br \/>Ovation TV, The Violin Channel and American Public Media including<br \/>Performance Today and YourClassical. Arts Engines seeks to share the<br \/>most valuable advice and input from arts administrators who tell their<br \/>stories of creative problem-solving, policy, economic impact, crisis<br \/>management and empowering the future of our field.<\/span><\/p>\n<p><span style=\"font-family: verdana;\"><\/p>\n<p>This week&#8217;s show is co-curated by our Creative Partner, the University<br \/>of North Texas College of Music ,and our guest\u00a0is\u00a0<strong>Rebecca Geoffrey-<\/strong><\/p>\n<p><strong>Schwinden, Associate Professor of Music History and Program<br \/>Coordinator of BA Critical Studies in Music and Society at UNT<\/strong>, as<br \/>she talks about the importance of evolving our curriculum to<br \/>prepare students for today\u2019s arts world<strong>.<\/strong>\u00a0 Enjoy&#8230; and have a creative<br \/>week!<\/p>\n<p><\/span><\/p>\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"mcnTextBlock\" style=\"-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; min-width: 100%; mso-table-lspace: 0pt; mso-table-rspace: 0pt; text-size-adjust: 100%; width: 100%px;\">\n<tbody class=\"mcnTextBlockOuter\">\n<tr>\n<td class=\"mcnTextBlockInner\" style=\"-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; mso-line-height-rule: exactly; padding-top: 9px; text-size-adjust: 100%;\" valign=\"top\">\n<table align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"mcnTextContentContainer\" style=\"-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; max-width: 100%; min-width: 100%; mso-table-lspace: 0pt; mso-table-rspace: 0pt; text-size-adjust: 100%; width: 100%px;\">\n<tbody>\n<tr>\n<td class=\"mcnTextContent\" style=\"line-height: 150%; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;\" valign=\"top\"><span style=\"font-family: verdana;\"><\/p>\n<div class=\"separator\" style=\"clear: both; color: #202020; font-size: 14px; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi29d0Jd0DSg7f_xx8kyr1I7w5AXnfbyNp4atq34mfQqDxWp9v5o9-36DkljG6ruwPsj-cB5VSacAWOBCCLxHgWWpMJNsDuoLIrjeCjPuDz0hs8W0MIGDaGYQBIrWyacLyJnLW9mZB5OiBGQ3tm5kR9lPUaKoDabllK-T8aGMXVU_haGsZJz5Xc1dsY\/s640\/ArtsEnginesSchwinden.png\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"480\" data-original-width=\"640\" height=\"300\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi29d0Jd0DSg7f_xx8kyr1I7w5AXnfbyNp4atq34mfQqDxWp9v5o9-36DkljG6ruwPsj-cB5VSacAWOBCCLxHgWWpMJNsDuoLIrjeCjPuDz0hs8W0MIGDaGYQBIrWyacLyJnLW9mZB5OiBGQ3tm5kR9lPUaKoDabllK-T8aGMXVU_haGsZJz5Xc1dsY\/w400-h300\/ArtsEnginesSchwinden.png\" width=\"400\"\/><\/a><\/div>\n<p><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>\u00a0Welcome to this week&#8217;s episode of\u00a0Arts Engines\u00a0which now\u00a0reaches over\u00a0 100,000 weekly viewers\u00a0in\u00a0partnership with Detroit Public Television,Ovation TV, The Violin Channel and American Public Media includingPerformance Today and YourClassical. Arts Engines seeks to share themost valuable advice and input from arts administrators who tell theirstories of creative problem-solving, policy, economic impact, crisismanagement and empowering the future [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":105926,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12025],"tags":[15623,13858,11082,37530,43813,4868,843,4177,48401,16535,12700,10980],"dealstore":[],"offerexpiration":[],"class_list":["post-105925","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-music","tag-aaron","tag-coordinator","tag-critical","tag-dworkin","tag-geoffrey","tag-interviews","tag-north","tag-rebecca","tag-schwinden","tag-studies","tag-texas","tag-university"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Aaron Dworkin Interviews Rebecca Geoffrey Schwinden, Coordinator of BA Critical Studies at University of North Texas! - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=105925\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aaron Dworkin Interviews Rebecca Geoffrey Schwinden, Coordinator of BA Critical Studies at University of North Texas! - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"\u00a0Welcome to this week&#8217;s episode of\u00a0Arts Engines\u00a0which now\u00a0reaches over\u00a0 100,000 weekly viewers\u00a0in\u00a0partnership with Detroit Public Television,Ovation TV, The Violin Channel and American Public Media includingPerformance Today and YourClassical. 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