{"id":104357,"date":"2025-02-23T01:43:19","date_gmt":"2025-02-23T01:43:19","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/ev-theremin-doom-disquiet\/"},"modified":"2025-02-23T01:43:19","modified_gmt":"2025-02-23T01:43:19","slug":"ev-theremin-doom-disquiet","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=104357","title":{"rendered":"EV, Theremin, Doom \u2013 Disquiet"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>At the end of each week, I usually collate a lightly edited collection of recent comments I\u2019ve made on social media, which I think of as my public scratch pad. I find knowing I\u2019ll revisit my posts to be a positive and mellowing influence on my social media activity. I mostly hang out on Mastodon (at\u00a0<a href=\"https:\/\/post.lurk.org\/@disquiet\">post.lurk.org\/@disquiet<\/a>), and I\u2019m also trying out\u00a0<a href=\"https:\/\/disquiet.com\/2023\/07\/12\/a-litany-of-urls\/\">a few others<\/a>. And I generally take weekends off social media.<\/p>\n<p>\u25b0\u00a0Afternoon trio for \u2026 a trio of electric vehicles (two autonomous, one driven by a device called a human) whirring by at once<\/p>\n<p>\u25b0\u00a0I\u2019m with Milchik on this one topic. \u201cThe theremin works best in moderation.\u201d<\/p>\n<p>\u25b0\u00a0I watched and liked a video of a saxophone quartet doing what was originally a string quartet, composed by Philip Glass. Now I\u2019m getting solo guitar versions, guitar quartet versions, solo piano versions, theremin versions. YouTube radicalization is real. \ud83d\ude42<\/p>\n<p>\u25b0\u00a0Your writing job is to write to best explore and express what you\u2019re thinking, not to tweak until all the little blue underlines magically disappear<\/p>\n<p>\u25b0\u00a0One of my favorite current comic book illustrators, Declan Shalvey, draws MF Doom for just over 40 minutes:<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"MF DOOM livestream\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/lVRTBwn32HU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p>\u25b0\u00a0I am sitting in a gulf different from the one you are in now \u2026<\/p>\n<p>\u25b0\u00a0I am almost done reading Neal Stephenson\u2019s <em>Cryptonomicon<\/em> (I\u2019ll be done by the end of next week), but have really fallen behind in George Eliot\u2019s <em>Middlemarch<\/em>, perhaps (ha, no \u2014 certainly) because as with the two previous novels I have completed this year (C.S. Lewis\u2019 <em>The Lion, the Witch and the Wardrobe<\/em> and Jakob Kerr\u2019s <em>Dead Money<\/em>), I started another in search of some closure: Ford Madox Ford\u2019s <em>The Good Soldier<\/em>. As with <em>Cryptonomicon<\/em>, it\u2019s a book I\u2019ve read before, in this case back when I was a teenager. <\/p>\n<p>That prior reading provides a funny story. There was a \u201cgreat books\u201d book club being formed at the local library in the town where I grew up, and I was easily a quarter of the age of the next youngest member. I didn\u2019t understand at the time that \u201cgreat books\u201d was a category, not a general descriptor, so I was confused by the proposed reading list. I didn\u2019t understand why, for example, Frank Herbert\u2019s <em>Dune<\/em> wasn\u2019t on it (I didn\u2019t even love <em>Dune<\/em>; I just thought it was a \u201cgreat\u201d science fiction book in that it was pretty well written and, you know, epic, which both seems like \u201cgreat\u201d things \u2014 look, I was young). Anyhow, reading <em>The Good Soldier<\/em> now, I\u2019m amazed I even got through it as a teen, because I would have had no idea what was going on in the intertwined relationships at any emotional level, even as plainly as they\u2019re laid out by the narrator. <\/p>\n<p>Somewhat ironically, given my long-ago youthful confusion about what makes a \u201cgreat book,\u201d the author himself asks such a question about halfway through, when he has the narrator comment: \u201cBut the fellow talked like a cheap novelist.\u2014Or like a very good novelist for the matter of that, if it\u2019s the business of a novelist to make you see things clearly.\u201d And please note that the \u201cfellow\u201d here is a vile individual, and yet he is the person with whom the book\u2019s narrator and, thus, author associate with the word \u201cnovelist.\u201d And then, should the self-reflexivity of the statement not have been sufficiently self-evident, Ford aims the interrogation regarding literary quality directly at himself: \u201cIt is melodrama; but I can\u2019t help it.\u201d This moment is, in addition, the only point in the entire novel when Ford uses the word \u201cnovelist,\u201d so I believe the low-level vexation carries some inferential weight. Weirdly, this bit popped up just after I had begun to wonder, myself, what sort of book this is. For a long time, during my current re-reading, I thought of <em>The Good Soldier<\/em> as a worldly literary romance with some existential heft \u2014 or, once the dead bodies began to stack up, more of well-written psychological thriller: so, maybe less Virginia Woolf and more Patricia Highsmith. And then, just as I had shelved my categorical considerations and returned to the book, the author himself put the exact same question right on the page. It was sort of eerie. <\/p>\n<p>I also read a few graphic novels this week, two of which I completed. Those would be the first two volumes of writer Tom King\u2019s run on Wonder Woman: <em>Outlaw<\/em> and <em>Sacrifice<\/em>. I dug <em>Outlaw<\/em> quite a bit, especially how it dialed back the highly structured format that King has employed with other characters. Perhaps due to the switch in illustrators (Daniel Sampere for volume one, and both Sampere and Tony S. Daniel for volume two) and the broader array of superpowered characters and the absence of a central villain, the second volume didn\u2019t seem to hold together as well, I felt.<\/p>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>At the end of each week, I usually collate a lightly edited collection of recent comments I\u2019ve made on social media, which I think of as my public scratch pad. I find knowing I\u2019ll revisit my posts to be a positive and mellowing influence on my social media activity. I mostly hang out on Mastodon [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12031],"tags":[14262,6940,47965],"dealstore":[],"offerexpiration":[],"class_list":["post-104357","post","type-post","status-publish","format-standard","hentry","category-ambient-music","tag-disquiet","tag-doom","tag-theremin"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>EV, Theremin, Doom \u2013 Disquiet - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=104357\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EV, Theremin, Doom \u2013 Disquiet - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"At the end of each week, I usually collate a lightly edited collection of recent comments I\u2019ve made on social media, which I think of as my public scratch pad. I find knowing I\u2019ll revisit my posts to be a positive and mellowing influence on my social media activity. 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